History and horror: do you dare to meet the Witchfinder General?

This Hallowe’en, experience history and horror with a screening of 1968 cult horror classic Witchfinder General at the Essex Record Office on Friday 26th October, 6.30pm-9.00pm. The screening will be accompanied by a talk about the real history of witchcraft in Essex by bestselling novelist Syd Moore (tickets available here).

The film is set in East Anglia in 1645, and stars Vincent Price as the notorious self-appointed ‘Witchfinder General’ Matthew Hopkins, who claimed to have been given the right by parliament to interrogate and execute witches. The plot is a fictionalised account of Hopkins’s bloody exploits, and follows him and his assistant John Stearne (Robert Russell) as they visit village after village, torturing and executing suspected witches.

Vincent Price as Matthew Hopkins in Witchfinder General. Price was 56 when he played Hopkins, even though Hopkins was only in his 20s when he sparked a major witch panic in the 1640s. Image: British Film Institute

Interior scenes were filmed in converted aircraft hangars near Bury St Edmunds, and exterior scenes were filmed on locations including the Dunwich coast, Lavenham, Kentwell Hall, and Orford Castle.

The film is best known for its violence, despite being extensively cut by the British Board of Film Censors. It has divided audiences and critics alike, with some deploring its violent scenes, while others have championed it as an important part of British film history.

While Hopkins did exist and did indeed hunt suspected witches, the film departs from real history in several ways. Hopkins was the son of a Suffolk minister. Almost nothing is known of his early life, but by the winter of 1644-5 he was living in Manningtree in Essex. He came to believe that there were 7 or 8 witches living in the town; these and others were arrested and questioned, with Hopkins giving evidence against them. This sparked a trail of accusations, and eventualy 36 Essex women were tried for witchcraft at the Essex assizes in July 1645. Nineteen of them were executed. 9 died in prison, and 6 were still locked up in 1648. What Hopkins had started in Essex spread to Suffolk, Norfolk and Cambridgeshire, with at least 250 people tried as witches, and at least 100 executed.

Hopkins did not meet the violent end that he does in the film, but according to a contemporary account died slowly of consumption (tuberculosis) at his home in Essex in 1647. Price was 56 at the time that he played Hopkins, but in reality Hopkins was only in his 20s when he instigated the East Anglian witch hunts. The film’s biggest departure from reality, however, is its omission of court cases; in the film, Hopkins and Stearne subject their victims to summary executions, but in reality suspected witches were arrested and tried.

Burial record of Matthew Hopkins in the Manningtree and Mistley parish register, recording his death in August 1647, two years after he began pursuing witches (Essex Record Office). The text reads:
Mathew Hopkins sone of Mr James Hopkins Minister of Wenha[m] was buryed at Mistley August 12th 1647


Here are all the details if you want to join us for horror and history this Hallowe’en:

Date and time: Friday 26 October, 6.30pm-9.00pm

Location: Essex Record Office, Wharf Road, Chelmsford, CM2 6YT

Film length: 86m

Rating: The film is rated 18 as it contains strong violence and execution scenes. If you are lucky enough to look under 18 we will ask to see proof of your age on the door

Tickets: £10

Booking: Please book online at www.essexrecordoffice.co.uk/events  

Five favourite Chelmsford documents

Hannah Salisbury, Engagement and Events Manager

We have two great events coming up in late October looking at the history of Chelmsford. On Wednesday 26 October we have a guided walk of the city centre based on John Walker’s fabulous 1591 map (see below if you have never seen this before), and on Saturday 29 October we are hosting Chelmsford Through Time, a pop-up display of historic maps and photographs, with a talk by Dr James Bettley on the post-war development of Chelmsford. You can find details of both of these on our events webpages.

In preparation for these events we have been sifting through some of the masses of material we have on Chelmsford history, and I thought I would share here five of my favourite Chelmsford items from our collections, that provide fascination snapshots into the past of our county town.

  1. John Walker’s map, 1591

Any round-up of significant documents of Chelmsford’s history must surely start with John Walker’s spectacular map, dating from 1591 (long-time readers of this blog will most like have come across this in some of our previous posts). It shows the town in exquisite detail, with each building individually drawn with its own doors, windows and chimneys. What’s more, a written survey that goes with the map tells us who was living in each of these properties at the time. It’s a very special window into the past that I never get tired of looking through.

Walker map Chelmsford

Extract from John Walker’s map of Chelmsford, 1591, showing the town (D/DM P1)

  1. James Maylett execution

A grimmer choice, but I have always been interested in Tudor history and this snippet from the Chelmsford burial registers serves as a reminder of how brutal life could be. This burial entry dates from December 1542, and reads:

Jamys Maylette clerke Bachelor of Dyvinyti and p[ar]son of moche Lyes was drawen hanged and quarteryd on the market hyll for high treason on fryday the firste daye of December ao 1542.

That is to say, James Mallett, the parson of Great Lees, was hung, drawn and quartered in the market square at Chelmsford for high treason. 1 December that year was a Friday, market day, to ensure maximum witnesses for the gruesome spectacle.

Mallett had been a chaplain to Katherine of Aragon, Henry VIII’s first wife whom he divorced in order to marry Anne Boleyn. Mallett had also been rector of Great Leighs for 28 years. His treasonous offence was to comment unfavourably on Henry’s policy of dissolving religious houses. His public execution must surely have been intended as a warning to other clergy not to pass comment on the king’s decisions.

james-maylett-watermarked

Extract from the Chelmsford parish registers showing the burial of James Mallett, December 1542 (D/P 94/1/4 image 26)

 

  1. Spalding photo of High Street, c.1869

This is one of the earliest surviving photographs of Chelmsford High Street, dating to about 1869. It shows a view looking north up the High Street towards Shire Hall. It was taken by Fred Spalding, Chelmsford’s first commercial photographer. Spalding’s son and grandson both became photographers too, and we have about 7,000 of their photographs at the ERO today. This one, like all of Spalding’s early photographs, was taken on a glass plate coated with chemicals; a challenging process to get right, especially in the open air.

d-f-269-1-3715-watermarked

Photograph of Chelmsford High Street by Fred Spalding, c.1869 (D/F 269/1/3715)

  1. Photograph of Chelmsford Corn Exchange

If I could wave a magic wand over Chelmsford I would love to be able to bring back the Corn Exchange. This neo-Renaissance building was designed by Fred Chancellor in 1857, and sat on Tindal Square (Shire Hall is just out of frame on the right of this photo). It was demolished, along with the whole of the west side of Tindal Street, to make way for the High Chelmer redevelopment in 1969.

corn-exchange-1080-watermarked

Photograph by Fred Spalding of Chelmsford Corn Exchange

  1. Women at work in Marconi’s

This photograph is one of a series of images taken of Marconi’s Hall Street works, sometime between 1898 and 1912. At the start of the twentieth century, women were mostly expected to marry, have children, and stay at home. As an archetypal `new’ industry, the wireless industry involved complex assembly operations and `high-tech’ components requiring manual dexterity. The Marconi Hall Street works pioneered the early recruitment of a trained female workforce. Women are so often invisible or difficult to find in historical sources, so to find such striking photographs giving an insight into what their lives were like is always exciting. (You can see some more photos from this set on our Historypin page.)

Women at work in Marconi's Hall Street Factory, c.1902 (A11449)

Women at work in Marconi’s Hall Street Factory, c.1902 (A11449)

 Join us for Walking with Walker (Wednesday 26 October 2016) or Chelmsford Through Time (Saturday 29 October 2016) to delve deeper into Chelmsford’s history.