Recording of the Month July 2014: Father Went Down to Southend

Our Sound Archivist Martin Astell brings us another highlight from the Essex Sound and Video Archive…

Acc. SA710 part

The promise of summer sunshine leads our thoughts toward the seaside and this month’s recording should help us on our journey. It is taken from a 78rpm Edison Bell gramophone disc released in 1911 or 1912. The song Father Went Down to Southend was written by T.W. Connor who wrote a number of other Music Hall favourites such as She Was One of the Early Birds (And I Was One of the Worms), I’m the Airy Fairy and A Little Bit of Cucumber. This last can be heard performed by Mr Cutmore of Halstead on the Essex Record Office CD How to Speak Essex: 20th century voices from the Essex Sound and Video Archive.

Bell disc 348 - label

Father Went Down to Southend can be seen as providing further evidence of the popularity of the resort as a destination for day trippers travelling by rail from London in the late nineteenth and early twentieth centuries, telling a story – which may be familiar to some of us even now – of a man who ‘didn’t see much of the water, but he put some beers away!’ The tune is lively and the words humorous. Note also the curious ending which mirrors the introduction but, to me, has the effect of sounding like an arrangement intended to segue into another song.

If the recording quality sounds a little less than ‘hi-fidelity’ to our modern ears, it is worth noting that the disc itself is over 100 years old and that it would have been recorded acoustically – that is, without microphones – requiring the singer and accompanying orchestra to be arranged in front of a conical horn (somewhat akin to those seen on gramophones) and to perform live.

I hope this recording gets you in the mood for your summer holiday. Perhaps you should consider a day trip to ‘Southend on the Sea’.

Conservators galore

Essex Record Office recently hosted a meeting of the Archives and Records Association (ARA) Conservation Training Scheme with Trainees coming from other Offices as far away as Lancashire, Pembrokeshire and Derbyshire. The scheme aims to train Archive Conservators to be able to preserve and repair the extremely varied material found in a county record office, dealing with the theoretical knowledge of the history and science behind the materials and the practical skills required to preserve historic documents for the future.

Following a tour of the building and facilities at ERO, Trainees were instructed on the conservation of photographic negatives by Photographic Conservator, Rosalind Bos. During this session Rosalind described the types of materials used in the production of negatives and the conservation challenges caused by unstable plastic negatives. Methods for the conservation of damaged glass plates negatives were demonstrated including the sandwiching of a broken negative between two glass plates with a tight border of mount board to provide pressure on the pieces and keep them in place. A negative repaired like this can be safely stored, handled and digitised without causing further harm.

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Conservator Rosalind Bos talks to Trainee Conservators on techniques used in photographic conservation

Repaired negative

A broken photographic negative sandwiched between glass and held in place by a specially made border

ERO’s Conservation staff, Tony King and Diane Taylor, ran a session on the technique of leafcasting in the afternoon. Leafcasting is a method by which paper documents with weakened areas, tears and holes can be repaired using liquid paper pulp. The document is held underwater positioned on a fine mesh and the liquid pulp is added to the water. Once a vacuum is turned on the water rushes through the mesh depositing the pulp in the holes in the document, once pressed and dried the pulp forms new paper in the holes. You can see how this process works in our leafcasting video here.

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Gathered in the glow of the leafcaster

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A paper document repaired with fresh paper pulp in the leafcaster

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Looking at paper documents repaired by the leafcaster after they have had a chance to dry

The day gave the Trainees a chance to learn about several specialist conservation techniques as carried out by staff at ERO and was a great opportunity to share ideas and approaches with colleagues from all over the country.

In search of Mars

Our newest Archivist Lawrence Barker pins down where composer Gustav Holst wrote his famous Planets suite…

It was about a hundred years ago that the composer Gustav Holst started work on his masterpiece, The Planets suite, and at the same time, to spend weekends at Thaxted.  He started with Mars “The bringer of war” shortly before the First World War broke out, and much has been made of the coincidence.  However, apparently Holst always denied that he had had a premonition of the horrors of war that were to ensue.

Like many I am sure, I had assumed that the house in the middle of Thaxted, identified now by a blue plaque, was where he wrote The Planets. But, as the plaque confirms, he only moved into that house in 1917 after he had completed the work.  Before then, he rented what his daughter Imogen described as a ‘three-hundred-year-old cottage on the top of a hill…two miles from Thaxted’[1] in the small hamlet of Monk Street, which had been previously occupied by the writer S.L. Bensusan.  It was there that he wrote Mars.

Sadly, the cottage no longer exists but a photograph does exist of the interior (which you can see here) showing Holst’s wife Isobel sitting by the fire and possibly taken by Holst himself.  The grand piano also visible in the left foreground is recognizably the same as that which Holst bought for the cottage which now takes pride of place in the Holst birthplace museum at Cheltenham, with a score of The Planets placed on the music stand and a note claiming that it was composed on that piano.  Holst bought it because it had a very light action which suited his neuritis.

At the time, Holst called himself Von Holst as is confirmed by his entry in the 1911 census.  Imogen describes how he helped out with the music in the church and was affectionately called ‘our Mr. Von’ by singers in the church choir.  However, with the onset of the First World War, neighbours became suspicious of him walking around the district and asking questions about the history of the area.  He was reported to the local police who carried out an investigation under the terms of the Aliens Restriction Order; and you can read the outcome reported below in a book of police investigations of those with German associations (J/P 12/6, 1914-18) kept by the ERO.  Usefully, you can see that the book states his address at the time as ‘Hill House, Monk Street, Thaxted’.

JP-12-6 watermarked

Holst later took steps to have ‘Von’ formally removed from his name and paid for a change in the deed poll.  However, ironically, as Imogen relates, he was not entitled to call himself ‘Von’ Holst in any case as the title was initiated as an affectation by his father in the 1880s to increase his kudos by advertising himself as a German music teacher.

As the cottage has disappeared, I thought I would try and find its exact location by carrying out a typical house-history search.

Imogen Holst described the cottage in a small pamphlet about her father and Thaxted published in 1974:

The cottage dated from 1614; it had a thatched roof, and open fire-places, and a wonderful view across meadows and willow trees to the church spire in the distance.[2]

The NW volume of the Royal Commission on Historic Monuments for Essex has an entry for such a cottage on the Dunmow Road, East side:

(37). Cottage, about 1½ m. S. by E. of the church, was built apparently in 1614, and has a modern wing at the back and a low modern addition at the N. end.  On the W. font are three gabled dormer windows; the middle window is dated 1614.

The map shows it to be located on the right going towards Thaxted just before the road bends to the left into the hamlet of Monk Street.

The cottage was owned by Bensusan, and this is confirmed on the 1910 Finance Act map based on OS 25″ 2nd ed. sheet XIV.16 (ERO reference A/R 1/3/14), which shows the cottage to be plot 743 (79 on OS map) with the ownership of Bensusan confirmed in pencil on the map; that is, the second cottage past the turning to Sibley’s Green to the South and just before the left bend into Monk Street to the North on the Thaxted road (now the B184).  The accompanying reference book (A/R 2/5/10) shows on pg. 72 that assessment no. 743 was a vacant cottage (extent 1/3 Rod) owned by Samuel Bensusan (of The Brick House, Gt Easton) in Monk Street.  This was the only cottage in Monk Street belonging to Bensusan.

Armed with the name of the cottage, I carried out a search on Seax for any other documentation that might survive about it and found two bundles of documents.  The first (D/F 35/8/308) concerned ‘Hill Cottage’, Monk St., which underwent repairs, including the thatch, in 1924.  It was leased to Mrs Kennedy and correspondence contained in an envelope dated 1924 referred to the ‘Monk St property belonging to S. L. Bensusan Esq.’.  The other bundle (D/F 35/8/342) includes an agreement between M. Kennedy and L. Mackinnon re. the let of Hill Cottage, Monk St. in 1926 which identifies the plot as No.79 on the OS map (see the 1879 edition below).

Holst's cottage Monk st - no 79

So, there can be little doubt that the cottage in which Holst worked on Mars, the bringer of war, just before the start of the First World War, was on the right just past the right turn to Sibley’s Green and before the road bends round the left.  The cottage was still there in 1948 according to 25″ OS map but by 1977 on the OS map TL 6128 it had disappeared, although the plot still seems to be intact despite road widening and the building of new by-pass to Monk Street, now a left turn off the road.



[1] Holst, Imogen (1938). Gustave Holst: a biography. London: Faber and Faber

[2] Holst, Imogen (1974). Gustav Holst and Thaxted. Thaxted: Thaxted bulletin (later published as a separate pamphlet)

How to run your manor

Following our recent posts on what a manor was, and the records produced by manorial courts, today we have the final instalment in our manorial mini-series from Archivist Katharine Schofield. Running a manor produced all sorts documents, which record boundaries, customs and obligations owed between tenants and lords – read on for just a few examples. You can find out more about manorial records and how you can use them in your own research at Essex through the ages: tracing the past using manorial records on Saturday 12 July 2014.

Imagine you are lord of a medieval manor. You might even own several manors, and they might be scattered around a county, or indeed the country.

To make sure you are making the most of your manors (and getting the most from your tenants), you are going to need to establish how much and what type of land your manors include, how much your manors cost to run, and how much income you can expect to get from them.

All of this took a great deal of estate management, and has left us with a rich archive of administrative records. This includes extents, surveys and custumals, accounts or compoti, and later maps, rentals, perambulations and terriers. Handily for the modern researcher, they were often produced in English from as early as the 15th century.

Custumals

Custumals record the customs of a manor; that is, the labour services and rents owed by tenants in return for their lands, and any obligations owed to or by the lord. The famous Dunmow Flitch ceremony, for example, has its origins in a custom of the manor of Little Dunmow.

The extent and custumal of 1329-1330 from the manor of Stansgate in Steeple (which survives as a copy of c.1450 (D/DCf M34)), records a number of customs, including the obligation of all tenants resident in Ramsey Island, Steeple and Stansgate with their own boats or barges to take the Prior of Stansgate (the priory owned the manor), monks and servants by water to and from Maldon market every Saturday with their food. In return the Priory would give them dinner on the following Sunday.

Surveys, maps, terriers and perambulations

These are all different types of document that establish the boundaries of a manor, and which bits of the manor were held by which tenants.

The survey of the manor of Ingatestone of c.1275 (D/DP M150) is stitched into a rental and names the tenants, with a brief description of their holdings and a more detailed list of the service they owed the lord. For the tenants the survey recorded the extent of their liabilities and offered the assurance that the lord could not demand more work from them. This document was known as the ‘Domesday of Barking’ (Barking Abbey owned the manor) and appears as such in a court roll of 1322-1323 where it was produced as evidence in a dispute about a customary fine.

Title page of the ‘Domesday of Barking’, for the manor of Ingatestone, here called ‘Gynges’

Title page of the ‘Domesday of Barking’, for the manor of Ingatestone, here called ‘Gynges’

The ‘Domesday of Barking’ records that Juliana Strapel (you can make out her name at the beginning of the first full line shown here) held one messuage and 10 acres. Her obligations from this landholding included the payment of 5s 3d. annually, 9d. ‘lardsilver’ (a payment to the larder of Barking Abbey), and payment of one ploughshare at Michaelmas. She was also obliged to plough twice a year, hoe and harrow each for one and a half days, make hay, reap one acre in the autumn, and provide a man to work for three days. She also owed pannage, where pigs were allowed to roam in the wood to feed off acorns, and was obliged to collect nuts

The ‘Domesday of Barking’ records that Juliana Strapel (you can make out her name at the beginning of the first full line shown here) held one messuage and 10 acres. Her obligations from this landholding included the payment of 5s 3d. annually, 9d. ‘lardsilver’ (a payment to the larder of Barking Abbey), and payment of one ploughshare at Michaelmas. She was also obliged to plough twice a year, hoe and harrow each for one and a half days, make hay, reap one acre in the autumn, and provide a man to work for three days. She also owed pannage, where pigs were allowed to roam in the wood to feed off acorns, and was obliged to collect nuts

Originally, records dealing with boundaries used written descriptions of the land in question.  During the 16th century these written descriptions developed into maps and some of the earliest local maps in the Essex Record Office were produced by manors. In 1592 Israel Amyce produced a written survey of the manor and lordship of Castle Hedingham (D/DMh M1). In order to make the written descriptions clearer he included marginal sketch maps and larger pull-out maps.

Pull-out map of centre pf Castle Hedingham in survey of manor and lordship of Castle Hedingham by Israel Amyce, 1592 (D/DMh M1)

Pull-out map of centre pf Castle Hedingham in survey of manor and lordship of Castle Hedingham by Israel Amyce, 1592 (D/DMh M1)

A survey of manor and lordship of Castle Hedingham by Israel Amyce, 1592, using a combination of written descriptions and  maps (D/DMh M1)

A survey of manor and lordship of Castle Hedingham by Israel Amyce, 1592, using a combination of written descriptions and maps (D/DMh M1)

Maps were costly to produce as it usually required the employment of somebody with the cartographical skills of Amyce or Walker. Terriers and perambulations (where the boundaries were walked) and a written description was produced, continued as a cheaper alternative to describe the bounds of a manor.

Rentals

After the Black Death of 1348-1349 and the estimated loss of between a third and half of the population, lords of the manor found it much more difficult to enforce labour obligations on their tenants. This made it much less profitable for lords of the manor to farm the land themselves and increasingly the lords commuted the labour services into a rent.  At Thaxted in 1393 the survey (D/DHu M58) lists all of the labour services which had been due from each tenant and then concludes ‘now pays to farm’. The rent payable quit the tenant of any further labour obligations and from the 15th century onwards rentals or quit rentals are found among manorial records. Rentals name the tenants, and often give a description or even names of the copyhold premises they occupied, with the amount that they owed to lord.

Accounts (compoti)

When lords of the manor farmed the lands of the manor themselves, detailed bailiff’s accounts or compoti (from the Latin computare to calculate or estimate) were produced. The parchment membranes of accounts and rentals are usually stitched together end to end to produce an effect like a giant till roll. When unrolled they can be several feet long.

D/DBw Q1, which is about 18 feet long

D/DBw Q1, which is about 18 feet long

A compotus usually runs from Michaelmas to Michaelmas and there is a set pattern, beginning with the cash amounts to be charged and then discharged, the corn and stock (in a specified order) and then labour services. The compotus for the manor of Terling, 1328-1330 (D/DU 206/22) is the record kept by the bailiff William Knott. He accounted first for all of the money and goods coming in, including the sale of produce and purchase and birth of livestock. He then continued by listing every charge on the lord’s income including shoeing horses, making wheels, wages for work including ditching the park and roofing and repairing the gutters of the hall, chapel and dovecot. Knott also accounted for every loss of livestock, including deaths from the ‘murrain’ (a catch-all word used to describe unidentifiable animal diseases) and payments of eggs to the lord’s household and to the church. One of the biggest items of expenditure was bringing a watermill from Prittlewell (£10). There were further payments for the mill including digging the pond for it and removing the earth, buying nails and tiles and timber from Boreham and paying a carpenter.

Extract from the compotus for the manor of Terling, 1328-1330 (D/DU 206/22), which records the purchase of a watermill [molend’ aquatic] from Prittlewell [Priterewelle] to be moved to Terling.

Extract from the compotus for the manor of Terling, 1328-1330 (D/DU 206/22), which records the purchase of a watermill [molend’ aquatic] from Prittlewell [Priterewelle] to be moved to Terling.

Whether you are interested in using manorial records in your own research, or just want to enjoy hearing experts talk about them, join us for Essex through the ages: tracing the past using manorial records on Saturday 12 July 2014 to find out how you can discover centuries of Essex life using these fascinating documents. There are more details, including how to book, here.

Discover: Workhouse records

Researchers often discover from documents such as census returns or death certificates that an ancestor spent time in a workhouse.

The minutes of the Boards of Guardians who oversaw the running of Essex workhouses after 1834 have been deposited at ERO, and these can give an idea of what life was like for inmates.  However, a picture – or in this case an Ordnance Survey map – can sometimes be far more effective.  This extract is taken from the 120 inch: 1 mile map series and shows the ground floor of the newly built Maldon workhouse (now St. Peter’s Hospital) with a typical layout of rooms.

Ordnance Survey map showing Maldon Union Workhouse, 1873

Ordnance Survey map showing Maldon Union Workhouse, 1873 (click for a larger version)

On admission to the workhouse, males and females were separated and this plan shows further segregation: for example, aged females, bedridden females, able bodied females and girls all had different day rooms.  When allowed outside for fresh air, they would all be in different airing yards or play grounds.  Plans of the workhouse (D/F 8/611B) show that this separation continues on other floors, with different dormitories and even different staircases.

If you would like to find out more about using workhouse records, join us for Discover: Workhouse Records (from 1834) on Thursday 26 June 2014, 2.30pm-4.30pm. This session will look at why and how workhouses came into existence, what life was like as an inmate and will consider surviving Essex workhouse records. Tickets are £10.00, please book in advance on 01245 244644.

World Cup fever in Essex

With the World Cup in full swing in Brazil, we look back to the glory year of 1966, when the World Cup came to Essex.

The team from Uruguay stayed near Harlow for the duration of the World Cup.  They arrived on 1 July 1966 and stayed at the Saxon Inn (now the Park Inn by Radisson Harlow). The Epping and Ongar Gazette reported the team’s arrival.

Uruguay team 01071966

Reproduced courtesy of Epping & Ongar Gazette/Essex Chronicle series

The following week the paper reported that the team would make an unexpected public appearance at the local cinema to thank the town for the warm welcome which the players had received.

cup team appearance08071966

Reproduced courtesy of Epping & Ongar Gazette/Essex Chronicle series

It has been stated that Harlow Town FC arranged a friendly match against Uruguay, and that they were defeated, 6–1, but we have not been able to find a press report of the match.

Do you remember a match between Harlow Town FC and Uruguay?  Do let us know if you have any memories, photographs or programmes of this match.

Document of the Month June 2014: Map of Tilbury showing plans for Operation Overlord

Each month a document is put on display in our Searchroom. Our document for June has been chosen by Archivist Allyson Lewis to reflect the 70th anniversary of the D-Day landings which began on 6 June 1944.

This month we look at Essex’s involvement in Operation Overlord, known as the D-Day landings.  Eastern Command, which included Essex, was to provide for 104,000 men and their equipment embarking through Tilbury and London Docks.  Tilbury was a Marshalling Area for collecting men and vehicles for the D-Day landings.

C/W 3/4/9

Marshalling Areas (MAs) were intended to hold 40,700 men and 6,500 vehicles prior to embarkation, load them and send them out as part of the initial landings, and then to embark 4,000 men and 600 vehicles per day for as long as necessary after D-Day itself.  Once sent for embarkation, the troops had to be provided with food and drink so any postponement of the operation posed a serious logistical problem.  The MA was arranged in 8 sub-areas located at Orsett Golf Club, Tilbury, Purfleet, Thorndon Hall, Belhus Park, Warley Barracks, Weald Park, and the Halfway House Inn on the Southend Arterial Road.

Planning began in February to identify suitable sites for camps field hospitals, ammunition dumps, petrol dumps, bakeries, rail heads and traffic routes.  This map (C/W 3/4/9) shows the location of the camps in each sub-area and the routes traffic should take to reach the embarkation points.  Most of the vehicles were parked up on the Southend Arterial Road.  They had to be waterproofed before being loaded onto the ships.  During March camps were constructed and roads strengthened, and by 1 May the area was ready.  Postal censorship began on 1 April and by the end of May all camps were patrolled to prevent contact with the local population.

Embarkation of troops and vehicles was a four day process: three days to waterproof the vehicles and get them aboard and to issue supplies and load the men, and one day to clear the area and get ready for the next detachment.  Y-Day was the name given to the day when everything would be ready to go.  Any long delay at this point would mean that men would have to be disembarked and sent back to their camps.  However, the weather improved sufficiently on 5 June for Operation Overlord to commence on 6 June 1944.

Information from http://www.airfieldinformationexchange.org/community/showthread.php?11999-SECOND-WORLD-WAR-D-Day-Marshalling-and-Embarkation-Areas

Recording of the Month June 2014: Rickling Rat and Sparrow Club

Our Sound Archivist Martin Astell brings us another highlight from the Essex Sound and Video Archive…

SA 13/4/9/1

The Essex Sound and Video Archive holds a wealth of material relating to farming practices and village life before the Second World War. This recording provides us with an example of how village life was often defined by the requirements of agriculture. It is an interview with Eric Wright, whose father was the farm bailiff at Rickling Hall, and who, as a child in the 1920s and 1930s, had a part to play in controlling the numbers of vermin on the farms in the village of Rickling.

He describes the Rickling Rat and Sparrow Club which was a means of ensuring that responsibility for pest control was shared throughout the community, and also served as a social activity for the working men of the village.

This recording is not for the faint-hearted as it describes an unsentimental, or one might say brutal, approach to the trapping and killing of rats, sparrows and rooks.