New team member: Sarah-Joy Maddeaux

Posted on March 19, 2014 by admin

We have recently welcomed a new team member to work on our HLF-funded project You Are Hear: sound and a sense of place. The project aims to digitise and catalogue historically valuable sound recordings, and then make these available in different ways.

Name: Sarah-Joy Maddeaux

Role: Archivist / Project Officer on the Essex Sound and Video Archive ‘You Are Hear’ project

Why did you want to work at ERO?

Most of my career has involved working on my own or with one other archivist, so I’m pleased to get support and encouragement from working with other archivists for a change. The project, which seeks to make our sound and video recordings more accessible through digitisation, cataloguing, and sound installations across the county, appealed to me as a great opportunity to promote archives, something I’m always keen to do, as well as develop new skills for my future career.

Describe an average day at ERO for you:

So far I have been mostly desk-bound, spending my time making initial contacts with community groups across Essex who might want to get involved with the project. Soon I will start actually going out and meeting people to raise enthusiasm for the project – but I’ll still have to chain myself to the desk from time to time to grapple with copyright permissions for the recordings and other background research. Long term, it’s hard to see how an ‘average’ day might unfold, which is both exciting and slightly unnerving!

What do you do when you’re not at ERO?

I just moved to the area for the job, so I have been spending my free time getting settled. I like walking, so I’m looking forward to exploring the countryside. I also spend time reading and visiting friends and family.

Can you tell us about an interesting document you have come across while at ERO?

I haven’t had chance to get my hands on many documents yet. I did enjoy watching an amusingly cheesy promotional video produced by Chelmsford Borough Council in around 1990, trying to entice people to visit or move to the city, the ‘Heart of Essex’ (VA 7/1/1). Among other things, it boasted about plans for a new development on King’s Head Meadow – now The Meadows Shopping Centre – and the eclectic architecture in the new development at South Woodham Ferrers, which they admitted might not be to everyone’s taste.

Recording of the Month March 2014: The Essex Youth Orchestra

Posted on March 3, 2014 by admin

The next monthly highlight from our Sound Archivist Martin Astell…

Essex Youth Orchestra – Wand of Youth (SA 10/1/1/1/1)

For March we have some music. Our choice this month is, we believe, the earliest recording of the Essex Youth Orchestra. The orchestra was formed in 1957 as part of the County Youth Service of Essex County Council and by the time this recording was made, in 1960, they had already made successful tours of West Berlin and Essex and been invited to tour Holland. In subsequent years the orchestra visited Denmark, Sweden, Norway, Czechoslovakia, Italy, the USA and Canada, and has performed at the Royal Albert Hall, the Royal Festival Hall, Snape Maltings, and at the Bath Festival both accompanied by and conducted by Yehudi Menuhin.

New works have been written for or dedicated to the Essex Youth Orchestra by composers such as Alan Rawsthorne, Elizabeth Maconchy and Bernard Stevens, and former members have gone on to perform with any number of major symphony orchestras. Membership of the orchestra was open to any young person aged under 21 who was resident in Essex or attended an Essex school or college.

The Essex Youth Orchestra continues to the present day along much the same lines. You can find more details here.

The four recordings with our reference SA 10/1/1/1/1 were made on April 19^th 1960 by Pike Films on both sides of two 7″ 45rpm lacquer ‘instantaneous’ discs. The discs have pre-printed labels bearing the Pike Films logo with the details of the recordings being hand-written in ink. The first two sides contain recordings of The Impressario by Mozart and part of Dvorak’s Symphony No.4. However, we have chosen to feature the third side which contains the first section of Elgar’s Wand of Youth (Suite 1), which seems appropriate for a youth orchestra. The fourth side has parts 2 and 3 of Wand of Youth.

We are told that Elgar, when in his fifties, decided to develop into full orchestral works a number of compositions he had made at the tender age of eleven to accompany a childhood play staged by him and his siblings. These resulted in two suites to which he gave the name Wand of Youth and he chose to give them the opus number 1 to indicate that they were, in fact, his earliest work.

The Essex Sound and Video Archive holds a series of recordings of the Essex Youth Orchestra as well as others from Colchester Youth Chamber Orchestra, Witham Choral Society and others. We also hold recordings of compositions by Essex-based composers from William Byrd to Alan Bullard. Details of all the recordings held in the Essex Sound and Video Archive can be found on the Essex Record Office online catalogue Seax.

Medieval Mercenary: Sir John Hawkwood

Posted on February 26, 2014 by admin

There’s not long to wait now until the forthcoming ERO Conference, The Fighting Essex Soldier: Recruitment, War and Remembrance in the Fourteenth Century.

While there will be talks on the participation of Essex men in the running of the county, the king’s wars in Scotland, France and Ireland, along with on the seas and mention of the Peasants’ Revolt, we just do not have the time to talk about those men who fought on after peace was declared.

Many of the soldiers who had fought for Edward III, perhaps over the course of many years in successive campaigns, did not necessarily find the idea of going home an attractive proposition. Skills honed on the battlefields and in the garrisons of the first part of the Hundred Years War might not be welcomed back home in Essex, while the opportunities for rape and plunder at home were much more limited than on the continent.

For those willing to take a chance and stay on in Europe there were openings for continuing to fight on in various countries, not least France and Italy. One of these men – and perhaps the most famous of them – was Sir John Hawkwood (d. 1394) of Sible Hedingham. He almost certainly took part in the wars of Edward III up to 1360 but in what capacity is unclear. Possibly he may have fought at Crécy (1346) and Poitiers (1356) but he came to prominence later as the most famous condottiere (a professional military leader or captain) in Italy of his day. Sir John is even commemorated by a fresco in Florence Cathedral.

Funerary Monument to Sir John Hawkwood by Paolo Uccello (1436)

While we do not have time for a paper on him during our day, the ERO has published a book by Dr Christopher Starr about him. This richly illustrated book places Hawkwood in an Essex context, showing his descent from villain ancestors, his network of gentry and aristocratic connections and the eventual dispersal of his accumulated estates. The intriguing history of Hawkwood’s mysterious tomb at Sible Hedingham is also uncovered for the first time.

Available in person from the ERO Searchroom for £9.99, or remotely for £13.49 (including p&p within the UK cheques made payable to ‘Essex County Council’ or by credit/debit card over the phone – 01245 244644), this is a wonderful introduction to a remarkable Essex character. Why not treat yourself to a copy?

The Fighting Essex Soldier: War Recruitment and Remembrance in the Fourteenth Century

Saturday 8 March 2014, 9.30am-4.15pm

More details here

One of our speakers, Dr Jennifer Ward, has also curated a display of fourteenth-century documents from our collections to accompany the conference which will be in the Searchroom from January-March.

New team member: Andy Morgan

Posted on February 21, 2014 by admin

Our Digitisation Studio is one of those hidden but vital parts of the Record Office. The Studio does all of the digitisation work for Essex Ancestors as well as processing public orders, and creates hundreds of thousands of images of our documents each year. We are glad to be welcoming a new staff member to the Studio, and here we get to know him a little better.

Name: Andy Morgan

Role: Digitiser

New Digitiser Andy Morgan at work in ERO’s Digitisation Studio

Why did you want to work at ERO?

Having worked at ERO for a short period 3 years ago, I was interested in the historical documents that I have photographed and converted to digital images and that they may now be more accessible for the general public to research.

Describe an average day at ERO for you:

The day may vary from photographing public documents, wills and books, recording births deaths and marriages, some of them date back over 400 years, beautifully written with quill and ink and many describe in detail how life was many years ago.

What do you do when you’re not at ERO?

I enjoy sailing during the warm weather and restoring my classic car.

Can you tell us about an interesting document you have come across while at ERO?

I have not had the chance to photograph some of the oldest documents in the collection but just copying some of the early marriage certificates gives you a clue to what life was like between the two world wars with all the different types of jobs that people had at that time that are not around now like cabinet makers, Bakelite moulders, stokers and car men.

From 1939 when the second world war commenced you can clearly see how life changed for women, replacing the men away at war by working in industry, women’s land army, to transporting replacement aircraft across the country. It can all come to life when you see it in black and white apart from the fact that the book may not have been opened since the day the happy wedding day took place!

Men Behaving Badly: Sir Hugh de Badewe

Posted on February 12, 2014 by admin

Ahead of The Fighting Essex Soldier: War Recruitment and Remembrance in the Fourteenth Century on 8 March 2014, we take a sneak preview at another of our speaker’s subjects – Gloria Harris’s research on medieval Essex knight Sir Hugh de Badewe.

Sir Hugh de Badewe (c.1315 – c.1380), of Great Baddow near Chelmsford, was a prominent Essex knight of the mid-fourteenth century. He took part in military expeditions to the Low Countries at the beginning of the Hundred Years War (1337-1453) in the retinue of William de Bohun, 1^st Earl of Northampton, and may have fought at the naval Battle of Sluys in 1340. In a military capacity he is next heard of on August 8^th 1347 at Calais. It was here that he was rewarded by Edward III with an exemption for life from serving on assizes, juries and from appointments as mayor or sheriff for ‘good service in parts on this side of the sea’. The Siege of Calais, following on from the English victory at Crecy, had lasted for nearly a year and took a major effort on the part of the English Crown to succeed. Possibly Sir Hugh was being rewarded for having taken either crucial supplies or reinforcements of troops from Essex over to France; perhaps he even fought in the siege lines himself.

The Battle of Crecy, from a 15th-century illuminated manuscript of Jean Froissart’s Chronicles

So, a near contemporary of the successful Edward III and a participant in the chivalric deeds of the times, living up to our modern-day image of the medieval knight. However, Sir Hugh was certainly not ‘a verray, parfit, gentil knight’, but, as with many other knights of the time, he was also involved in a certain amount of law breaking, or to be more precise, gang warfare. Gang warfare, in which Sir Hugh seems to have participated wholeheartedly, took place in the wider, later-medieval context of criminal activity generally and of criminal bands in particular. Lawlessness on this scale was not new and it was not confined to Essex. Organised crime was perhaps the biggest danger to public order during the later medieval period. Criminal bands could number from two or three members to two or three hundred, depending on the type of offence. In many cases the criminals themselves were often assisted by local men and women, called receivers, who were not involved directly in the attacks but helped the gangs in other ways such as providing food and shelter or perhaps valuable information based on local knowledge.

Mostly criminal gangs were drawn from members of the gentry, men like Hugh who were knights, and esquires. Although the gentry were certainly most prominent in the criminal bands, other members might be engaged in a variety of occupations. Of the three attacks in which Hugh is known to have taken part, it is the first in 1340 that is, arguably, the most interesting in terms of the numbers involved and in the social composition of the criminal band. Upwards of thirty four men were involved when they mounted the attack on John de Segrave’s property in Great Chesterford. Heading the list of offenders was the magnate John, earl of Oxford. Second on the list was John Fitz Walter, a young Essex land owner who was to gain much notoriety as an Essex criminal in future years and third was Bartholomew Berghersh, whose father was Lord Chamberlain to Edward III.

While some gangs may well have had their origins in the halls of the nobility, the links between Hugh and the gang members involved the 1340 attack appear to have had more to do with their military connections than adherence to a particular magnate household, although it is often difficult to make a distinction. While Hugh’s maiden expedition to France, at the very beginning of the Hundred Years War in 1337, may well have been his first introduction to particular noblemen and knights of the military community, some of these men were already acquainted with each other following their shared experience of active service in the war against Scotland.

Sir Hugh de Badewe is not an extraordinary case, but is all the more interesting for it, since his story is a typical one of the time. To find out more about the life and crimes Sir Hugh de Badewe, join us for Gloria’s talk at The Fighting Essex Soldier on Saturday 8 March.

The Fighting Essex Soldier: War Recruitment and Remembrance in the Fourteenth Century

Saturday 8 March 2014, 9.30am-4.15pm

More details here

One of our speakers, Dr Jennifer Ward, has also curated a display of fourteenth-century documents from our collections to accompany the conference which will be in the Searchroom from January-March.

Essex Ancestors update

Posted on February 5, 2014 by admin

Essex Ancestors, ERO’s online subscription service for digital images of Essex parish registers and wills, has undergone its next major update. The service now includes parish registers from the ancient parishes of Chingford, Leyton and Walthamstow, and many of the newer parishes established as this area was built up in the late 19th and early 20th centuries. These registers are held by Waltham Forest Archives at Vestry House in Walthamstow and were loaned to ERO for digitisation. In all, ERO has copied another 473 registers, producing over 67,000 images, completing coverage of the whole of historic Essex and pushing the total number of Essex parish register images to over 580,000.

You can either subscribe to use the service from home, or take advantage of the free onsite available to visitors to the Essex Record Office in Chelmsford and to its Access Points at Saffron Walden and Harlow. It will shortly be provided at Waltham Forest Archives. Opening hours vary, so please check before you visit.

Please note that marriages after 1957 are not included, and not every single register has survived or been deposited with ERO. Before you subscribe please check that the documents you need exist and have been digitised.

Happy searching!

Visit Essex Ancestors at www.essexancestors.co.uk

View our handy video tutorial on how to use Essex Ancestors:

Recording of the Month, February 2014: Courtship and romance in the Second World War

Posted on February 3, 2014 by admin

The next monthly highlight from our Sound Archivist Martin Astell…

Courtship and romance in the Second World War (Mrs Duddy), Acc. SA673

Valentine’s Day provides the excuse for our February recording to focus on love and courtship. This month’s recording is an extract from an interview recorded in 1988 with Mrs Audrey Duddy (née Carver) who was born 1924 in Tottenham and died in 1991. During the Second World War she was evacuated, along with other pupils from Tottenham High School, to Saffron Walden. She later joined the Women’s Land Army and after the war went on to become a teacher, finishing her career as Head of Department at Saffron Walden County High School.

The extract we have selected for you to listen to below is the part of the interview where Mrs Duddy talks about going to dances as a young woman with a group of her Land Army colleagues, the interesting ways in which they negotiated their dealings with young men, and how this led to her meeting her husband.

The Essex Sound and Video Archive holds a wealth of recordings relating to the Second World War, particularly reminiscences of experiences on the Home Front. We have a Sources List which will help you to identify some good examples of recordings covering subjects such as evacuation, rationing, air raids, the Home Guard (and other Civil Defence work), the Women’s Land Army, Dunkirk, war work, the Royal Navy and other military service, the US Air Force and American troops, prisoners of war in Essex, airfields, health care, D-Day, VE Day and VJ Day, the Auxiliary Territorial Service, Women’s Voluntary Service and Women’s Auxiliary Police Service. Click on the following link to download the source list: ESVA Second World War sources

New Accession: Poor rate assessment for Brentwood, 1694

Posted on January 31, 2014 by admin

Dr Stacey Harmer, Archivist at Brentwood School, blogs for us about an exciting discovery made at the school recently that has been deposited at ERO to benefit from our climate-controlled storage and to allow public access…

An exciting discovery has been made in the archives of Brentwood School, which are being catalogued in preparation for the opening of the new Learning Resources Centre in the summer of 2015. It is a parchment roll, protected by a cardboard cover, entitled ‘A Rate made the Tenth day of Aprill Anno Dom’ 1694 for the Reliefe of the Poore of the Towne of Brentwood’. It lists 146 heads of households (including a number of widows) and seven pensioners of the town. The person who was taxed the highest was a Mr Lambert, who was to pay 7s 6d. This may be the Francis Lambert who, in 1689, was summoned to court to answer for his contempt in refusing to serve as a petty constable even though he had been elected by the parishioners [ERO Q/SR 461/55]. A few were not affluent enough to pay any rate but were still included in the list (assessed as 0s 0d).

Dr Stacey Harmer (right) depositing the poor rate assessment with Archivist Ruth Costello at ERO

The first name on the list is ‘Mr Barnard’: almost certainly Daniel Barnard, the schoolmaster of Brentwood School. Barnard had been appointed to the school in 1655 at the age of 24, already an ordained priest. A year later he married the daughter of the vicar of South Weald. According to R. R. Lewis, author of The History of Brentwood School (1981), Barnard was “one of the most successful schoolmasters of his time”. His pupils included the sons of Sir William Scroggs (Lord Chief Justice of England) and Erasmus Smith (English merchant and philanthropist).

1694 is a crucial date in the history of the parish of Brentwood. Brentwood chapel, dedicated to St Thomas Becket, was built in 1221 but was subsidiary to the parish of South Weald. The parish vestry controlled matters such as the care of the poor, the collection of poor rates, and apprenticeship of pauper children.

1694 is the year in which the first records of the chapel of St Thomas Becket begin, showing an important move towards autonomy. At Essex Record Office there is a record book of the Brentwood chapel starting in 1694 which includes vestry minutes, orders for relief, overseers’ accounts and nominations of officers [ERO D/P 362/8/1]. The battle for independence from the parish of South Weald was to take nearly two centuries: Brentwood did not become a separate parish until 1873, but it is clear that 1694 was an important step in this journey.

Great British Railway Journeys: Ilford to Rochester

Posted on January 29, 2014 by admin

With series 5 of Great Railway Journeys continuing tonight on BBC2 episode 18 sees Michael Portillo journeying from the edge of the metropolis in Ilford to Tilbury before crossing the Thames to Gravesend. As with episode 17 we thought we would take a look at some documents related to some of the sights he will be seeing along the way.

The London, Tilbury and Southend railway was granted an act of parliament in 1852 to begin purchasing land; by just 1854 it had reached as far as Tilbury. The railway was intended to link up the growing industries along the north bank of the Thames such as the chalk works at Tilbury and the burgeoning towns of Prittlewell and Southend. Perhaps most importantly for the railway company, the line allowed their customers easy access to the company’s own pier just across the Thames at Gravesend, already a common embarkation point for overseas travel from England.

Riverside Station, Tilbury, 1920

Ordnance Survey map of Tilbury from 1920 showing the distinctive triangular arrangement of the railway lines, with workers’ cottages in the middle. Click for a larger version.

With the coming of the railway to Tilbury and the increasing prevalence of steam ships, Tilbury became an attractive location for the East and West India Dock Company to build a new port. It was well positioned downstream and therefore more convenient for ships than docks belonging to their competitors further up-stream in London. Ground was broken in 1882 and the photograph below shows the opening of the docks in 1884 with much fanfare. The port quickly became the most important deep-water port on the Thames and was integrated into the Port of London in 1909.

Opening of Tilbury Docks, 1886

Port of London Authority map of Tilbury Docks, early twentieth century

Port of London Authority map of Tilbury Docks, post 1909 after it was taken over by the PLA

Amidst all the clamour of industry and squeezed between a gasworks and the dock itself lies the jewel in Tilbury’s crown. Before industry and the railway Tilbury was important for another reason. Henry VIII had built a simple “D” shaped blockhouse there with an opposite number in Gravesend to defend the Thames with their guns and by drawing a chain across the river between them. With the threat of the Spanish Armada in 1588 the fort was improved and repaired and it was here that Elizabeth I reportedly famously rallied her rag-tag army with the words “I may have the body of a weak and feeble woman but I have the heart and stomach of a king, and a king of England too”.

Print of Tilbury Fort. There are several views of the Fort in our collections, many of which have been digitised and can be viewed online on our catalogue Seax

Coloured print of Tilbury Fort

Modern European military thinking greatly influenced Charles II during his exile from Britain and led to the redevelopment of Tilbury Fort into its modern star shape in the 1670s. The Fort was held by the Parliamentarians in the Civil War and was refortified in the Napoleonic wars and again in 1914. The Fort straddled the border of the parishes of West Tilbury and Chadwell, with the officers quarters being on the West Tilbury side and the other ranks in Chadwell. This is reflected in the parish burial registers, with officers appearing in the West Tilbury registers, and the men in the Chadwell registers.

Extract from map of the Thames around Tilbury and Gravesend, showing Tilbury Fort in 1780. South is at the top of the map, and north at the bottom.

Great British Railway Journeys: Ipswich to Chelmsford

Posted on January 28, 2014 by admin

As episode 17 of series 5 of Great British Railway Journeys airs on BBC2 and Michael Portillo takes in some of the sights of our great county, we thought we would share some items from our collection to accompany his experience of oyster dredging on Mersea Island, and his visits to a model farm at Tiptree and to the world’s first purpose-built radio factory, Marconi’s in Chelmsford.

Oyster dredging on Mersea Island

Mersea Island lies 9 miles south-east of Colchester, in the estuary of the Blackwater and Colne rivers. It is joined to the mainland by a causeway, and there is evidence of human habitation stretching back to pre-Roman times. Oysters have been gathered and consumed on Mersea for centuries, with oyster shells being found next to the remains of Celtic salt workings. The gathering of uncultured oysters gradually gave way to cultivation, and Mersea oysters were exported by the barrel load to Billingsgate Fish Market in London, and further afield to the continent.

Competition amongst oyster gatherers in Essex has sometimes led to outbreaks of violence; during the reign of Edward III for example, a disagreement between men from Brightlingsea, Alresford, Wivenhoe, Fingringhoe, Mease, Salcott and Tollesbury over fishing rights resulted in the drowning of three men.

Mersea’s history of oyster fishing is evident in records held in our collection. Our will collection shows how prevalent the oyster trade was amongst Mersea inhabitants, such as this one of Frances Brand, an oyster dredger of West Mersea, dated 1763 (D/ABW 101/1/38). The will includes arrangements for Brand’s two oyster smacks: ‘I give and bequeath all those my two smacks or dredging vessles with the boats dredges and other the appurtances to them and every of them belonging unto my son William Brand upon condition that he my said son … shall therewith carry on the dredging business for the support and maintenance of himself, my wife and my other three children untill he my said son William shall attain … one and twenty years hereby earnestly requiring him so to do.’

Will of Francis Brand, oyster dredger of West Mersea, 1763 (D/ABW 101/1/38)

Postcard showing marshland and boats on West Mersea

Mersea Museum’s website has several great historic photographs of the Mersea oyster trade, such as this one, of members of the Tollesbury and Mersea Oyster Company men outside the Packing Shed circa 1908.

Model farm at Tiptree

Before broadcast, we are making an educated guess that the ‘model farming establishment in Tiptree’ is the farm set up by John Joseph Mechi (1802-1880) in the 1840s. Mechi, having made a fortune as a razor-strop manufacturer, decided to turn his attention to farming and apply his talents to the improvement of agriculture.

In 1841 he bought 130 acres of poor, wet heathland in Tiptree, in one of the least productive districts in Essex, and proceeded to improve it by such means as deep drainage, removing hedges and trees, redesigning buildings and the use of steam-powered machinery. He persevered until his model farm turned a handsome profit. Mechi was exceptional amongst agricultural improvers for publishing details of his experiments in books, pamphlets and newspaper articles. He even published annual statements of his farm’s income and expenditure, explaining his failures as well as justifying his successes. His well-known publication How to Farm Profitably (1857) had, in various forms, a circulation of thousands of copies. Sadly, his career ended in disappointment, as the failure of his banking interests deprived him of the funds needed for his style of farming, and this, together with the effects of several bad seasons at Tiptree Hall Farm, led to the liquidation of his affairs shortly before his death.

John Joseph Mechi (I/Pb 13/3/1)

Tiptree Hall Farm one year after Mechi designed it. The main buildings are on the north and east sides, giving shelter from the coldest winds. The barn contained a horse-powered threshing machine. When not driving the threshing machine, the horse gear could be used to drive a chaff-cutter or corn mill. Within a year Mechi had decided to exchange horse power for steam power.

Marconi’s – the world’s first purpose-built radio factory

Guglielmo Marconi established the world’s first wireless factory in a former silk mill in Hall Street in Chelmsford in 1898, when he was aged just 23. Chelmsford was chosen because Marconi needed electrical power, and in the 1890s Chelmsford was the place to be for electricity, thanks to the pioneering work of R.E.B. Crompton and Frank Christy.

In June 1912, a replacement 70,000 square foot purpose-built factory was opened in New Street. The factory was completed in an astonishing 17 weeks by a workforce of over 500 people. The factory provided employment for thousands of men and women; although the machine shop remained the preserve of men, women were employed for the more delicate aspects of the production of wireless transmitters.

Women at work in Marconi’s New Street factory in Chelmsford

Marconi wireless equipment was used by ships and coastal stations to communicate with one another in Morse code. During the First World War, operators at New Street intercepted German radio transmissions for the British government, and Marconi engineers also developed the technology for ground-to-air communication with aeroplanes. During the Second World War, Marconi’s played a crucial role in the development of radar.

After the First World War, engineers at New Street began to experiment with wireless voice transmissions. The first publicised entertainment broadcast in Britain took place at the factory in June 1920, when Dame Nellie Melba performed. Her singing could have been picked up anywhere across Europe by someone with receiving equipment. By 1931 there was one wireless licence for every three homes in the country.

Shortly after the New Street factory opened, local photographer Fred Spalding took a series of photographs of the new facility. Click here to view more of the photographs from a previous blog post.

Check back here tomorrow for more to accompany Michael’s visit to Tilbury.