Where there’s a will: major update to Essex Ancestors

We love wills here at ERO. These fascinating and incredibly useful documents can tell us all sorts of things about the lives of people in the past, and are a brilliant resource for genealogists and social and economic historians alike.

The majority of the population did not leave a will, but where these documents exist, they can be of great help in establishing family connections (particularly before census returns begin in 1841) and for researching the amount of personal property people owned.

It can be surprising to see what testators valued; in 1641 Elizabeth Fuller of Chigwell left her eldest son Henry my longe carte and dunge carte, my ponderinge crose my furnace, my mault quarne. We think the crose must be for religious contemplation and the quarne for grinding grain but it seems an odd mix of bequests. Her second son Robert received my best chest and my best brace [brass] pot which to modern eyes would seem to be the better bequest (D/AEW 21/71).

It can be surprising to see what testators valued; in 1641 Elizabeth Fuller of Chigwell left her eldest son Henry ‘my longe carte and dunge carte, my ponderinge crose my furnace, my mault quarne’. We think the crose must be for religious contemplation and the quarne for grinding grain but it seems an odd mix of bequests. Her second son Robert received ‘my best chest and my best brace [brass] pot’ which to modern eyes might seem to be the better bequest (D/AEW 21/71).

Our collections include about 70,000 wills which date from the 1400s to 1858. Digital images of about 20,000 of these wills have been available on our online subscription service Essex Ancestors for some time, and we have just uploaded a further 22,500.

This is a project we have been working on for many months, with our digitisers spending about 375 hours photographing the wills, our conservators spending about 44 hours conserving them, and our archivists spending about 752 hours checking all the images against their catalogue entries to get ready for the upload.

It can be surprising to see what testators valued; in 1641 Elizabeth Fuller of Chigwell left her eldest son Henry my longe carte and dunge carte, my ponderinge crose my furnace, my mault quarne.  We think the crose must be for religious contemplation and the quarne for grinding grain but it seems an odd mix of bequests.  Her second son Robert received my best chest and my best brace [brass] pot which to modern eyes would seem to be the better bequest (D/AEW 21/71).

A portion of our wills collection in storage

This upload will mean that digital images of all of our wills dating to c.1720 will be available on Essex Ancestors. We will now press on with working on the rest of the wills, which date from c.1720-1858, for upload in the next few months.

To celebrate the upload, our archivists will be choosing some of their favourite wills to share on the blog over the next few days and weeks.

You can access Essex Ancestors from home as a subscriber, or for free in the Searchroom at the ERO in Chelmsford or at our Archive Access Points in Saffron Walden and Harlow.  It will shortly be provided at Waltham Forest Archives.  Opening hours vary, so please check before you visit.

Before you subscribe please check that the documents you need exist and have been digitised at http://seax.essexcc.gov.uk/

You can view a handy video guide to using Essex Ancestors here.

Great Totham in 1821 (or thereabouts)

In this guest blog post, Dr James Bettley tells us about fascinating discoveries in Great Totham.

In January 2013, the parishioners of Great Totham were clearing out the vestry at St Peter’s Church following a major reroofing project.  From behind a large wardrobe emerged a painting of the church, not seen for as long as anyone could remember, although the view of the building was familiar from an engraving that had been used as the frontispiece to The History of Great Totham, published in 1831. The painting was dirty, torn, and stained, but it is now being cleaned and repaired (thanks to grants from the Heritage Lottery Fund, Essex Heritage Trust, and the Church Buildings Council), and on Saturday 1 November it will take centre stage at a symposium being organised to celebrate the cultural life of Great Totham in the 1820s, ’30s and ’40s.

P1080788

Roger Allen (churchwarden) and Sally Woodcock (conservator) discussing the next stage in a delicate process

The church, hall and vicarage were the heart of the village in those days.  The vicar himself, G. S. Townley, spent most of his time in London (he was also rector of St Stephen Walbrook), so from 1810 the parish was looked after by a curate, Thomas Foote Gower; in 1829 Townley was declared of unsound mind, but did not die until 1835, when Gower succeeded him as vicar (and remained until his death in 1849).

Gower was well connected. His father, also a clergyman as well as being a physician and antiquary, lived in Chelmsford and had married the sister of John Strutt M.P., the builder of Terling Place.  Gower moved in good circles, and it is not surprising that when the famous painter of portrait miniatures, Charles Hayter, was living for a few months in Witham in 1821, Hayter and Gower got together.  The painting of Great Totham church is known to be by ‘Miss Hayter’, and there can be little doubt that this was Ann, Charles’s daughter, herself an accomplished and well-known miniature painter who exhibited at the Royal Academy between 1814 and 1830.

Charles Hayter

Members of the Gower family sketching at Layer Marney, 31 May 1821, drawn by Charles Hayter (courtesy of Cheffins, Cambridge)

Gower’s Totham friends included the two Johnson brothers, George William and Cuthbert William, and Charles Clark.  Both the brothers were barristers, but both also achieved fame as writers, G. W. on gardening and C. W. on agriculture.  G. W. also wrote The History of Great Totham, which was printed by Charles Clark – without doubt the most eccentric of the circle.  Nominally a farmer (his father was the tenant of Great Totham Hall), he spent most of his time writing doggerel poetry, printing, and collecting books (his extraordinary letters to a London bookseller, John Russell Smith, are in the Essex Record Office: D/DU 668/1-20).

The symposium on Saturday 1 November will explore the world of Clark, Gower, the Hayters, and the Johnsons, and will include talks, poetry readings, and a demonstration of printing on something like the press that Clark used.  The event runs from 2.30 to about 6.00.  Admission is free, although there will be a charge for tea.  For further information, please go to http://totham1821.wordpress.com/, or email jamesbettley@btinternet.com.

Black History Month: our earliest Black history record

This week on social media we asked you when you thought our earliest record of a Black individual in Essex would date from.

And the answer is… 1580! How close did you get?

The earliest mention we have found of a Black individual in our collections is the burial record of Thomas Parker, ‘a certayne darke mane’ in Rayleigh in 1579/80 (D/P 332/1/3). Thomas was buried on 12 February in the year that we would call 1580; at the time, however, New Year was marked on 25 March rather than 1 January, so contemporaries would have thought of it as still being 1579.

As with so many records this little snippet raises more questions than answers, as we know nothing else of Thomas Parker. Do let us know if you are able to shed any more light on his life.

Thomas Parker burial D-P 332-1-3 editDo you have a story to tell about the past or present of a Black, Asian or Minority Ethnic (BAME) community in Essex? If so we want to hear from you.

We are inviting people from BAME communities to tell their stories, either by writing them down or making a sound or video recording, to be kept in the archive for current and future generations to share.

This will be an ongoing project, but in order for potential contributors to see where their stories will be stored, we are holding a launch event with an opportunity to see behind-in-scenes at the archive, and to enjoy food, music, and a display of documents. Come and join in with Essex History Needs You on Saturday 11 October 2014, 11.00am-2.00pm. Free entry, just drop in.

Document of the Month: a letter from India, 1828

As October is Black History Month, we have chosen for our Document of the Month something from our small but significant collection which reflects the history of Black, Asian and Minority Ethnic communities and their connections to Essex.

The document is a letter from Bhowaneydass Purshotumdass in Bombay to Captain G. G. H. Munnings (referred to in the letter as ‘Mannings’) dating from 1828 (D/DU 312/7). While the letter raises more questions than it answers, it gives us a tantalising glimpse into the world of trade in India in the nineteenth century.

D_DU_312_7 watermarked

We can glean from the letter that Munnings was employed by Purshotumdass, and that he had just arrived in Calcutta on the Sunbury from Madras, a journey of 800 miles along the Bay of Bengal from the south to the north of the country. Judging by the need to ‘repair and cork the ship’, the writer’s reference to a ‘boisterous passage’ from Madras to Calcutta by Captain Munnings would seem to be an understatement.

It appears that the main purpose of the journey was to transport horses to Calcutta, but Purshotumdass wanted the vessel to return with as full a cargo and as quickly as possible to maximise profits, as is the case with international trade today.

Unfortunately, no other letters between the pair survive; we don’t know for how long he was employed by Bhowaneydass Purshotumdass, or what goods he found for the return journey.

At present, we have been able to find out a little about Captain Munnings but nothing about Bhowaneydass Purshotumdass.

What we do know is that Captain Munnings was from a family from Thorpe-le-Soken, and his full name was George Garnett Huske Munnings. Poll books available on Ancestry describe Captain Munnings as a merchant; the burial registers of St. Stephen Coleman Street in the City of London record that he was buried in that parish in 1837.

Other records show that Munnings owned a number of ships involved in both domestic and international trade. Some of his vessels operated up and down the coast of East Anglia, while others plied their trade to India and the West Indies.

Bhowaneydass Purshotumdass has signed the letter twice; in English and possibly in Marathi (a language used in Bombay).  He was clearly an educated and wealthy man; it is difficult to translate the 2,000 rupees he mentions to a modern day equivalent, but by the end of the 19th century, 15 rupees equated to £1.

The letter will be on display in the Searchroom throughout October 2014.

Do you have a story to tell about the past or present of a Black, Asian or Minority Ethnic (BAME) community in Essex? If so we want to hear from you.

We are inviting people from BAME communities to tell their stories, either by writing them down or making a sound or video recording, to be kept in the archive for current and future generations to share.

This will be an ongoing project, but in order for potential contributors to see where their stories will be stored, we are holding a launch event with an opportunity to see behind-in-scenes at the archive, and to enjoy food, music, and a display of documents. Come and join in with Essex History Needs You on Saturday 11 October 2014, 11.00am-2.00pm. Free entry, just drop in. More information here.

Recording of the Month, October 2014: “Dingie ‘Underd Ghoost o’ ‘Alloween”

Our Sound Archivist Martin Astell brings us another highlight from the Essex Sound and Video Archive…

SA 24/221/1

Whether you believe in ghosts or not, it is possible that some may knock on your door at the end of October. For that reason, I have chosen this ghostly tale – supposedly recounted in Essex dialect – as our recording for this month.

We know that the poem was written (and presumably spoken) by Mr J. London of Collier Row at some point in the first half of the twentieth century. Unfortunately, we know very little else about this delightful curiosity.

It tells of supernatural goings-on in Essex’s Dengie peninsula, which is still referred to by the historic term of the Dengie Hundred, and why on ‘’Alloween Eve’ you may still hear ghostly cries as you travel through its misty lanes. According to ‘The Witches of Dengie’ by Eric Maple (published in Folklore, Volume 73, Autumn 1962), “the Hundred of Dengie was until comparatively modern times regarded as ‘Witch Country’, to use a local term for any district where the traditions of witchcraft were very strong.” This article goes on to describe reputed encounters with witches said to have the power of flight – “like other witches of the Essex marshlands” – and a number of tales involving horses and carts affected by witchcraft. One wonders whether Mr London had heard some of these tales before he sat down to compose his tale.

Centre disc label

The poem begins: “Should ye ever goo in a pub called Kickin’ Dickey, down Dingie ‘underd way” which is curious as we find no record of a pub with this name in the area. There is a pub called Kicking Dickey in Great Dunmow in Essex, but this is decidedly not in the Dengie Hundred. However, ‘dickey’ is a dialect term for donkey, so could it be that locals used Kickin’ Dickey as a nickname for the White Horse in Southminster, or Mundon, or even the village of Dengie?

If you know, let us know.