Black History Month at the ERO: Part 2

Posted on October 28, 2022 by admin

In the second post focusing on Black histories at the Essex Record Office, we’ll explore some of the audio recordings preserved in the Essex Sound and Video Archive (ESVA). Including broadcasts on local radio, spoken-word poetry, and oral histories, these recordings give us an insight into the experiences of a diverse range of Black people in Essex over the past 75 years, right up until the present day.

You can explore the Black History Month display and listen to more clips in our Searchroom – check our website for opening hours.

Unfortunately, the earliest recording in the ESVA relating to Black history – a race relations meeting held at St Martin’s Church, Basildon, in December 1968 – is very poor quality, largely due to the acoustics of the venue (SA 20/2/37/1). More audible recordings can be found in the archive of BBC Essex, which broadcast events, discussions, and features across the county from 1986. While there were no programmes produced specifically for Black or ethnic minority audiences (as there were on other local radio stations outside Essex), the archive does include some recordings that help us to understand the experiences of the Black community during this period.

The clip below is from a radio programme about the work of Thurrock Community Relations Council, broadcast in 1988. The council aimed to “promote harmony, eliminate racial and cultural discrimination, and promote equal opportunities” in the area, and included representatives from the local Sikh, Vietnamese, and African-Caribbean communities. The speaker in the clip is Diana Wall, who had moved to the UK from Guyana in the 1960s and was working as a midwife in Grays.

“The older people accept me as a person in my field of work, but the younger generation sometimes do cause a little bit of a problem.”

Diana Wall talks about her experience of racism in Grays on BBC Essex, 1988 (SA 1/240/1). Read a transcript here.

Voices from Black communities across Essex continue to be recorded for broadcast today, both by BBC Essex and organisations like the Essex Cultural Diversity Project (ECDP), which launched ECDP Radio in 2021. In episode below, presenter Nita Jhummu talks to Sangita Mittra, Wrenay Raphael and Carlos Byles from the New Generation Development Agency, about Black History Month in Chelmsford (SA 74/2/7/1):

Other contemporary reflections on issues of identity and place have been commissioned by Focal Point Gallery in Southend-on-Sea for FPG Sounds, an online project supporting the development of new sound works by artists from or based in Southend, now archived in the ESVA (SA912). Amongst the fifteen commissions are several spoken-word pieces by Carrissa Baxter and The Repeat Beat Poet (Peter deGraft-Johnson), exploring Black British history and their own experiences.

The Repeat Beat Poet’s poem ‘One Black Lotus’, inspired by the eighteenth century Jamaican-Scottish radical and union activist William Davidson.

Over the last fifteen years, museums, arts organisations, and artists have also recorded the stories of people who moved to Essex from the Caribbean in the 1950s and 1960s, as well as more recent experiences of those with African or Caribbean heritage.

Oral histories are some of the most powerful records of recent Black history in Essex. As historians have shown, the fact that the personal experiences of people of African descent in Britain have not generally been recorded – as we found in the first blog post – has contributed to their historical erasure. In contrast, oral histories give people the opportunity to share their stories in their own words. Quoting from the 1991 Julie Dash film, Daughters of the Dust, Dr Meleisa Ono-George has emphasised that “there is power in the knowing, but there is also power in the telling”. As the artist Everton Wright (EVEWRIGHT) describes in the clip below, the richness and complexity of these stories also provides a foundation for future generations to listen to and learn from.

The artist EVEWRIGHT speaking on ECDP Radio, 2021 (SA 74/2/5/1). Read a transcript here.

In 2008, staff at Hollytrees Museum in Colchester recorded oral histories with nurses who came to work for the NHS from around the Commonwealth, including the Caribbean, for the exhibition ‘Empire of Care’. In the recordings, the interviewees talk about their memories of arriving in Essex, training to be nurses, living in Colchester during the late 1950s and 1960s, and their careers since.

Looking back over their lives, they also reflect on their achievements and the challenges they faced. In the clip below, Shirla Philogene (née Allen) describes her experience of ‘colour prejudice’ during her nursing training in Colchester. Shirla grew up in St Vincent & the Grenadines and started her training in Colchester in 1959. She received an OBE for her services to nursing leadership and development in 2000 and published a book about her experiences, Between Two Worlds, in 2008.

Shirla Philogene describes her experience of prejudice during her nursing training (VA 77/1/5/1). Read a transcript here. To listen to the full interview, please get in touch.

Another interview with Shirla is preserved in the Royal College of Nursing archive (T/374), and you can hear more clips from the interviews with Shirla, Ester Jankey, and Rosie Bobby in this blog post about the collection.

Picture of the redecorated Caribbean Cafe in Colchester — Detail of art installation at S&S Caribbean Café, 2018. Image: EVEWRIGHT.

Between 2017 and 2018, EVEWRIGHT and Evewright Arts Foundation recorded thirteen oral histories with Caribbean elders across Essex. Ten-minute excerpts from the interviews were played as part of the Caribbean Takeaway Takeover exhibition at the S&S Caribbean Café in Colchester on the weekend of the 70^th anniversary of the arrival of the Empire Windrush at Tilbury. As with the ‘Empire of Care’ recordings, many of those interviewed describe their journeys to the UK from the Caribbean. One interviewee, Alford Gardner, travelled from Jamaica on the Windrush itself:

” When we came here, reach Tilbury, there were two Calypsonians from Trinidad and any part of the boat you walk on I mean, some little ting, ting ting, ting, ting t-ting-ting. Anything that moved on the boat, a song was made up about it!”
Alford Gardner speaking to Ionie Richards and Everton Wright in 2018 (SA 69/1/3/1)

Importantly, the oral histories record the many different experiences of the pioneers now known as the ‘Windrush generation’, and their lives in the UK beyond the point of arrival. In this clip, Alton Watkins, who passed away in May this year, reflects on his contribution to British society as a teacher and England being his home.

Alton Watkins reflects on his life in England (SA 69/1/8/1). Read a transcript here.

Tilbury Bridge Walkway of Memories installation by EVEWRIGHT. Image: John Ferguson.

In 2020, EVEWRIGHT created a new installation in a passenger walkway at the Port of Tilbury. The 432 panes of glass along the walkway are collaged with photographs, passports, documents, boat passenger tickets and memorabilia. There is also a series of sound windows, where visitors can listen to some of the audio stories recorded for the Caribbean Takeaway Takeover installation, as well as new interviews recorded by Evewright Arts Foundation and donated by members of the public across the UK. The clip below is from an interview with Freda Seaton, where she describes moving to the UK from Jamaica in 1957.

Freda Seaton talking to Nadine Persaud in August 2020 (SA 69/2/10/1). Read a transcript here.

This series of recordings was deposited in the ESVA earlier this year. Thanks to the generosity of the participants, we are delighted to be able to share them on our catalogue, Essex Archives Online, and our Soundcloud channel. You can also pick up a legacy publication about the installation in our Searchroom.

Installation view, Black Girl Essex, Firstsite. Image: Ollie Harrop.

Another collection of recordings recently deposited in the ESVA is a series of four conversations recorded by the artist Elsa James in 2019 for ‘Black Girl Essex’, a project carried out during her four month residency for Super Black, an Arts Council Collection National Partners Programme exhibition at Firstsite in Colchester (SA 78/1).

The thirteen participants in the conversations represent the diversity of the Black community in Essex in the twenty-first century. They varied in age, from 13 to 74, and while some moved to Essex as children, or later on in life, others were born and brought up in the county. This diversity is reflected in the recordings, as they discuss their perceptions of Essex, whether the Essex stereotype resonates with them, and their experiences of being othered.

One of the participants was the actor and director Josephine Melville, who sadly died on 20 October. Jo set up the South Essex African Caribbean Association (SEACA) in 2012 and was passionate about bringing communities together to celebrate their culture and heritage. As well as the interview with Elsa James, Jo was also involved with EVEWRIGHT’s Tilbury Bridge Walkway of Memories project, to which she contributed a recording of her parents’ experience of moving to Britain from Jamaica, and a conversation with her mother, Byrel.

In this excerpt from her conversation with Elsa, she reflects on the importance of recording and preserving Black histories in Essex.

“Moments need to be logged and treasured, so that we don’t get lost, and that our history and our presence in this area are not just told by other people, they’re told by us.”
Josephine Melville speaking to Elsa James, September 2019

Black History Month at the ERO: Part 1

Posted on October 20, 2022 by admin

Note: Some of the records discussed in this blog post contain language that you may find offensive or distressing.

As the destination for the Empire Windrush, which arrived at the Port of Tilbury on 21 June 1948, Essex has a prominent place in recent Black British history. However, people from African and Caribbean backgrounds have been part of the history of this county for centuries, and as Essex becomes an increasingly diverse place today, new histories continue to be made.

Black History Month is held every October to celebrate the lives and achievements of Black people in the UK. At the ERO, it is an opportunity to reflect on the histories of Black people that are preserved here, and to share their stories and voices more widely.

The display cabinet in our Searchroom is currently home to the earliest fragment of Black history at the ERO, dating from 1580, and the most recent, dating from 2022. There are also parish registers, newspapers, photographs, books and sound recordings to look at and listen to in the drawers below and on the listening post nearby.

In Part 1 of this blog post, we’ll take a closer look at some of the parish registers on display, which date from the sixteenth to the eighteenth centuries. In Part 2, we’ll explore much more recent recordings from the Essex Sound and Video Archive. In comparison to the parish registers, which often record Black people as the ‘other’, many of the recordings preserved in the ESVA record the experiences of Black people in their own words.

Parish registers

The Rayleigh parish register displayed at the top of the case contains the earliest mention we have found of a Black individual in our collections; the burial record of Thomas Parker, ‘a certayne darke mane’ in Rayleigh in 1579/1580*. While the use of the word ‘dark’ is not always an indication that the person was of African descent or origin, it was often used to describe those who were.

Image of a baptism record in a parish register in secretary hand, with the relevant text highlighted. The text reads: "a certayne dark mane called Thomas Parker". — Burial record of Thomas Parker, 1579/1580 (D/P 332/1/3)

More commonly, the church ministers or wardens who kept the parish registers described people of African or Caribbean descent as ‘Negro’ or ‘a Black’. These terms are obviously outdated and offensive today. Yet, to the present-day researcher, these references highlight the existence of Black people in Essex during this period; in most cases, the entries in the registers are the only record of their lives that has survived. By giving us their names, and the date and place they were baptised, married, or buried (and sometimes, if they were a servant, the name of their employer), they provide a glimpse into who they were, and allows us to understand more about the Black population in Essex as a whole.

In some cases, where the same name appears in more than one parish register or document, we can build up a more detailed picture. This register from the parish of St Mary the Virgin, Woodford, records the baptism of George Pompey, ‘a black at Madm Bettons’, in October 1699.

Photograph of an open parish register on display in a case in the Searchroom at the record office. The entries are all handwritten, and the relevant entry reads: "George Pompey, a black at Mdm Bettons, was baptised Oct 27". — Parish register for St Mary the Virgin, Woodford, including the record of George Pompey’s baptism in 1699 (D/P 167/1/3A)

Another reference to ‘George Pompey a Black, servant to Sir Fisher Tench’ can be found in the parish register for Leyton, which records his burial on 3 September 1735. Fisher Tench was a city merchant who was deeply involved in the transatlantic slave trade; as well as owning a plantation in Virginia, he was also sub-Governor of the Royal Africa Company and Director of the South Sea Company.

Image of a handwritten burial record in a parish register. The text reads: "George Pompey, a Black Servant to Sir Fisher Tench". — Burial record of George Pompey, 1735 (D/P 45/1/2)

The inscription on George’s headstone noted that he died aged 32, after working for the Tench family for over twenty years – probably at the Great House in Leyton, which they built in the early 1700s. It is possible that George’s age was mistaken, and that this is the same George that was baptised in Woodford thirty-six years earlier. It is not impossible, however, that there were two people called George Pompey in the area at the time; during this period it was common for enslaved people to be given classical names, like Pompey, when they were baptised.

As well as baptisms and burials, the registers also recorded the marriages that took place in each parish, including inter-racial marriages. This parish register from Little Baddow shows that Sarah, ‘a Black woman servant at Graces’ was baptised on 30 November 1712, and married Edward Horsnail the next day, on 1 December. Their daughter, also called Sarah, was baptised on 25 February the following year (it wasn’t unusual at this time for children to be born only a few months after a marriage took place).

Image of a series of handwritten entries in a parish register. The text reads: "A Black woman servant at Graces was baptised Sarah the, November 30th. Edward Horsnaill & Sarah Rogers a black widower were married December 1st.... Sarah Horsnail daughter of Edward Horsnail was baptised February 25th." — Record of the baptism and marriage of Sarah Horsnail, and the baptism of her daughter, 1712 (D/P 35/1/1)

Ten years later, the rector of Little Braxted recorded the marriage of Cleopatra Manning ‘a black, of Fryerning’ to John Coller ‘of ye parish of Ingatestone’. Interestingly, the marriage bond beside the register below shows that John applied to marry Cleopatra by licence, which meant that banns did not have to be read out in church.

Photograph of an open parish register beside a marriage bond license in a display case in the Searchroom at the record office. There is a printed caption below the register with the archive references for each item. — Marriage records for Cleopatra Manning and John Coller, 1723 (D/P 224/1/1 and D/ABL 1723/44)

Parish registers like these record an increasing number of Black people living and working in Essex from the seventeenth century.

This increase was inextricably linked to the rise of the transatlantic slave trade. Several prominent families in Essex owned plantations in the Caribbean and benefited financially from the labour of enslaved people**. While some Black people arrived in Essex as seamen, labourers, or artisans, either from London or abroad, others were brought to the county to work as servants.

The legal status of this group of people was ambiguous. While some rulings stated that enslaved people became free on arrival on British soil, or after being baptised, others suggested that they could continue to be treated as property. In 1772, the judgement in the Somerset v. Stewart case stated that ‘no master’ was allowed ‘to take a slave by force to be sold abroad’. Although some people understood this to mean the abolition of slavery in England, the practice continued, and it was not until 1833 that it was formally outlawed.

Very few people are identified in the parish registers as ‘slaves’; more commonly, people are listed as being ‘of’ or ‘belonging to’ their masters – like Rebecca Magarth, who was recorded in the Broomfield parish register in January 1736/7 as ‘belonging to Edward Kelsall’ (D/P 248/1/1). A much greater number are listed as servants. The experiences of these people would have varied enormously, both between individuals and over the time period. It is likely, however, that many would not have been free to leave their employers or been paid for their labour.

Beyond the memoirs of people like Mary Prince, who had been enslaved on Bermuda and Antigua before being brought to England as a servant in 1828, very little has survived that can tell us about these experiences. However, other documents from the archive do record examples of of agency and resistance. Alongside the activities of white abolitionists, like John Farmer, Thomas Fowell Buxton and Anne Knight, the records show that hundreds of people in Essex attended lectures given by formerly enslaved people about their experiences, usually in America. In the 1840s, the author and activist Moses Roper spoke in more than a dozen places across the county, including Stockwell Congregational Chapel in Colchester. A volume from the church records suggests the audience of 1,500 was ‘the greatest number’ the chapel had ever seen. Seven years later, the same volume details a lecture at the Friends’ Meeting House by Frederick Douglass, a leader of the abolitionist and civil rights movement in the USA .

Image of a handwritten entry in a church register. The text reads: "September 30th NB. Moses Roper, an escaped American slave, spoke for upwards of two hours, to an audience of perhaps 1500 persons - certainly the greatest number that ever got into Stockwell Chapel. He exhibited the whips, chains etc. We sold 101 of his books, at 2s each & next day the sale amounted to 141. May good arise to the sacred cause of religious and civil freedom." — Entry in a book kept by Stockwell Congregational Chapel, 1848 (D/NC 42/1/1B)

Some traces also remain of those mentioned in the parish registers outside the archive. While George Pompey’s headstone in Leyton no longer survives, other memorials commemorating the lives of Black people during this period can still be seen today. In 2018, Elsa James’s Forgotten Black Essex project highlighted the story of Hester Woodley, who died in Little Parndon in 1767, aged 62. Hester and her adult daughter Jane were brought to Essex from a plantation on Montserrat in around 1740, to work for Bridget Woodley. When she died, the Woodley family erected a memorial in St Mary’s Church ‘as a grateful remembrance of her faithfully discharging her duty with the utmost attention and integrity’. Although it was intended as a tribute, the inscription makes it clear that Hester was considered the property of the family, ‘to whom she belonged during her life’.

Another memorial in St Andrew’s Church, Heybridge, remembers Eleanor Incleden, who died in 1823 aged 45 (a record of her burial can be found in the Heybridge parish register, D/P 44/1/6). Eleanor had worked at Heybridge Hall for Oliver Hering, Deputy Lieutenant of Essex, and his wife Mary, who erected the memorial: a ‘small tribute of respect and gratitude to her exemplary worth, and the merits and sorrows of her son’. It also notes that Eleanor was Jamaican, so it is possible that she was brought to Essex from Paul Island, the Hering’s sugar estate on Jamaica.

In 2022, the gravestone of Joseph Freeman in the non-conformist cemetery on New London Road, Chelmsford, was given Grade II listed status. Freeman had been born into slavery in Louisiana around 1830, but managed to liberate himself at the start of the American Civil War. He then moved to Essex, settled down with a local woman in Moulsham, and worked at the London Road Iron Works until his death in 1875.

Photograph of the gravestone for Joseph Freeman. The inscription reads: "Erected by his Christian friends, to the memory of Joseph, a slave in New Orleans who escaped to England and became also a Freeman in Christ. He was employed for several years at the London Road Iron Works till his death at the age of 45 on the 28th Nov 1875. Reader! Have you been made free from the slavery of sin." — Joseph Freeman’s gravestone in the non-conformist cemetery on New London Road, Chelmsford

These are a small sample of the records that include references to Black people from this period. We keep a running list of all the references to people from Black and ethnic minority backgrounds we find in the parish registers. If you would like to see the full list, please email ero.enquiry@essex.gov.uk. You can also find out more about some of these records in this earlier blog post.

For more information, see:

David Killingray – ”All conditions of life and labour’: the presence of Black people in Essex before 1950′, Essex Archaeology and History Volume 35 (2004)
S.I. Martin – ‘Tilbury Past and Present’, Tilbury Bridge Walkway of Memories legacy publication (2022)

Thanks also to Evewright Arts Foundation and Elsa James for shedding light on Black histories in Essex, and recording new histories to preserve for future generations.

*Thomas was buried on 12 February in the year that we would call 1580; at the time, however, New Year was marked on 25 March rather than 1 January, so contemporaries would have thought of it as still being 1579.

**Examples include the Neave family of Dagnam Park, the Conyers of Copped Hall, and the Palmers of Nazeing Hall, who were all awarded compensation under the Slave Compensation Act of 1837. Records relating to their involvement in plantations, including lists of enslaved people who worked on them, are held at the ERO. For a detailed list of these, email ero.enquiry@essex.gov.uk.

Curiosity Cabinet: The 2nd Longest Reigning Monarch in British History

Posted on May 27, 2022 by admin

This year the country is celebrating Queen Elizabeth II’s Platinum Jubilee, marking her 70^th year on the throne. As the longest reigning Monarch, she is the first British King or Queen to celebrate such a milestone.

Previously, Queen Victoria had held the record for longest reign. When she died in January 1901, Victoria had been Queen for 63 years, 7 months, and 2 days.

This Great Seal was used during Queen Victoria’s reign as a guarantee of authenticity for formal documents – such as laws, treaties, and letters of dispatch.

At the time of her death, Victoria had been the only British Monarch to celebrate a diamond jubilee (60 years). She passed this momentous milestone on June 22^nd 1897.

Queen Victoria’s Diamond Jubilee was celebrated with great enthusiasm across the Empire. Southend covered their streets in bunting and put on a parade through the town.

Celebrations in Rochford began at 11am with all inhabitants directed to meet in the Market Square to sing the National Anthem, accompanied by organ. Other entertainments included a procession, a children’s tea, a bicycle race, and illuminations in the town. As ‘a Finale to the days proceedings’ there was a bonfire in the Church Meadow.

Victoria’s Life as Queen

Born on May 24^th 1819, Alexandrina Victoria was 5^th in line to throne. It wasn’t until her father died 8 months after her birth that anyone began to consider the possibility of her being Queen. Yet, after a heavily sheltered life at Kensington Palace, she became Queen at only 18 years old. Supposedly, her first request as Monarch was to have a single hour alone.

Amongst the attendants at her five-hour long coronation were Lord and Lady Baybrooke, whose invitation included instructions to ‘perform all such duties as are required and belong unto’ them.

Victoria married Prince Albert of Saxe-Coburg and Gotha on February 10^th 1840. They had 9 children together: Edward, Victoria, Alice, Beatrice, Leopold, Alfred, Louise, Arthur, and Helena. From these children sprung 42 grandchildren. As matchmaker, Victoria arranged royal or noble marriages for her family, spreading them across Europe and earning the nickname ‘Grandmother of Europe’.

When Prince Albert died in 1861 Victoria withdrew entirely from public life. She did not return for ten years and, even then, continued to dress in mourning until her own death.

Life as Queen was not easy. Throughout her reign, Victoria survived 8 assassination attempts. Each attempt was by lone-acting assassins and most were later deemed to be mentally unfit.

The first of these attempts was by Edward Oxford who shot at Queen Victoria’s carriage on June 10^th 1850 whilst she was out for a drive with her husband.

Queen Victoria’s Lasting Influences

Victoria was the first Queen to occupy Buckingham Palace. It required extensive repairs and renovations, but afterwards became the seat of power for future Monarchs (including our own Queen Elizabeth II).

Another Royal Residence which stemmed from Victoria’s influence is Balmoral Castle in Scotland. After falling in love with Scotland, Victoria and Albert bought Balmoral in 1842. They built new neo-Gothic castle on the land, which continues to be Queen Elizabeth II’s favourite residence.

We also have Queen Victoria to thank for the convoluted protocols and traditions used by our current Queen at the opening of Parliament.

After the previous building was destroyed in a fire, Victoria attended the first State Opening of Parliament in the new Palace of Westminster in 1852.

The protocols and traditions established on this day have been used by British Monarchs ever since. These traditions include the use of the Irish State Coach and the Monarch’s procession through parliament.

One of Queen Victoria’s actions which outlives her is the introduction of the Victoria Cross in 1856. Its purpose is to honour acts of great bravery and is awarded on merit instead of rank. When Victoria issued the first medals to veterans of the Crimea war, it was the very first time that officers and men had been decorated together.

End of an Era

The Victorian Era ended on January 22^nd 1901 when Queen Victoria died of a stroke, aged 81 years, at Osbourne House on the Isle of Wight.

Queen Victoria was succeeded by her son, Edward. As King Edward VII, he would rule for only 9 years.

What’s in a Window

Posted on February 16, 2021 by admin

Christopher Parkinson, researcher for the CVMA, project introduces us to project and some of the important resources held at the Essex Record Office.

Essex is fortunate that during the 17^th and 18^th centuries two antiquaries wrote manuscripts which, amongst other things, described any heraldry then present in parish churches. Richard Symonds (1617-1660), an English Royalist, produced three volumes of genealogical collections which included descriptions of heraldry in different mediums to be seen in some Essex churches. While these three volumes are now with the Royal College of Arms in London, volumes 1 (covering the Hundreds of Witham, Thurstable, Winstree, Lexden and Tendring) and volume 2 (covering the Hundreds of Clavering, Uttlesford, Freshwell, Dunmow and Hinckford) are available on microfilm at the Essex Records Office (T/B 73). William Holman (1669-1730) was a congregational minister at Stepney, Middlesex before being transferred to Halstead. He visited every town and village in Essex in order to compile a history of Essex. His manuscript is now held by the Essex Records Office in just over 500 parts (T/P 195/-/-).

St Mary Magdalene, North Ockendon, 14th century panel showing a coat of arms of the Bohun family.

My particular interest in these documents is for research in stained glass heraldry that is now lost from the county. This will be included in an appendix for a forthcoming Catalogue of the Medieval Stained Glass of Essex to be published for the Corpus Vitrearum Medii Aevi, CVMA. Although the term Medii Aevi implies the ‘middle ages’, my co-author Dr Penny Hebgin-Barnes and myself will include glass up to 1800 in the catalogue within the old (pre-Greater London) county boundary. Surviving medieval including heraldic stained glass can bee seen on the CVMA website in the picture archive section;

http://www.cvma.ac.uk/jsp/locationIndex.do?countyCode=EX,

click on the dedication of the church and the stained glass from all periods will be displayed. While there are about 162 pre-1800 stained glass shields of arms currently surviving within the county, the Symonds and Holman manuscripts show that there was a substantially larger number of such shields in churches and secular buildings during the first half of the 18^th century. Obviously their loss cannot be due to the actions of iconoclasts, but presumably caused by general decay and later ‘restorations’ where such damaged glass was removed.

St Mary and St Clement, Clavering. Arms of William Barlee.

Memories of the Second World War

Posted on October 27, 2020 by admin

Frequently over the last several months commentators have compared living through the COVID-19 pandemic to life on the Home Front in the Second World War. Is that a valid comparison? What was it really like to live through that major event? Thankfully, there are still some people who remember those years and can share their stories with us.

Southend Achievement Through Football (ATF) is an organisation dedicated to changing lives through football, especially the lives of young people at risk of exclusion. By participation in sports and other recreational activities, young people develop skills and capacities to mature into individuals and members of society. But they do not just stop at sport. ATF also helps young people develop their sense of self by finding out about their heritage.

Building on the successful Heroes and Villains project, which allowed young people to explore the stories of individuals from Southend’s past, further funding from the National Lottery Heritage Fund has allowed Southend ATF to encourage young people to hear the stories of residents in local sheltered accommodation. After training provided by ERO, Southend ATF interviewed 18 people specifically about their memories of the Second World War.

The participants ranged in age, from those who were still children in the 1940s, to those who were old enough to fight or serve the war effort in some other way. Thus the collection contains multiple perspectives, with different levels of understanding about current events, and different levels of impact experienced. Many of the participants grew up in London and were therefore prey to the Blitz and the stresses and strains that caused. Some were evacuated, some stayed at home. Some had family members who served in the military, some lost loved ones either at home or abroad, and some came through the ordeal relatively unscathed. Therefore there is no one common experience of what living through the War was like: it depended on personal circumstances.

For instance, the extent to which people’s lives were disrupted by air raids depended on where they were living. Robbie spent much of the War as a Land Army girl, posted to a farm outside Witham to help keep the country’s agriculture growing and fill the gaps of men sent overseas to fight.

Advertising poster for Land Army, with the title integrated and positioned in the lower quarter, in red and in dark blue. The text is integrated and placed in the upper right, in black, and across the bottom edge, in light blue. All set against a white background. image: a shoulder-length depiction of a member of the Women's Land Army, smiling and looking directly at the viewer. The text reads: "Keep the farms going while the men are fighting. Join the Womens Land Army. A vital war job... a healthy open-air life" — Copyright: © IWM Art.IWM PST 16608. Original Source: http://www.iwm.org.uk/collections/item/object/33506

While all the rural residents had air raid shelters, she found them unnecessary overkill in those quieter areas.

‘We [the Land Army girls] never used it, only the country people used it – they thought they were in the thick of the war, you know, and nothing ever happened.’

The difference between life in London and life outside hit home on a day trip she took to the capital early in the War, when she first saw the scale of the devastation caused by intense enemy bombing.

Robbie describes her shock on her first visit to Liverpool Street, London, after the War had started.

This heavy fire seriously affected Johnnie, who was living near the docks in East London, with repercussions lasting into his adulthood, anxieties that resurrect during fire alarms. He recalled 68 nights of constant bombing in 1940. The mental and emotional strains could be as grave as physical injuries.

‘Each night… you just wondered, is this gonna be your last night? And you never knew…. You never get over what you went through, even though all those years ago…. In fact I still have, now and again, flashbacks as to, you know, what was going on.’

The experience of evacuation varied widely too. Some people used family connections to send their children to places of safety, and these generally resulted in happier experiences. For example, Norman stayed with his grandmother in South Wales, and found life in that peaceful village so idyllic that he initially refused to return to London when his father came to collect him.

Suddenly being sent to live with strangers was a very different matter. Even for those who stayed with their siblings, it was difficult: getting used to the rural way of life, feeling conscious of imposing on the family’s space and resources, and experiencing animosity from local children. But sometimes even being evacuated with strangers could turn into a happy occasion. Joan enjoyed her experiences living on the edges of the Longleat Estate so much that she frequently returned to the area for holidays in adulthood. As she was only six or seven years old when she was sent away, she came to see her evacuee family as her adopted parents, and didn’t even recognise her mother when she finally returned to her birth family five years later. ‘Home’ was a word of shifting meanings, and it could be difficult to adjust.

Joan describes the upsetting experience of coming ‘home’ to a family she barely knew after so long spent with another family as an evacuee.

However, there are common trends evident among the interviews. While the impact of rationing varied from family to family, largely dependant on how much families could grow for themselves, all participants recalled the need to ‘make do and mend’ to some extent. There was no waste, and parents had to be resourceful to acquire sufficient food and clothing for their families. While treats were limited, this made them more treasured, as some interviewees presented very vivid, detailed memories of eating their weekly sweets ration.

John and Violet share their memories of their weekly sweets rations, precious treasures to be guarded and savoured.

Another common theme is that children still found ways to play. Sometimes their normal play spaces were converted to fields of war, such as the parts of the beaches around Southend, which were fenced off both due to defences against potential invaders and to protect residents from possible mines dropped by enemy aircraft. Instead, children turned scenes of devastation into playgrounds, exploring bomb sites and collecting shrapnel to trade like marbles or Top Trumps cards. The interviewees’ experiences prove that even in the midst of great upheaval, children have a knack for play, a facet of their lives so important that the right to play is one of the rights for all children enshrined in the 1989 United Nations Convention on the Rights of the Child.

Finally, most participants commented on the sense of relief when celebrating VE Day, Victory in Europe Day, on 8 May 1945.

VE-DAY CELEBRATIONS IN LONDON. (HU 92607) Women and children at a VE-Day street party in Stanhope Street, London NW1. Copyright: © IWM. Original Source: http://www.iwm.org.uk/collections/item/object/205090481

Although the War was not yet over, with fighting continuing against Japan until August, VE Day marked the start of the end: no more fear of bombs, no more disrupted nights of dashing into air raid shelters. But life did not return to normality straight away. Rationing continued into the 1950s. Servicemen returned home only gradually – Fred, who served in the Army, describes long periods of time spent in Germany and Italy after VE Day, just waiting to be sent home. He was not demobilised until 1947. And the war changed people irreversibly, meaning life could never again be the same.

Johnnie describes the immense sense of relief he felt on VE Day, and acknowledges that he was very lucky to have survived the War, living by the docks in East London.

Four of the interviews took place after lockdown (recorded outside, observing safe distances). These presented an opportunity to ask for comparisons directly from survivors of the Second World War, seeking reflection on how that ordeal compared to living through the COVID-19 pandemic. We will let their observations stand for themselves, without further comment or interpretation:

Essex Record Office · Comparing the Second World War to the COVID-19 Pandemic

Many thanks go to the participants who shared their remarkable stories for future generations to learn from, and to Southend ATF for taking the time to record these precious, unique stories and then share them with ERO for others to listen and enjoy.

You can listen to themed compilations of clips from all the interviews on our SoundCloud channel.

Or you can find out more about accessing the whole collection on Essex Archives Online (Acc. SA892).

The Association of New Town Archives and Museums

Posted on October 5, 2020 by admin

Dr Alina Congreve introduces this exciting new network of Archives and Museums across the country. With Essex being the home to three major new towns, all falling into different stages of the movement (Harlow, Basildon and South Woodham Ferrers), it promises to be of particular relevance to this county.

Essex Record Office are excited to be the lead partner for a new national network for post-war new towns. This new network brings together the archives and museums that hold significant collections of post-war new town material. It involves 19 archives and museums from across England. The purpose of the network is to share knowledge between members about activities relating to new town archives. This includes sharing good practice in cataloguing; engaging with families and young people; working with local history and heritage societies; and making links with researchers and universities. The members of the new network are at very different stages of engagement with their new town collections, and there is significant potential for peer learning. Secondly, the network provides time and space to develop larger scale collaborative funding bids. The network is open to new members in England and we welcome interest from from museums, local history centres and academics researching new towns.

New towns mark an important turning point in British history and are a unique contribution to urban development. British new towns have relevance today for new towns being rapidly developed in Asia, Africa, South America and ‘new’ new towns being planned here in Britain. Many British new towns are facing a period of rapid change, with the developments of the post-war period being replaced with little thought given to the original intentions in their design, or architectural significance of the buildings that are removed. These post-war new towns are paradoxically popular with their long-term residents while having a poor external perception. Greater engagement with new town archives can help make connections between long-term New Town residents and recent arrivals, helping to build community and aid social integration. The archive collection of some new towns have drawn the attention of international scholars and generated books, journal articles and symposia. Others have had relatively little attention, in part due to the lack of cataloguing and also a low profile of the collections. A better understanding of our post-war new towns can be valuable in positively shaping their future, and this understanding can be achieved through greater access to and engagement with post-war archives.

To find out more about the network please contact Richard Anderson at Essex Record Office on Richard.anderson@essex.gov.uk or Dr Alina Congreve the network co-ordinator on alina@congrevemail.co.uk

Final reflections on an ERO placement

Posted on August 28, 2020 by admin

University of Essex MA student Grace Benham reflects on her placement spent working on a collection of oral history interviews tracing the history of women’s refuges in Essex. You can read her previous blog posts here.

Uncovering the hidden history of Women’s Refuges in Essex has been as rewarding as it has been difficult. The struggle of the women, and men, who fought to recognise the importance of protecting women from abusive histories, though tragic in its need, is incredibly inspiring.

In my academic history background, I have rarely delved into feminist history, and especially British feminist history, which surprises most as I have also been an outspoken advocate for women. This choice is rooted in two fundamental reasons: firstly, it is difficult to see the hatred and vile attitudes towards women that existed not so long ago which the matriarchs of my family would have grown up with, and it is hard to reconcile that with the privileges we hold today. But, more than this, I had never seen myself as a very ‘good’ feminist; in my younger years I failed to recognise nuance and my own privileges. But an important lesson from those who have dedicated decades of their lives for others is that, despite differences, unity for the common good is absolutely more important.

Tackling this collection was daunting to say the least. My own personal experience with abuse in a romantic relationship which had motivated the selection of this collection also made going through this material hard. However, the hidden histories of Women’s Refuges also provides a wealth of hope in the selfless willingness to help those who need it and to fight for everything they’ve got.

The oral history collection, ‘You Can’t Beat a Woman’, comprises stories from Colchester, Chelmsford, Ipswich, Grays, and Basildon and the women who worked, lived, and fought for refuges from domestic abuse (the interviews pertaining to London were beyond the remit of this placement). All stories which, although containing some collaboration and inspiration, tell of formidable and dedicated women who, born from the Women’s Liberation Movement of the 1970s, took it upon themselves to fight for Women’s Refuges in a time when domestic abuse was not taken seriously at all, let alone seriously enough.

For an example of such strength and sacrifice, one should only look to Moyna Barnham MBE, who in her interview tells of how she would go alone in the middle of the night to collect ‘battered women’, having to go up against the abusers, such a dangerous role that one night her husband even followed her to ensure her safety. Such bravery is to of course be commended, but it is also unfortunate that the police and local welfare workers were not there for these women, and it was up to independent volunteers to provide such a service.

I also believe that such a study has come at an unfortunately poignant time as the tragic rise of people, particularly women, seeking help with domestic abuse during the lockdown period of COVID-19 paints a painful picture of the persistence of the problem. It is also important in such discourse to recognise nuance. In Alison Inman’s interview, a key figure at both Basildon and Colchester Refuges, she describes how society expects a ‘perfect victim’ of domestic abuse, i.e. an innocent and naïve woman. However the reality is that domestic abuse occurs in every gender, every sexuality, every class, and every age; it is a universal problem. I feel that the current COVID-19 domestic abuse discourse highlights this problem and its nuances. A recent BBC Panorama investigation revealed not only the scale:

‘Panorama has found in the first seven weeks of UK lockdown someone called police for help about domestic abuse every 30 seconds – that’s both female and male victims.’
BBC PANORAMA PROGRAMME BROADCAST 17 AUGUST 2020

But this investigation also showed a lacklustre government response that should not belong to a society that has, apparently, been acknowledging this problem since the 1970s.

‘It took the Westminster government 19 days after imposing restrictions to announce a social media campaign to encourage people to report domestic abuse, as well as an extra £2m for domestic abuse helplines.’
BBC PANORAMA, 17 AUGUST 2020

Of course the lockdown was an unprecedented event that, hopefully, exists in isolation, but surely such a demonstration of the terror in some people’s homes shows in undeniable terms that domestic abuse and violence remain problems, and the services and education addressing the problem are underfunded and underrepresented. Therefore, what we can glean from this oral history collection is an invaluable educational resource on how to combat domestic abuse, and to be inspired by those who came before us.

This truly has been a transformative experience, both personally and as a historian, and I would like to extend my warmest thanks to the Friends of Historic Essex for their funding of the project.

Sources:

‘You Can’t Beat a Woman’ collection of oral history interviews in the Essex Record Office (Acc. SA853)

BBC Panorama report on domestic abuse during lockdown, published 17 August 2020

If you need support to deal with Domestic Abuse, please call the helpline below or check out the following guidance.

National Domestic Abuse Helpline: 0808 2000 247

Local support: https://www.essex.gov.uk/report-abuse-or-neglect/domestic-abuse

COVID-19 Domestic Violence Guidance: https://www.gov.uk/government/publications/coronavirus-covid-19-and-domestic-abuse

Confronting the history of domestic violence

Posted on August 3, 2020 by admin

Please Note: This blog post contains potentially upsetting material that may not be suitable for all.

Our University of Essex placement student Grace Benham reviews some themes emerging from her work on the ‘You Can’t Beat a Woman’ oral history project about the founding of women’s refuges in Essex and London. Read her first blog post here.

In September 1976, after years of domestic abuse, Maurice Wells shot his wife Suzanne dead and held his daughter hostage in the ensuing siege of his home in Colchester. In February 1977 he was sentenced to manslaughter and served a ten-year sentence. Chris Graves, a solicitor who aided Colchester Refuge in its inception, credits the outraged reaction to such a short sentence to his own involvement, and the refuge movement as a whole.

Chris Graves reviews the Maurice Wells case and its impact on the women’s refuge movement. From the ‘You Can’t Beat a Woman’ collection of oral history interviews, Acc. SA853.

Colchester Refuge had been in the works previous to this case. Many of the interviewees recorded for the ‘You Can’t Beat a Woman’ project (Acc. SA853) explained how the refuge was born out of the Women’s Liberation Movement of the 1970s, which had come over from America and gained its own life in Britain. However, the Wells case, a case which myself and everyone else I have discussed this with have never heard of, highlights an important theme of both the past and the present, the privatisation of domestic violence. According to the Daily Gazette, once out of prison Wells went on to commit crimes against children and told his victims that if they reported him, he could kill them like he killed his wife.

This story is one of many featured on the ‘You Can’t Beat a Woman’ website and one of many that are unheard amongst the general public. Domestic violence is, generally, an inherently private crime as it occurs within private spheres, but the issue goes beyond just this. The prevalence of domestic violence, which only became properly acknowledged in the 1970s following the Women’s Liberation movement, created uncomfortable questions, shame and denial. It could be easy to dismiss domestic violence because it occurred ‘behind closed doors’. Alison Inman recalls a story in which a local authority in Essex refused to set up a refuge because ‘they didn’t have domestic violence within their borough’, which led to an increase in women from that area entering neighbouring refuges.

Alison Inman describes a local authority’s denial that domestic violence was a problem in their region. From the ‘You Can’t Beat a Woman’ collection of oral history interviews, Acc. SA853.

Moreover, the women who needed refuges and would go on to become residents typically were those of lower classes due to the fact that those with available resources would have other options to avoid going into a refuge. This builds a stereotype of a certain type of woman who suffered domestic violence, even though this is a problem that affects all classes, all races, all genders, all sexualities. Such women could be demonised for their choices as they had little to no one defending them. These women could also be silenced through the normalisation of violence in working class marriages. Normalisation occurred through popular culture, such as the Andy Capp comics that featured in the Daily Mirror from 1957 to 1965, which regularly portrayed domestic violence as not only humorous but as a normal and acceptable way to treat one’s wife, particularly within working class marriages.

Alison Inman on the development of stereotypes around domestic violence victims. From the ‘You Can’t Beat a Woman’ collection of oral history interviews, Acc. SA853.

Another facet of this conversation that has slowed bringing the issue of domestic violence the time, energy and funding it deserves are the elements of shame and denial which are intrinsically linked. Rachel Wallace, who addresses domestic violence and humour, in particular in regard to Andy Capp, makes excellent observations on how humour is used in a response to shame. She depicts how these comics would not have been a success without an audience. In validating a taboo subject that is, unfortunately, rife in our society, such an audience finds themselves validated and vindicated, and therefore the shame is diminished. Much like denial, humour is used as a defence against shame, and it is hard to argue that those who were indifferent to domestic violence would find humour in such situations. We can see examples of this use of humour within this oral history collection, with councillors joking about how their wives treat them in response to being petitioned for refuges, with change only coming, according to Moyna Barnham, when the law required councils to provide homes for ‘battered women’, a burden councils did not typically want to bear.

Moyna Barnham on the problem of unwelcome jokes encountered in the campaign to set up women’s refuges. From the ‘You Can’t Beat a Woman’ collection of oral history interviews, Acc. SA853.

The future of refuges and reform around the handling of domestic violence situations require us to recognise the lessons of the past, and the need for education and recognising nuance. I had the great honour of attending a talk regarding a project titled ‘Sisters Doing it for Themselves’ , a collaborative project by the Women’s Refuge Centre and the London School of Economics. For this project, leading figures of the women’s volunteer sector in London are interviewed by schoolchildren, to not only teach oral history practices to a younger generation and collate such vital histories but also in order for both parties to learn something from the other. The main points of this talk resonated with these interviews that occurred in 2016 and 2017 regarding women’s refuges in the East of England, in that there is an emphasis going forward on education and nuance, both of which were crucial in the first founding of women’s refuges. To confront the denial, shame, blame and stereotypes around domestic violence is surely only a step in the right direction.

Joan Bliss on the changes within the women’s refuge movement and the need for continued education of society. From the ‘You Can’t Beat a Woman’ collection of oral history interviews, Acc. SA853.

We are grateful to the Friends of Historic Essex and the University of Essex for their financial support in making this placement possible.

Additional Resources

Wallace, Rachel. 2018. ‘”She’s Punch Drunk!!”: Humor, Domestic Violence, and the British Working Class in Andy Capp Cartoons, 1957–65.’ Journal of Popular Culture 51 (1): 129–51. doi:10.1111/jpcu.12646.

‘Sisters Doing it for Themselves’ project website

‘You Can’t Beat a Woman’ project website

Daily Gazette newspaper article about Maurice Wells

Newspaper report in The Times on the Maurice Wells case.

If you need support to deal with domestic abuse, please call the helpline below or check out the following guidance.

Finding sound and video recordings on Essex Archives Online

Posted on July 14, 2020 by admin

Archive catalogues can be difficult to use. There are differences between structured archive catalogues describing archival records that comply with the international cataloguing standard (ISAD-G) and a free-text Internet search box. While the homepage of Essex Archives Online looks like a basic text search box, using it like an Internet search engine will not give the best results.

Part of the Heritage Lottery Funded project, You Are Hear: sound and a sense of place, involves cataloguing some of the thousands of unique sound and video recordings in the Essex Sound and Video Archive (ESVA). Cataloguing the records makes it easier for users to locate relevant material, but only if the catalogue descriptions can be found. We try to catalogue with discoverability in mind, but we thought it might be useful to share some tips on how to find sound and video archives in particular through Essex Archives Online.

As reported in an earlier blog entry, we updated Essex Archives Online to allow you to play sound and video recordings directly through the catalogue. To find these recordings, select ‘Audio Visual’ in the ‘Refine your search’ box, and then type terms that interest you into the main text box. You will need to create an account and log before you can play the recordings, but you do not need to subscribe.

Screenshot showing option to find a-v material on Essex Archives Online

Tip: To browse all the sound recordings currently uploaded to the catalogue, select ‘Audio Visual’ in the ‘Refine your search’ box, then type ‘sa’ in the main search box. To browse all the video recordings, select ‘Audio Visual’ in the ‘Refine your search box’, then type ‘va’ in the main search box. We can explain why this works if you are interested, but otherwise just trust us that it (mostly) works!

However, we can only gradually upload digitised recordings to the catalogue. Also, copyright on some of the recordings prohibits us from making them available online. This means that we have many, many more sound and video recordings which cannot be played through the catalogue, but only by ordering them to play in the Playback Room at the Essex Record Office (or by purchasing a copy). These recordings won’t show up if you refine your search only to ‘Audio Visual’ records. So how do you find something in the ESVA that might be of interest to you?

When we catalogue material, we give each document or recording a Reference Number. This helps to uniquely identify the recording. It’s not a random collection of letters and numbers (though it might seem like it!): each part gives clues about the document and how it fits with other material.

The Reference Numbers for all sound recordings start with ‘SA’, for ‘Sound Archive’. So the easiest way to narrow your search to find sound recordings is to include ‘sa’ as one of your search terms.

Similarly, the Reference Numbers for all video recordings start with ‘VA’, for ‘Video Archive’. To find video recordings, include ‘va’ as one of your search terms.

Tip: You will still get some results that are not sound or video recordings. Change the sort by box at the top-right to ‘Reference’. This will display your results in alphabetical order by Reference Number. Scroll down to the Reference Numbers that begin with ‘SA’ or ‘VA’.

So far so good, but how do you know what to search for? Unlike the majority of the documents in the Essex Record Office, you might find some ESVA recordings by searching for an individual’s name. If the individual has been recorded in an oral history interview, or featured in a local radio piece, then his or her name should be included in the catalogue entry.

But you will probably find more results by searching for a place or subject. For example, perhaps you want to learn more about how Willingale has changed over time. If you type in ‘Willingale’ and ‘sa’ in the search boxes, you will find eleven sound recordings, mostly oral history interviews with long-standing residents.

These might reveal information about local businesses, notable local families, services in the village – and especially people’s memories of the American servicemen stationed nearby during the Second World War.

Tip: Our search engine is not case sensitive. This means it does not matter whether you type ‘Willingale’, ‘willingale’, ‘WILLINGALE’, or ‘WiLliNGalE’: it will come up with the same results.

Or maybe you want to find out what people were eating in the early twentieth century. Try typing ‘meals’ and ‘sa’ in the search boxes. You should find oral history recordings that include memories of what the interviewees ate as children (bread, dripping, and fresh fruit and vegetables – acquired legally or otherwise – feature heavily). This clip from an interview with Rosemary Pitts of Great Waltham gives an example of what children ate in the 1920s-1930s (SA 55/4/1).

You can run an Advanced Search to better refine the results that you get. Click ‘Advanced Search’ at the top of the page. To search for a specific phrase, type this in the second box – and don’t forget to add ‘sa’ or ‘va’ to the top box. For example, try typing ‘sa’ in the top box and ‘First World War’ in the second box.

If you are searching for multiple words that might not appear as an exact phrase in the catalogue description, type your words into the top box. For example, if you are looking for information about Clacton Pier, this might be described as ‘Clacton-on-Sea Pier’, ‘Clacton Pier’, or ‘the Pier at Clacton’. To find all of these matches, type ‘Clacton’ and ‘pier’ in the top box – and add ‘sa’ or ‘va’ to the second box.

Tip: To search for sound and video recordings at the same time, type ‘sa’ and ‘va’ in the third box before clicking ‘SEARCH’.

You can also use our index search boxes from the ‘Advanced Search’ screen. Choose ‘People’, ‘Places’, or ‘Subjects’ from the ‘Refine your search’ box, and then type in the key words or names that interest you. This will only find results where your search term is a major part of the recording, and not just mentioned in passing. You will not be able to limit this search to just sound or video recordings, but if you sort the results by Reference, you can find the Reference Numbers that begin ‘SA’ or ‘VA’.

Video demonstrating how to find sound and video recordings using index searches.

There are other finding aids that might help you locate relevant material. We have subject guides to sound and video recordings that cover: agriculture, Christmas, education, Essex dialect and accents, folk song and music, health, housing, shops and shopping, traditional English dance, transport, the First World War, and the Second World War. These are available in the Playback Room at the Essex Record Office, or from our website.

You can also read general user guides to Essex Archives Online on the catalogue: click ‘USER GUIDES’ at the top of the page.

Now that you can find material in the Archive, please come and listen! That is what it is here for. And do get in touch if you’re having trouble finding recordings. We would be happy to help.

But first here’s a little test for you to try. The result will be worth it, we promise.

Click ‘Advanced Search’ from the top of the page.
Make sure the ‘Refine your search’ box is set to ‘Everything’.
In the top box, type ‘cucumber’ and ‘halstead’.
In the second box, type ‘SA’.
Click on the result.
Enjoy.

Introducing the 2020 University of Essex MA placement student

Posted on June 24, 2020 by admin

Grace Benham, MA History student at the University of Essex, has recently embarked on a twelve-week placement with the Essex Record Office. She is working with a collection of oral history interviews in the Essex Sound and Video Archive, which documents the establishment of domestic refuges in London and the East of England (Acc. SA853).

When I chose to apply for a work placement as a part of my MA programme, applying to the Essex Record Office was an easy choice. As a Colchester resident born and bred, being able to engage with local history on such a practical level, working with an institution that holds interviews of my own grandmas on their lives – it was incredibly exciting to be accepted. I wanted to do a work placement as I wish to pursue a career in history, particularly archives, exhibitions or museums, and so such an experience is invaluable, as well as simply just really interesting.

Due to the unfortunate circumstances which have affected us all, I was unable to participate in the original placement project which required collecting oral history interviews. I therefore had a choice on which archives I would like to engage with remotely. It, again, was another easy choice: to get involved with the ‘You Can’t Beat a Woman’ collection of oral history interviews and to research, catalogue and produce blogs about it. A subject dear to my heart, I have found the study of the founding of women’s refuges in Essex and London is as inspiring as it is difficult to listen to. I have chosen to start this project by homing in on Colchester specifically, as the collection is vast and a geographical focus was the most obvious and compelling place to start.

What is immediately apparent in listening to these interviews is the incredibly dedicated and tenacious people who founded Colchester Refuge from the ground up. The practical, legal, economic, societal and emotional work required to provide a safe place and an abundance of resources for female victims of domestic violence is extremely evident and it is nothing less than admirable the way in which these predominantly women, with little to no previous experience in any related fields, fought for, and eventually founded, the refuge against the odds. I even had the honour to talk with Dr June Freeman, a key founding member of Colchester Refuge, author, and lecturer who compiled these interviews and who was the subject of several of these interviews. June made a great emphasis on what an uphill struggle they faced, as domestic violence was not even known as it is today. It was seen as a problem that should be kept private and within families, a problem which held little support from the police, courts, doctors and even social workers. The founders had to work tirelessly to convince Colchester Borough Council of the importance of a refuge and to finance such a venture without help.

Moyna Barnham describes the first steps towards starting up a women’s refuge in Colchester and the challenge of convincing people of the need for a refuge.

Sadly, another recurring theme in the interviews is a feeling that at the time of the interviews (2017) a loss of funding and interest in domestic violence is occurring in Essex and across the country. This rings unfortunately true as current circumstances have led to a rise in domestic violence. Domestic abuse charity Refuge reports that calls to the National Domestic Abuse Helpline have increased by about 66% since lockdown began in March, while the website received a 700% increase in visits in one day. As such the opportunity to listen and learn from these oral histories is more important than ever.

Alison Inman mourns the continuing need for refuges.