The secrets of settlement papers

Last summer we were fortunate to have two MA History students from the University of Essex on placement with us, jointly sponsored by the University and the Friends of Historic Essex. In this post, David Perkins tells us about his placement project: cataloguing settlement papers for the parishes of Rayleigh and Hadleigh. Thanks to David, you can now find more information about individual settlement papers on Essex Archives Online. For Rayleigh, search for the reference ‘D/P 332/13′ and for Hadleigh, search ‘D/P 303/13‘.

Photograph of an old document with slanted handwriting and red seal. The bottom line ends 'In the year of our Lord 1739'.
Removal order of John Smith, labourer, his wife Ann, and Ann’s son George from Chadwell St Mary to Rayleigh in 1739 (D/P 332/13/3/1)

The work I did for my placement forms a small part of a larger project by the Essex Record Office (ERO) to make more information about individual settlement papers available through Essex Archives Online. By making this information digitally available, the ease of accessing and the searching of those documents for details, of say, name, age, location, or date, is then greatly increased.

As a current MA student, the opportunity to not only undertake research for my dissertation in an archive and with the primary sources, but also to be a small part in the process of making those same documents more accessible and available to future researchers has been an absolute pleasure.

As a historian, the physical connection with the material past, both through the handling and reading of the settlement papers, has given me a far better sense of the real lived lives of those people named on the page. And in turn, this has given me a better appreciation for the existential realities of the people noted in those documents.

The settlement papers for Rayleigh and Hadleigh span from the late seventeenth century through to the early nineteenth century, and comprise three main types of documents: settlement certificates, removal orders, and settlement examinations.

Settlement certificates were given by the overseers and churchwardens of a parish to an individual or family as evidence that they had been granted legal settlement in that parish and so were then entitled to poor relief in that parish. Removal orders were issued by the Justices of the Peace against an individual or family, ordering them to be removed to their parish of legal settlement. Settlement examinations recorded an account of the life of an individual or family who had applied for poor relief from that parish but did not have legal settlement there. These three types of documents are individually quite formulaic in how they record the information. The date, name, and location is given in each case. Of the three types of documents, it is the settlement examinations that provide the most detailed information of that individual or family’s history.

The number of settlement papers that the ERO have for the parishes of Rayleigh and Hadleigh are markedly different. For Rayleigh there a total of 824 documents; 147 settlement certificates, 231 removal orders, and 446 settlement examinations. Whereas Hadleigh has a fraction of that, with only 54 documents in total, comprising of 48 settlement certificates, 5 removal orders, and 1 settlement examination. The difference in the volume of the ERO’s holdings for these two parishes is not necessarily a reflection of the contemporaneous quantities of those documents, but rather a reflection of what has survived. The difference between the number of documents that remain from these two parishes is a telling example of the un-uniform survival, even amongst similar items, of materials from the past. 

Aside from the most beneficial use that these documents have, in informing genealogists and researchers of family history, by looking at the settlement papers in a different way there also lays a vast wealth of other fascinating information that can be gained.

In the papers we can see a changing world over the course of more than a century. A world that in 1752 changes its observation of the new year from 25 March to 1 January, we can see the transition in the way that the names of settlements are described, from the Norman-French ‘Magna’ and ‘Parva’ (D/P 332/13/1A/70) to the English ‘Great’ and ‘Little’ (D/P 332/13/1A/79). We can even detect glimpses of changes in society’s attitudes and use of language and terminology; in the early documents single pregnant women are noted as ‘with child that is likely to be born a bastard’ (D/P 332/13/1A/96), whereas in the later documents we see the term ‘singlewoman, now pregnant’ (D/P 332/13/2/121). In local administration we can see the regularity of bureaucracy with a move away from handwritten documents (D/P 332/13/3/1) to the increasing use of printed and standardised official forms that are purchased from a state authorised stationer (D/P 332/13/3/4).

Close-up photograph of old document, with signature 'J Poynter'.
John Poynter’s signature on his settlement examination, 1806 (D/P 332/13/4/247). Originally from Asheldham, John had entered into a partnership with William Bellingham of Rochford ‘in the business of malting’ three years earlier, and lived in the house above the maltings in Rayleigh.

It cannot be forgotten that settlement papers are both official and legal documents that represent one part in the machine of poor relief. And although they do contain accurate information, that was sworn on oath, the information that has been written down on the documents, especially in the case of the settlement examinations, is a condensed and edited form of what the examinee said, it is not a verbatim transcription of their voice. The documents only tell us the facts; they do not and cannot convey an accurate account of that person’s emotional and social experience as they were when they came to request poor relief. The only place where we can see the real presence of the person is with their sign or signature. Although ranging from a shaky X (D/P 332/13/4/295) to an experienced hand (D/P 332/13/4/247, see above), the mark made is the only physical act on the document that is attributable to that individual.

Close-up photograph of old document, showing a handwritten list of costs.
Removal order for William Thorrowgood and his wife Mary from Rayleigh to Great Stambridge, 1795 (D/P 332/13/2/17)

Aside from the individual or family, or the churchwarden and the overseers as named on the documents, and indeed the purpose of the document, be that a certificate, removal order, or examination, there is no other indication or comment given on what would happen next, or by whom. Fortunately for us however, there is amongst the documents evidence of how poor relief operated in the real world. On the reverse of William Thorrowgood’s removal order (D/P 332/13/2/17) there is a glimpse into the costs incurred by the parish. The removal of William and his wife Mary from Rayleigh to Great Stambridge, a distance by road of only about seven miles, on or shortly after 12 February 1795 tells us that the total cost of removal was 15s 10d, from which 5s was paid for the horse and cart, and 8d paid for the turnpike. This then gives us evidence of potential local travel costs in late eighteenth century Rayleigh. Further, the cost list on the reverse of the document also notes that 2s 2d, later altered to 2s 8d, was paid to a tailor. From this we can likely conclude that since it was the end of February, therefore late winter, the Thorrowgoods were insufficiently clothed for the journey, and so by reasonable inference had insufficient clothes in general. Although the removing parish were entitled to, and able to, and, in general, did claim the money back from parish that the individual or family was being removed to, the very evidence of the parish of Rayleigh ensuring the well-being of the Thorrowgoods, even on such a short journey, provides evidence of a social contract between the parish and the parishioners that not only works to fulfil a legal obligation, but one that also cares for the individual’s wellbeing.

Since we know that 8d was paid for the turnpike, it is then a confident statement to make that the Thorrowgoods travelled on the horse and cart, in their new warmer clothes, along the turnpike. The turnpike road that they travelled on left Rayleigh and went to Leigh, from where the Thorrowgoods would have travelled north to Great Stambridge. The 1746/47 Act of Parliament (20 Geo. II. c. 7) gave rights to twenty-six miles of turnpike roads around Rayleigh, and as much as the improved roads were to the speed and comfort of travel, there were those who saw the new roads as an opportunity to take poor relief into their own hands. In the November of 1772 the toll gate at Hadleigh, a few miles south of Rayleigh, was robbed of 19s 6d by masked men on horses, who then after rode to the Stroud Green toll gate just east of Rochford, about five miles east of Hadleigh, and repeated their crime (Chelmsford Chronicle, 6 November 1772). Although the story of the Thorrowgoods and the highwaymen are not related – the incidents are after all separated by twenty-three years – the knowledge that highway robbery was a real lived possibility can help with building a better picture of the society and potential concerns that the Thorrowgoods may have had but are not, nor could be, written down on theirs, or anyone else’s settlement papers.

The operation of poor relief relied on more than just the gentlemen overseers, churchwardens, and parish vestry. In the case of the Thorrowgoods, we know not the name of the person who drove the horse and cart, nor the name of the place where the clothes were bought. These additional actors in the mechanism of poor relief are seldom named. However, on the reverse of the removal order of William Maize (D/P 332/13/3/77) we can see a named third party involved in the process.

Close-up photograph of document, showing rows of slanted handwriting. At the end it is signed with an 'X'.
Removal order of William Maize from Sittingbourne, Kent, to Rayleigh, 1830 (D/P 332/13/3/77)

A note on the reverse of the removal reads that ‘John Pretty is charged to convey William Maize from Sittingbourne to Rayleigh’. This note then raises the question of why the person being removed was to be accompanied. Unfortunately, we do not know the age of William, but it is possible that he was a child, and so was accompanied for his safety. Should William have been an adult, then we can consider, if elderly he may have needed accompaniment, or as in the case of John White and his wife Mary (D/P 332/13/3/81 and D/P 332/13/3/92), that they do not return again after having been removed on two previous occasions.

Since it was the parishioners of the parish who through the levy of the poor rate paid for poor relief in the parish, those same parishioners desired that those administering the system of poor relief were doing so in an economical way.

Two white posters on a green background, advertising a one guinea reward for the return of two 'strayed' dogs, who answer to the name of Don and Bell.
Reverse of John Rout’s settlement examination, 1826 (D/P 332/13/4/425)

Evidence of this comes first from John Rout’s settlement examination (D/P 332/13/4/425), which is written, although it should be noted as not being signed or dated, on the reverse of two lost dog posters. The posters state that two dogs have strayed from Dunton Hall, about ten miles west of Rayleigh, and a reward of 1 guinea will be given by Mr W. Gale on their return. The poster states that the dogs went missing on 30 July 1826, with the poster being published on the 2 August. This then can help us in giving a date to John Rout’s Examination as no sooner than 2 August 1826.

Old document laid on light brown surface. The document has a table printed on it, but is turned 90 degrees clockwise and has handwriting at the top of it.

The frugality of Rayleigh’s administrators is further bolstered by their use of old tax ledgers. Beginning with William Waight (D/P 332/13/4/271) on 21 January 1807 and ending with William Synett (D/P 332/13/4/305) on 2 February 1809, there are in addition five other incidents where the settlement examination has been written on a page cut from what appears to be a ledger for the receipt of tax payments. The rectitude shown in recycling the paper is admirable, and no doubt the contemporary parishioners of the parish would have been pleased to know that the administrators were not needlessly spending their rates. But the length of time over which these ledgers were re-purposed is curious. One or two on the same day, or even concurrent months would show a short-term solution to the lack of other paper. But since this occurred over a period of two full calendar years – and it must be remembered that we only have remaining to us a small fraction of the documents produced – then it has to be concluded that the administrators of Raleigh had a vast excess of unused tax ledgers. Why this was so is of course speculation, but a possible cause is the discontinued use of that form of ledger, so making the pages suitable for another purpose.

In helping to catalogue the settlement papers I have been overwhelmed by the research possibilities that they can offer. Apart from settlement papers being an invaluable source for their names, dates, and places, they do also contain hidden secrets about the lives and world of those past people. I look forward to finding many more.

If you’ve enjoyed this post, you can also read about Aaron Archer’s experience of cataloguing parish Poor Law documents for Colchester for his placement back in 2021. Next week we’ll be publishing David’s guide to settlement papers – watch this space!

Preserving a photograph collection for the future

Erica Donaghy writes about repackaging the photographs and enhancing the catalogue for the collection of Mr J Hayllar and requests your help to identify some mystery buildings!

An important aspect of the work we do here at ERO is ensuring items are housed in a way which protects them, assisting with their long-term preservation, whilst also allowing easier access to researchers where possible. Our first County Archivist, F.G. Emmison, wrote an article, ‘The Sage of the Big Intake’ (Essex journal, 26 (3) 1991, pp.56-58, 71) in which he described the ‘astonishing accumulation of historical documents’ in the first years when ERO was established. We constantly strive to improve the storage of these documents, especially as we now have access to acid free materials and un-dreamt of resources that our predecessors were not so lucky to have.

(Click on a picture above to be taken the a gallery for more information)

With this in mind, the Hayllar Collection (catalogue reference: I/Ha), which was deposited with the ERO in June 1950, has recently been re-housed and listed to item level. Not much is known about Mr J. Hayllar, other than that he lived in Hoddesdon, Hertfordshire. He travelled through various parishes in Essex photographing the parish churches, as well as secular buildings and other parts of the parish between 1920 and 1950. The photographs range from the exterior and interior of parish churches, to local estates, farms and mills as well as other local landmarks. The photographs are mostly focussed on the buildings themselves, but some show fascinating human elements such as vehicles, shop fronts, children playing and people going about their day.

The photographs were arranged by parish and stored in envelopes labelled with the parish name. These had already been catalogued to parish level by ERO staff.

(Click on a picture above to be taken the a gallery for more information)

In 2023 a project began to re-house the photographs into pocketed transparent melinex sheets which would then be kept in acid-free boxes. This would not only contribute to their long-term preservation by protecting them from environmental factors, but would also reduce the risk of them being damaged or affected by being handled.

As this re-housing project was being undertaken, it was also a good opportunity to look more closely at their catalogue and it was decided to list each photograph individually. Mr J. Hayllar labelled his images clearly, often providing the names of buildings and streets or roads. This information has now been included in the catalogue in more detail, enabling researchers to search for photographs that might be of potential interest to them.

Whilst many photographs were labelled with enough information to identify the subject, whilst others were simply labelled ‘view in the village’, ‘street in the village’ or ‘old house in the village’. To try and identify as many of these as possible, staff here at the ERO used other images in the collection, images on the Historic England website as well as Streetview through google maps online. This has helped identify at least some of the subjects of the photographs, and if researchers have any further information to offer about other still-unidentified photographs we would be happy to hear from them!

(Click on a picture above to be taken the a gallery for more information)

The Collection has now been fully re-housed, labelled and stored at a new location in the repositories here at ERO. Fortunately for us, the new packing has not created a lot more volume than the original, as so often happens when items go to conservation! The item listed catalogue will be published online in due course at Essex Archives Online, and hopefully at some point in the future the photographs might be digitised to further protect them and increase access to these fascinating and beautiful images.

Our free digital guide is now live

We’re excited to announce that our free digital guide on Bloomberg Connects is now live!

The guide has floor plans, images, audio and video content to help you explore our collections, whether you’re visiting in person or browsing from home.

Once you’re in the guide, you’ll find online exhibitions of pictures from the Essex County Council art collection, examples of historic recipes from the archive and a film recreating two quince recipes, some Sounds of Essex from ESVA and information about visiting, future events and how to get involved with the ERO – there’s a lot to explore! We’ll be updating the content regularly so do follow us in the app to be notified.

Get the guide

You can download the Bloomberg Connects app on your phone’s App store and Google Play. Scan the QR code on the right to download the app or following this link to view the mobile web version of the guide.

About Bloomberg Connects

Bloomberg Connects is a free app offering digital guides to over 750 museums and cultural organisations around the world. We are delighted to work in partnership with Bloomberg Philanthropies to make this digital guide possible.

Of tombs and parish registers: sailing into the afterlife!

Edward Harris, Customer Service Team Lead, together with Neil Wiffen, Archive Assistant and “Tintinophile” (though he prefers Asterix) have been exploring the connections between newly listed tombs at St Clements, Leigh on Sea and Hergé’s salty sea-dog Captain Haddock.

Here at the Essex Record Office, we all love the history of our county, and are always on the lookout for further research. We were pleased to hear recently news about the listing by Historic England, of the chest tomb dedicated to Mary Anna Haddock (neé Goodlad, c.1610-1688), mother of Sir Richard Haddock (c.1629-1715), in the churchyard of St Clement, Leigh-on-Sea (https://historicengland.org.uk/listing/the-list/list-entry/1481879).

Engraving of Leigh Church (St Clement) I/Mb 220/1/6

Leigh Church (St Clement) – I/Mb 220/1/6

An added attraction was the suggestion of a connection with Hergé’s Captain Haddock, Tintin’s nautical sidekick.

Historic England state that the tomb ‘is relatively unusual as a single memorial to a named women of this date’ and that it is ‘an exceptional early example of a churchyard memorial … for the craftsmanship evident in the carved panels, posts, and tomb slab.’ How interesting and what might the Record Office have on Mary Anna Haddock and her important tomb?

While we do not focus on physical monuments in themselves, we do look after parish registers of baptisms, marriages and burials for the Diocese of Chelmsford (under which St Clement falls) so, ‘do we have Mary Anna’s burial entry’ in the archive? If we do, it’s always nice to then share it with our followers – simple really. Well, no! As is so often the case when undertaking historical research.

Historic England’s listing informs us that Mary Anna died on January 6th 1688, so taking a look at the relevant register (D/P 284/1/1), there is an entry for a burial taking place on January 13, 1688 (which seems right for arrangements to be made for burial from the time of death) for ‘Mrs [mistress – presumably stressing that she was elderly and respectable] Hannah Haddocke’ but not ‘Mary Anna Haddock’. Our interest was piqued!

Hannah Haddock burial 1688 - D/P 284/1/1

Hannah Haddock burial 1688 – D/P 284/1/1

A couple of obvious answers, as to why there are differences, might be that the names ‘Hannah’ and ‘Anna’ were interchangeable in the period, or that she was simply known by ‘pet’ or preferred name as opposed to the name given to her at birth. The incumbent could have also made a mistake, especially if he was writing up the ‘official’ burial entry later than when the burial took place. What else can we find out though?

We initially went, as is normal, to the relevant volume of the monumental inscriptions produced by our friends at the Essex Society for Family History. That for St Clement being T/Z 151/89 (which is indexed and contains a great plan of the church yard). Due to weathering of inscriptions, they pointed us towards John Bundock’s 1978 Leigh Parish Church of St. Clement: a historical description:

There are two tombs to members of the Haddock family … [one] a large altar tomb with only the top inscribed. Part of it is not very legible. For this and most of the churchyard monuments described here the author has reproduced the readings of earlier copyists. (p.54)

For an ‘earlier copyist’, when the inscription must have been legible, we consulted Philip Benton:

This tombe was erected by Sir Richard Haddock, Kt, in memory of his Grandfather, Capt Richard Haddock who died 22 May, 1660, aged 79 years. As also his father, Capt William Haddock, who died 22 September, 1667, aged 60 years. And his mother, Anna Haddock, who died 6 January, A.D. 1688, in the 78 year of her age, who all lie underneath in the vault. Also the body of Dame Eliz. Haddock, wife of Sir Richard Haddock, who died 26 Feby, 1709-10 aged 59 years. As also the body of Sir Richard Haddock, Comptroller of his Majesties Navy who died 26 January, 1714-15, aged 85 years. (P. Benton, The History of the Rochford Hundred, 1 (Rochford, 1867), p.352.)

Sir Engraving of Richard Haddock I/Pb 8/2/2

Sir Richard Haddock I/Pb 8/2/2

An early twentieth century publication, when the tomb might still have been legible, describes the tomb thus:

In churchyard – E. end … to Capt. Richard Haddock, (1660?), Capt. William Haddock, 166-, Anna Haddock, 1688, Elizabeth Haddock, 1709, and Sir Richard Haddock, 1714, Controller of the Navy, table-tomb. (Royal Commission on Historical Monuments, Essex, 4 (London, 1923), p.83.)

So, it is clear that the tomb contained several members of both sexes of the Haddock family and that Anna/Hannah was one of them. We have not found a sniff of a ‘Mary Anna Haddock’, the nearest we have got is the burial entry to ‘Mrs Hannah Haddocke’. As the tomb in question, and several others around it, are so weathered now as to be illegible, we must rely on previous authors and, of course, what is written in the burial register. We just hope that we are talking about the same tomb and burial as Historic England. Unfortunately, the Leigh parish register that we have consulted is the earliest still extant. Any earlier registers, dating back to 1538, do not survive so we cannot check baptism or marriage entries for the Haddock family, which might have made clearer some of the family connections.

We did however find an entry in the burial register of St Olave, Hart Street 1684-1805, held by The London Archive saying that ‘Mrs Anna Haddocke wid[ow] was caryed to be buryed at Leigh in the County of Essex.’ So this must have been where the funeral service took place, but still not, Mary Anna Haddock! (P69/OLA1/A/010/MS28870 – The London Archive)

As to the Tintin connection, like physical monuments this is not one of our areas of expertise, but a quick look at the online ‘go to’ place for answers, Wikipedia, states that:

Haddock’s name was suggested by Hergé’s wife, who noted that haddock was a ‘sad English fish’ over a fish dinner. Hergé then utilised the name for the English captain he’d just introduced … Although it has not been suggested that Hergé based Haddock on any historical persons, it transpired that there were several Haddocks who had served in the navy. (https://en.wikipedia.org/wiki/Captain_Haddock)

Tintin.com (a fantastic website for the avid Tintinophile) does add:

As for his family, we know that he is the descendant of the knight François de Hadoque, a navy captain who served under Louis XIV. The king of France entrusted François de Hadoque with the command of the frigate “The Unicorn” which the latter lost under circumstances which were revealed in The Secret of the Unicorn. (https://www.tintin.com/en/characters/captain-haddock#)

The original french language version has the The Unicorn in the background flying a Bourbon Flag, interestingly, the English translation shows it flying a union flag only adopted in 1801, 86 years after the death of Louis XIV. The English translation also has François Hadoque become Francis Haddock who sailed in the English Navy in the reign of Charles II. Coincidentally (as Tintin’s Unicorn is fictional with the art based on a model of the French second rate ship of the line Brilliant) our Captain Richard Haddock commanded the HMS Unicorn from 1648 -1652.

Blistering barnacles, what do you think?

So often with historical research, things are not clear cut and very rarely is there a definitive answer. However, that’s the joy of looking at archives. If you would like to look at the images of parish registers held by the Record Office, further details can be found at: https://www.essexarchivesonline.co.uk/ParishRegisters.aspx

What will you discover?

New! Guide to the Essex Record Office for creatives

Green box tied like a present with white string (archive tape). The label on the front of the box reads 'Essex Record Office: Guide for Creatives'

Archives are a rich source of inspiration for many creatives interested in the histories of people and place – artists, writers, filmmakers, photographers, musicians, designers and producers. But it can be difficult to know where to start.

To help, we’ve put together a new guide to the Essex Record Office for creatives. The guide covers how to search, access, and use the archives, what we can offer, case studies, and inspiration from the collections.

If you haven’t come across us before, the Essex Record Office is the county archive for Essex. We’re based on Wharf Road in Chelmsford, where we preserve nearly 1,000 years of Essex history. That includes all sorts of records, from medieval charters to twenty-first century digital files. You can search the archives on our catalogue, Essex Archives Online, and access them either online or in-person in our searchroom.

Painting of a large bright room, with windows to the left and bright lights above. In the room are long desks and orange chairs.

The Search Room at Essex Record Office, Robert Priseman

As visual, material, textual objects, the archives preserved at the Essex Record Office can tell many different stories. We hope that this guide will help you find something that inspires you in your creative practice.

In turn, creative interpretations of the archives can give us new ways of understanding them. They also help to share them with a wider audience and open up a conversation about what has been preserved from our past – and what we should preserve for the future.

We’re thinking of the guide as a work in progress – let us know if you think we’ve missed anything that would be useful to know!

Please note that the charges given in the guide are accurate for 2024-25, and may change in future.

If you are part of a creative network or studio and would like a physical copy of the guide, please get in touch.

Access the guide online here.

Photograph of Basildon town centre from above at night, with the lights on in the office windows and along the pavement. Above the photograph is text: 'The Future is About to Begin'

Page from the Commission for New Towns guide to Basildon, 1980s (A8389)

 

A Mappa Monday

Customer Service Team Lead, Edward Harris, looks at the highs and lows of research using our manuscript map collection.

We may have said before that we love maps here at ERO. But some of our manuscript maps can leave you scratching your head.

We have often ordered up something titled “Map of the Parish of…”, hopeful that it will give us an extensive view of the parish in question, only to get something like D/DWe P5 below. A map of Bagg Wood belonging to Thomas White Esq surveyed in 1703.

Map of Bagg Wood in Aldham

Map of Bagg Wood in Aldham (D/DWe P5)

These maps may show one or more field with very little context and no real clue of where it is. We do at least know that it is in Aldham and which part of the ditch it was measured to!

Examining a Google maps satellite images leaves us with scant help. While many of the woodlands do reveal a name when clicked on, none of them are named Bagg Wood. A perusal of the National Library of Scotland’s excellent Geo-referenced map resource (https://maps.nls.uk/) reveals only one candidate that is roughly the right shape, but called Hoe Wood on the 2nd Edition 25” to the mile Ordnance Survey. I suppress a little frustration that the surveyors in the late 1880s didn’t include an acreage as they had done in the 1870’s.

The perfect next step was our collection of copy Tithe Maps. Listing the owner, occupier, acreage and cultivation of every plot of land in the parish, but often also the names of houses, fields and woodland.

The Tithe Map of Aldham, surveyed in around 1839 (D/CT 2B) and it’s accompanying Award (D/CT 2A) is wonderfully clear and easy to consult, but it is also clear that there is no Bagg Wood. What is however, is a vast array of land owned by a Thomas Western, the major landowner in Aldham. One plot of land is the aforementioned Hoe Wood with an Acreage of 21 Acres 2 Roods and 21 Perches. Close enough?

Tithe map of Aldham 1843 (D/CT 2B)

Then I realised that I had fallen for yet another pitfall of a manuscript map, North is not always at the top of the page. A quick 90 degree counter-clockwise rotation of the parchment revealed the North is actually to the right hand edge of the map, and Bagg Wood and Hoe Wood are one and the same.

To add to the clues, the “DWe” part of the maps reference, tells me that it is part of the papers of the Western family.

Manuscript maps are often less clear even than this one, half the fun is in trying to locate their features on a modern map. Manuscript maps can be beautiful. Having a set of maps beautifully crafted for your estate was the status symbol of its day.

By way of example, here is another estate map for the estate of Thomas Western. D/DCm P29 dating to 1809 and surveyed by Robert Baker meticulously records all of the estate over several membranes and is beautifully decorated.

The value of this volume of estate maps can be seen in the gold leaf and beautiful colours used. It has also been separated from the other family papers at some point which can be seen by the different reference. Was this because it was sold off at some point to raise some vital funds? Can you spot Bagg Wood? Also, bonus points if you spotted the route of the railway marked across the estate.

D-DCm P29 Plan

Plan of the Estate of Thomas Western (D/DCm P29)

Ted Haley’s recordings in south Essex, 1965-1989

We are lucky to have a team of amazing Essex Sound and Video Archive volunteers, who give their time and expertise to help make the recordings more accessible. In this blog post, Lilly highlights some of her favourite clips from Ted Haley’s collection of recordings (ERO reference SA 20). You can read transcripts for all the clips in this blog post here

Between the mid 1960s and the late 1980s, Edward ‘Ted’ Haley conducted a series of audio recordings and interviews in the south Essex area, focusing on Basildon and Southend-on-Sea. Over the course of the interviews, Ted met a variety of people with an even bigger variety of experiences and stories to tell, with folks such as Harold Whitely – also known as Rainbow the clown – and talented silent film organist Ena Barga, to name but a few. All these recordings, preserved at the Essex Record Office, give a unique perspective of late twentieth century Essex and unlock a door into the past of the town centres and high streets that we now walk around decades later.

Postcard showing boats at Marine Parade Beach, Southend, c.1955 (I/Mb 321/1/57)

The Second World War

The interviews Ted conducted in the Basildon area include many interesting anecdotes from those who experienced the Second World War, though the perspectives of the interviewees vary entirely from ex-soldiers and RAF veterans all the way to a member of the Norwegian Resistance.

In 1980, Ted interviewed a man named Alan Mitchell who was a volunteer during the war on the Royal Navy’s submarines. He describes his experiences during the war, including the medical examinations they experienced upon arrival at Gosport, Hampshire.

In this clip, Alan discusses the claustrophobia test they were put through (SA 20/1126/1)

He also interviewed another veteran, Robert Ramsey, who served with the RAF (SA 20/1140/1). In the interview, Robert tells the story of when he was shot down by a night fighter over Louvain on the night of 10 May 1944. He details how he ran to a French farmhouse and was given food, water and radio access by a peasant family who risked their lives aiding him and hiding him in a haybale on their farm.

Ted also interviewed Mike Karslake, who recalled his experiences of being a child during the Blitz in Acton, London. He begins with a story of how he was evacuated, with the help of his father’s quick talking, to his Nan’s house in North Devon. However, after a year, he returned home and experienced the Blitz with his mum and grandfather. Mike also recounts his schooldays during the war and how air raid sirens would even occur in school hours.

Mike describes how his grandfather handled the air raid warnings and how he was eating during an air raid warning in school (SA 20/1131/1)

In 1981, Ted interviewed a Norwegian woman, Borghild Mitchell (nee Gulbransen), pictured below. She describes her experiences during the war, watching her country being taken over by German artillery and the changes that meant for Norwegian society – for example, the curfews that citizens had to follow and the passes they had to carry when walking through the streets after the curfew. She also describes being part of the Norwegian Resistance and how this led to her being interrogated and her fiancé being killed by German soldiers. When Ted asks her about the interrogations, and she answers with a story filled with pain, yet a sense of loyalty and determination to stay true to the resistance is heard throughout her recount.

Borghild describes being interrogated and feigning a lack of understanding to give her more time (SA 20/1141/1)

Black and white photograph of a young woman with short dark hair and a white blouse.

Photograph of Borghild Mitchell aged 18, taken in 1942 (SA 20/1141/4)

Events in South Essex

As well as interviews with people living in south Essex, Ted also recorded important moments and events. On 10 September 1981, Essex Radio aired its first ever radio broadcast. Over the opening weekend, team members were introduced and in person interviews took place across Essex, including with the American singer and bassist, Suzi Quatro. Listening to this recording is very interesting as not only are you hearing how excited people were for Essex Radio to air, but you also get a snippet of adverts that were popular at the time – in some ways, even more telling about the time period than the interviews with 1980s Essex folk are.

An advert for Laylor’s car dealership in Brentwood and for Banks American Restaurant in Westcliff-on-Sea (SA 20/1127/1)

In 1985, Ted recorded a concert at Rochford Hospital. As part of the recording he interviewed Ena Barga, a musician who specialised in the organ and played for silent films throughout her career.

Ena discusses her dislike for modern music, followed by a recording of her playing the organ at the concert (SA 20/1148/1)

‘Royal’ date, a newspaper clipping showing Ena Barga and her sister Florence De’jong on the renovated Compton theatre organ at the State cinema at Grays (SA 20/1148/4)

The novelties of Southend-on-Sea

Some of Ted’s interviews in Southend and the surrounding areas, including Westcliff and Leigh, touched upon some of the novelties of these seaside towns, such as Rossi’s ice cream, rock candy and the fishing industry. The interviews he conducted delve into the fascinating history surrounding these seaside stereotypes.

His interview with George ‘Pie’ Osborne and Cecil Osborne covers the history of cockling that was a main source of income for many Southend folk in the early 1900s. Whilst the history of cockling, fishing and shrimping are key parts of this interview, a notable part of the interview is the accents of the two men, which they describe to be ‘local accents’. The dialect that they use in addition to this is compelling with one of which being the word ‘sawney’ being slang for the word simple.

George and Cecil talk to Ted about their accents – listen to how they pronounce words like ‘coat’ and ‘rope’ (SA 20/1557/1)

Black and white photograph of a man in a fisherman's jersey and flat cap, with a boat on the sea behind him.

Photograph of Cecil Osborne, undated (SA 20/1557/4)

A sweet treat that many love about seaside towns such as Southend is a hard stick of rock. In one interview Ted talks to Mr. S Knatchbull who owned Grosvenor Confectionery and worked making handmade regular and lettered rock in 1979 (SA 20/1566/1). He discusses the rock making process, listing the ingredients and flavourings he used when ensuring a variety of tasty sticks of rock. He also talks about the largest piece of rock he ever made being 6 foot 6 inches in length and 6 inches in diameter. The humungous stick of peppermint rock travelled all the way into London, by train, to a charity fundraiser event in the 1950s.

In 1983, Ted interviewed Ugo Rossi, whose father – Augustino ‘Gus’ Rossi – partnered with Peter Rossi to establish the famous frozen treat throughout the Southend high street and waterfront. They talk about this partnership dissolving and how the waterfront shops were owned by Peter and the high street shops were owned by Gus. What’s most surprising about the interview is the price a Rossi’s ice cream used to be … 1 penny for a regular cone and 2 pence for a larger cone!

Ugo talks about his father’s desire for a Rossi’s ice cream to not be too sickly a treat (SA 20/1540/1)

Interesting folk 

Ted’s interviews show how each person has fascinating stories waiting to be told. One interview with Harold Whitely – also known as ‘Rainbow the Clown’ – particularly stands out. Speaking in 1981, Mr Whiteley talks about starting his career as a clown aged six, and his joy in performing as a youth and love for the intricate face paints and costumes of the clowns he saw growing up in a travelling circus. He also talks about the history of his family and circuses. His grandmother, Lorrina, worked in America in the circus under Barnum and Bailey’s circuses in America, a name most recognised from one of the owners P. T. Barnum. Furthermore, his grandfather’s circus performed for Edward, the Duke of Edinburgh (Queen Victoria’s son).

Harold describes his pleasure in being a performer as a child and also how he performed in front of smaller audiences as a clown (SA 20/1123/1)

An interview previously mentioned, with Alan Mitchell, was not only compelling due to its discussions on Navy training during the Second World War, but also due to the fact that Alan was a hairdresser before and after the war, making him knowledgeable on male hair trends of the mid to late 1900s. He and Ted discuss the era of the Beatles leading to a trend of long hair for boys and also the up-and-coming punk style of hair and fashion. Hearing their detached discussion in the punk style is particularly funny due to their lack of awareness of the style.

Ted and Alan discuss fashionable hairstyles for men and their opinions of the punk style (SA 20/1126/1)

Photograph from above of around twenty open reel tape boxes, with 'Southend' handwritten on the spine. In the middle of the image is a tape box showing a handwritten label with 'Pier personalities'.

A selection of Ted Haley’s open reel tapes.

Overall, the Ted Haley recordings are incredibly fascinating and a worthwhile listen. They delve into the people of the period and allow us to now look back onto that period with nostalgia or discovery, keeping that part of south Essex history in an audible time capsule, ready for your listening.

You can browse the full catalogue of Ted Haley’s recordings on Essex Archives Online and listen to them in our Playback Room in Chelmsford. You don’t need to make an appointment – all you need is an Archives Card. Find out more information about visiting us on our website. You can also find some of Ted’s recordings on Essex Sounds, our map of sounds from across the county:

A contemporary view of the Americans – the diaries of E.J. Rudsdale

Back in April, we held an event to commemorate the 80th anniversary of when the United States Army Air Force (USAAF) reached peak strength in Essex in the run-up to D-Day, Welcome to Essex. We were delighted that Dr Catherine Pearson gave a fascinating talk based on the diary entries of E.J. Rudsdale, about relations between the Americans and the Essex locals. We are even more delighted that Dr Pearson has kindly taken the time to turn her talk into a blog post. To mark the anniversary of D-Day, we have also recorded an edited version of Rudsdale’s entry for that momentous day.

Black and white photograph of identity card, with photograph of a man and a signature on the left side of the page and his name and registration number on the right.

E.J. Rudsdale’s travel identity card, 1946 (D/DU 888/66)

Eighty years ago, in the midst of the Second World War, Essex had become home to thousands of US service personnel in readiness for the allied invasion and liberation of occupied Europe. Essex Record Office holds a contemporary diary account by Colchester Museum curator, E.J. Rudsdale (1910-1951), which records the impact of the arrival of the USAAF in Colchester and the nearby USAAF airfields of Boxted and Wormingford.

Rudsdale was seconded from Colchester Museum in 1941 to become Secretary of the Lexden and Winstree District Committee of the Essex War Agricultural Committee for the duration of the war. This gave him a valuable insight into the development of the American airfields because the USAAF commandeered agricultural land from the Essex War Agricultural Committee for the construction of the airfields at Boxted and Wormingford.

Owing to the drive to increase agricultural production for the war effort, the Essex War Agricultural Committee viewed the takeover of farmland for airfields with some trepidation and a degree of antagonism. This is evident from Rudsdale’s first official encounter with USAAF personnel:

April 29 1943

Went to the Office of the Clerk of the Works [at Wormingford Aerodrome], … and found to my surprise that it was not Air Ministry men whom I was to meet but United States Air Force Officers.  Two of them I had seen [in Colchester], a Major Miller and a Lieutenant Walters. … Miller … looks the typical “small-town” American one sees in so many films, his worn, lined face surmounted by rimless glasses. … Walters was dark and dapper … The arrangement was that we all went off in two cars, driven by English girls in pseudo-American uniform, to inspect sites for a shooting butt.  I was supposed to say whether the site was suitable from an agricultural point of view.

As we moved off along the concrete perimeter road, through a desert of derelict farm land, I remarked “Well, there has certainly been a change since I was here last.  Why, you’ve changed the whole landscape.” I said this quite innocently, but at once Major Miller turned on me and snapped out “Well, wouldn’t you rather have us here than the Germans?” … He went on “We can’t bother about the convenience of a few British farmers, you know.”  It was obvious from his manner that he had already had a good deal of criticism since he came to England.

(D/DU 888/26/3 pp.568-571)

It was clear that greater accommodation on both sides was necessary for establishing more harmonious relations and Rudsdale’s next encounter with American personnel was of a warmer nature.  On 1 July 1943, he was called to Boxted Airfield to discuss the USAAF’s further plans for the site and wrote:

… Major Anderson of the USAAF … was very affable. … [He] looked at the lay-out plan, and said: “This is a mean site, I guess this is the meanest site I’ve ever seen.”  Then we went into various details, and their final requirements were not unreasonable. …

We rode all over the site in two jeeps – old [Gardiner] Church [a member of the Lexden and Winstree District War Agricultural Committee] was very tickled, and said “These are the things for farming, boy! I’m going to have one o’they after the war!”

(D/DU 888/26/4 pp.819-822)

In 1944, Rudsdale visited Wormingford Airfield in order to rescue historic timbers from Harvey’s Farmhouse, which was demolished in the course of the aerodrome’s expansion, and his diary entry recorded:

January 15 1944

Thick fog this morning, and bitterly cold. … we got busy loading the moulded ceiling timbers, with the help of three Land Girls. The driver ventured onto the mud, against my advice, and soon the lorry was stuck fast, so that no amount of tugging could release it. Took one of the Land Girls … and went off to see if we could get any help. It was very strange to wander about among planes and lorries in the thick fog, hearing the accents of America and Ireland intermingled as we passed groups of mechanics or labourers.

Found the big hanger, which thrilled the Land Girl a good deal – “Well,” she said, “I never thought I should see the inside of a hanger.” Neither did I.

… The sergeant could not do enough for us, and within a matter of minutes [an] enormous tractor, … was ploughing through the mud towards us. … [a] wire was attached to the lorry’s front axle, the motor raced, and out she came, … leaving behind four pits almost as big as graves, where the wheels had been.

By this time … we … set off back to Colchester… first collecting one of the Land Girls from the pilot’s seat of a nearby ‘plane, where a sergeant was showing her the controls. …

(D/DU 888/27/1 pp.48-51)

Rudsdale also discussed the black servicemen and women who formed part of the American Forces and were regularly seen in Colchester. African-American service personnel were employed as drivers or military policemen or worked in supplies or in the construction of aerodromes. Under American segregation orders, black troops had their own club in Priory Street in Colchester, and white troops had a club in Culver Street. However, Rudsdale and his fellow curator, Harold Poulter (1880-1962), regularly talked to the black service personnel. On 10 June 1944, Rudsdale wrote that he had ‘called at the American Red Cross Club in Priory Street’ to deliver a message from Poulter to a Miss Marie Wall, who Rudsdale described as a ‘delightful’ black servicewoman ‘of about 25’ and went on to record that they ‘Talked for an hour or so’. (D/DU 888/27/3 p.491).

Colcestrians do not appear to have been in favour of American segregation orders. Rudsdale noted black and white Americans troops sitting in the same café in Colchester in February 1944, albeit at separate tables (D/DU 888/27/1: 25/2/1944 p.182). He also recorded that black service personnel staged a week’s theatre performance at Colchester Repertory Theatre in December 1944 (D/DU 888/27/5: 30/11/1944, p.820).

Black and white photogrpah of five men in uniform and another in a smart outfit and trilby hat stood on top of castle walls.

American servicemen on the Castle Walls, Colchester Castle, 1944. Harold Poulter, Curator of Hollytrees Museum, is in the centre of the photograph and Lieutenant Stich, Public Relations Officer at Wormingford Airfield, is on the left (D/DU 888/27/4 p.590)

The positive developments in Anglo-American relations in Colchester were made apparent in late 1944, when the Americans were invited to stage an exhibition at Colchester Castle. The display was the brainchild of Lieutenant Stich, Public Relations Officer at Wormingford Airfield and Harold Poulter, the Curator of Hollytrees Museum. The exhibition, entitled The England that America Loves, featured paintings and photographs of English scenes that had appealed to the American troops during their time in the UK (Colchester Museum and Muniment Committee Report 1948, pp.5-6).

Black and white photograph of a stone building with wooden timber structure and exhibition panels. A woman sits on a bench and a man sits on a pallet in the foreground.

An American serviceman and a woman visitor at The England that America Loves exhibition at Colchester Castle Museum, 1944 (Courtesy of Colchester and Ipswich Museums)

Black and white photogrpah of a crowd of people in coats and uniform looking at exhibition panels.

Visitors to The England that America Loves exhibition at Colchester Castle Museum, 1944 (Courtesy of Colchester and Ipswich Museums)

The shared experience of war was a further factor in bringing the allies closer together. One of those who participated in the Castle exhibition, Lieutenant-Colonel Elwyn G. Righetti, a pilot at Wormingford, lost his life on 17 April 1944 when his plane went down over Germany. A party to celebrate his 30th birthday had been prepared for him back at the airbase to which he never returned (Benham 1945, p.57). Such tragic incidents increased the local community’s gratitude for the sacrifices being made by the Americans.

Four men in uniform stand around a man in ceremonial robes. Behind them is an exhibition of artwork and a stone wall behind that.

Pilots of the 55th Fighter Group, Wormingford Airfield, meeting the Mayor of Colchester at The England that America Loves exhibition at Colchester Castle Museum, 1944 (Courtesy of Colchester and Ipswich Museums). Left to right: Lt-Col Elwyn G. Righetti (who lost his life on 17/4/45 over Germany, aged 30); Col George T. Crowell; Arthur W. Piper, Mayor of Colchester; Col Joe Huddleston; unknown.

With the arrival of VE Day on 8 May 1945 and the close of hostilities in Europe, there were opportunities for the troops to relax and local people were invited to visit the US airbases. As the USAAF prepared to leave Colchester in July 1945, they presented Colchester Corporation with a silver rose bowl to thank the town for its hospitality and this remains part of the City’s regalia today.

Black and white photograph of a group of people, including men in uniform and a man and woman in ceremonial robes. The man in the centre of the photograph holds a silver bowl.

The presentation of a silver rose bowl to Colchester Corporation to thank Colchester’s inhabitants for their hospitality towards American service personnel, 1945 (Courtesy of Colchester and Ipswich Museums)

After the war, American veterans made regular visits to the UK to remember their time in Essex and to pay homage to fallen comrades. One ex-serviceman wrote to the curator of Colchester Castle in 1988, that the veterans ‘would like to see a museum exhibition depicting their life as it was here in Colchester from 1943-1945 … with its bitter sweet memories’. (Colchester and Ipswich Museums, Historic Displays & Exhibitions file, Lewis to Davies, 22/11/1988). Colchester and the Castle Museum, therefore, remained as touchstones for the veterans’ wartime experiences in Essex.

Black and white photograph of Colchester Castle, with trees and plants in the foreground. There is a notice on the grass.

Colchester Castle Museum, 1944, a photograph by Lieutenant Stich, USAAF. Note the air raid shelter sign in the rose bed (D/DU 888/27/4 p.586)

In this excerpt from Rudsdale’s diaries, read by the ERO’s Neil Wiffen, he recalls 6 June 1944 – D-Day – from being woken up by planes warming up at Wormingford Airfield at 2am to hearing the King’s speech on the radio at the end of the day. You can read a transcript here.

Colour photograph of open diary, with handwritten notes across both pages.

Dr Catherine Pearson will be speaking to us about E.J. Rudsdale at ERO Presents on Tuesday 3rd September. Book your tickets on our Eventbrite page.

References

Primary sources:

Rudsdale, E.J., (1939-1945). ‘Colchester Journals’, Essex Record Office, ERO D/DU 888.

Colchester and Ipswich Museums, ‘Historic Displays and Exhibitions’ archives.

Secondary sources:

Beale, A., (2019).  Bures at War: A Hidden History of the United States Army Air Force Station 526.

Benham, H., (1945).  Essex at War, Essex County Standard: Colchester.

Pearson, C., (2010).  E.J. Rudsdale’s Journals of Wartime Colchester, The History Press: Stroud.

8th Airforce Historical Society: https://www.8thafhs.org/research/ Accessed 16 April 2024.

Archive of the American Air Museum in Britain, Imperial War Museum Duxford, including the Roger Freeman Collection of USAAF images: https://www.americanairmuseum.com/archive  Accessed 16 April 2024.

Black GIs in Britain: https://mixedmuseum.org.uk/brown-babies/black-gis-in-britain/  Accessed 16 April 2024.

Colchester Museum and Muniment Committee Report 1944-1947 (1948): https://www.esah1852.org.uk/library/files/C0938954.pdf  Accessed 15 May 2024.

US Black Servicemen in Suffolk in WW2: https://www.suffolkarchives.co.uk/sharing-suffolk-stories/us-black-servicemen-in-suffolk-during-wwii/  Accessed 16 April 2024.

USAAF Airfields: Guide and Map, East of England Tourism.  http://www.ukairfields.org.uk/uploads/7/0/8/5/7085670/usaaf_airfields_guide_and_map.pdf  Accessed 16 April 2024.

Recordings of D-Day experiences in the Essex Sound and Video Archive: 

SA 1/455/1: ‘Essex at War’, BBC Essex programme, 1989; role of Southend and Leigh in D-Day

SA 1/634/1: Interview with John Hayes on BBC Essex, 1990; serving as an RAF Ground Technician at Southend airfield in the run up to D-Day

SA 1/1183/1: Interview with Clifford Pontbriand on BBC Essex, 1994; American D-Day bomber pilot at Stansted

SA 8/540/1 (Colchester Recalled reference 2057): Interview with Alfred Douglas Chignall, 1989; serving in the Royal Navy during D-Day

SA 8/948/1 (Colchester Recalled reference 2208): Interview with Fred Ramplin, 1990; serving in the army during D-Day

SA 8/14/1/6/1 (Colchester Recalled reference 2141): Interview with Harry Finch, 1990; involvement in the D-Day invasion, including movements of warships

SA316 (Colchester Recalled reference 1272-4): Interview with Lance Corporal Ken Lambert, 1994; involvement in D-Day with the 8th Battalion Middlesex Regiment

SA443 (Colchester Recalled reference 1621): Interview with Fred McIntosh, flying instructor, at a reunion of American airmen, 1992; covered the Arnhem parachute drops.

SA779 (Colchester Recalled reference 1532): Interview with Arthur Parsonson, 1988; NCO with 431st Bty, 147th (Essex Yeomanry) Field Regt, Royal Artillery, 8th Armoured Bde during D-Day (see also Imperial War Museum interview)

SA 20/1138/1: Interview with Geoff Barsby, 1983; serving in the Royal Navy during D-Day, covering the Canadian landings, escorting the battleship Nelson, and being based off Normandy

SA 20/1533/1: Interview with Jack Nelson Wise, 1981; serving in the Royal Navy, operations in preparation for D-Day, MTBs

SA 20/1/47/1: Interview with Howard Stone, 1984; serving as a Telegrapher Air Gunner in the Fleet Air Arm during D-Day

SA 20/1/22/1: Interview with Sylvia Ebel, 1983; serving in the ATS during D-Day, D-Day preparations at Eastleigh, near Southampton

SA 79/1/1/1: Interview with Alec Hall, 2016; serving in the Royal Army Medical Corps during D-Day; stationed along the east coast of England, then travelling to Arnhem by glider

SA 79/1/3/1: Interview with Alfred Smith, 2016; serving in the Royal Army Service Corps during D-Day, driving his lorry onto Gold Beach, Normandy

SA 79/1/4/1: Interview with Ken ‘Paddy’ French, 2016; serving in the RAF during D-Day, flying over American troops at Omaha Beach

SA 79/1/5/1: Interview with Alfred Fowler, 2016; serving in the Royal Navy during D-Day; being involved in the dummy convoy to Norway

SA 86/1/3/1: Interview with Ron, 2017; serving in the Royal Navy during D-Day, escorting HMS Belfast on HMS Ulster at Gold Beach

SA634: Interview with Olive Redfarn, 2012; working on HMS Leigh, printing instructions for D-Day in the weeks beforehand [including her own diary entry of the 6 June 1944]

Mystery motorcycle riders

Among a recent deposit of postcards is this one showing a man and woman on a motorcycle with sidecar. But who are they?

A postcard showing a man and woman on a motorcycle with sidecar from the Dowsett Collection (catalogue ref: A15840)

The licence plate is clearly visible which means that we can look it up in our Vehicle Licensing Registers (C/DF 11). An Enfield with the licence HK3016 was registered to Frederick Jay, High Street, Mountnessing on 8 June 1917. Is this an image of Frederick Jay on his new Enfield motorcycle? Or is it another person with aspirations of one day owning such a machine?

Register of motor vehicles ‘M2’: motor cycles showing entry for Frederick Jay (catalogue ref: C/DF 11/17)

 

The photograph was taken by Geo. Francis Quilter, a photographer in Ingatestone, who’s listed in the Kelly’s Directory for 1917. In the same Directory is Harry Raven, dairyman, whose shop can be seen in the background of the postcard, and Mark Wells, cycle agent, who operated from Ingatestone High Street. At this time motorcycles were often called “cycles”, so it is likely that this cycle agent sold motorcycles, perhaps even the one shown?

Mountnessing is about 2 miles south-east of Ingatestone and was home to two people named Frederick Jay – a father and son. The 1911 Census tells us that the younger Frederick, then aged 21, was a boarder at 3 Redcliffe Road, Moulsham Street, Chelmsford while working as an “Engineer Journeyman [ball bearing works]”. By 1921, he was back at his parents’ house in Mountnessing and working at the Hoffmann Manufacturing Company.

Marriage Register from St Giles Church, Mountnessing showing the marriage of Frederick Jay and Kate Everett on 3 Jun 1922 (catalogue ref: D/P 73/1/10)

On 3 June 1922, Frederick Jay married Kate Everett at St Giles’ Church, Mountnessing. Is the woman in the sidecar Kate or one of Frederick’s sisters? Sadly, we will probably never know for sure, but it’s nice to imagine that this is an image of Frederick Jay, the proud new owner of a motorcycle which he used to commute from his home in Mountnessing to work at the Hoffmann’s premises in Chelmsford.

Sir Eduardo Paolozzi in Essex

When you visit the Essex Record Office, you will see a selection of artwork from Essex County Council’s collection displayed on the ground floor and in the Searchroom. One of the pictures to catch my eye during my first week at the Record Office was a signed screenprint called “Untitled” (1965) by Sir Eduardo Paolozzi (1924-2005). The overlapping patterns in this print are reminiscent of his earlier work creating collages made from newspapers and advertisements.

Juxtaposing patterns in yellow, green, red and blue, on a yellow background
Sir Eduardo Paolozzi (1924-2005), “Untitled”, 1965. Signed screenprint. 23″x 23 1/2″. Essex County Council art collection 329.

I’m familiar with Paolozzi’s work from my time at the V&A as their Archive of Art and Design looks after the amazing Krazy Kat Arkive of Twentieth Century Popular Culture. Paolozzi was one of the founders of the Independent Group which met in London from 1952-1955. This group is considered the forerunner to the Pop Art movement in Britain. In 1954, Paolozzi established Hammer Prints Limited with fellow artist, and Essex resident, Nigel Henderson and they designed wallpapers, textiles and ceramics in Henderson’s studio at Landermere Wharf, near Thorpe-le-Soken. Paolozzi and his family moved to Landermere the following year and lived in one of the now Grade II listed Gull Cottages. While living in Landermere, Paolozzi was a visiting lecturer at Colchester School of Art.

Landermere was a hot-spot for artists and designers. Other residents included Sir Basil Spence, the architect of Coventry Cathedral and advisor to the Basildon Development Corporation designing Basildon New Town, and John Hutton, a glass artist whose work can be seen in Coventry and Guildford Cathedrals, and the Shakespeare Centre in Stratford-upon-Avon.

This screenprint and the other works of art in the collection can be found on Art UK and on the ERO’s Flickr page. And you may also be interested in a previous blog on Art in the Archives available to read here.