Gardens Trust and Essex Record Office joint Symposium
Saturday 2 April, 10:00am to 3.30pm at the ERO, Chelmsford
We are delighted to be holding a
joint all-day symposium in Chelmsford with the Essex Gardens Trust on Saturday
2 April 2022. This event was originally conceived and planned before the
pandemic and after some enforced rescheduling, is now going ahead. The theme of
the day is to explore some of the many challenges that heritage landscapes and
gardens face today in trying to balance competing priorities of preservation,
conservation, ecology, sustainability, and public access.
We will be welcoming to Essex, Peter Hughes, QC and
Chair of The Gardens Trust whose talk is entitled “Opening the gates – Conservation and the
Challenges of Garden Tourism”. Peter chose this subject for his
Masters’ degree dissertation in Garden and Landscape History and undertook a case
study of six important gardens around the country, some in public and some in
private custodianship, and interviewed head gardeners and other prominent
figures involved in garden conservation.
A talk by Alison Moller – Garden
Historian, lecturer, and researcher – will provide the landscape context for
Essex landscape heritage sites tracing the geological formation of the land
beneath the historic landscapes of Essex.
Landscape Architect, Liz Lake will explore
how our historic landscapes can be a source of inspiration for modern day
designers and an additional reason why they should be managed and conserved.
Liz will pick out key features from historic designed landscapes and looks at
how they have been reworked for our times.
Historic Gardens Consultant will speak on “A Vision for Landscape Conservation”. Many
historic gardens and landscapes are managed by bodies with a culture and
expectation which diverges greatly from those which envisage their restoration
and conservation. For example, prejudice against exotic plant species on the
one hand and an underappreciation of habitat management on the other are common
points of divergence. He will argue that the different approaches can be
detrimental to the original vision of a conservation project. In his paper,
Stephen Smith will share his observations, drawing on examples of landscape
conservation schemes on the London fringes of Essex and beyond, to identify the
problems as well as proffer some mutually beneficial solutions.
And finally, Ailsa Wildig – Chair of
The Tuesday Research Group, at Warley Place will talk about How Warley Place still respects its
garden history – From historic garden to nature reserve looking
at the challenges facing those managing and caring for Ellen Willmott’s
historic garden, that was recently listed as ‘at risk’ by Historic England.
This should be a fascinating day
exploring some of the challenges facing those conserving historic landscapes
and gardens and will also provide the opportunity to meet or catch up with
others working or with interests in these fields.
North-East Essex Coastal Parishes. Part 1: St Osyth, Great and Little Clacton, Frinton, Great Holland and Little Holland
The latest volume of the Victoria County History of the County of Essex has been presented to Martin Astell the Essex Record Office Manager. This is the first of two volumes covering the North East Essex coastal parishes, from St Osyth to Walton on the Naze. Boydell and Brewer are also offering a spectacular 35% off for a limited period only. More details on that can be found below. All of the Victoria County History volumes draw heavily on the documents which are held at the Essex Record Office.
The nine Essex parishes lying in a coastal district between St Osyth and the Naze headland at Walton encompass a number of distinct landscapes, from sandy cliffs to saltmarshes, recognised as environmentally significant. The landscape has constantly changed in response to changing sea levels, flooding, draining and investment in sea defences. Inland, there was an agriculturally fertile plateau based on London Clay, but with large areas of Kesgrave sands and gravels, loams and brickearths. Parts were once heavily wooded, especially at St Osyth.
The district was strongly influenced by the pattern of estate ownership, largely held by St Paul’s Cathedral from the mid-10th century. About 1118-19 a bishop of London founded a house of Augustinian canons at St Osyth, which became one of the wealthiest abbeys in Essex. Most other manors and their demesnes in the district were small and their demesne tenants were of little more than local significance.
The area’s economy was strongly affected by the coast and its many valuable natural resources, including the extraction or manufacture of sand, gravel, septaria, copperas and salt, and activities such as fishing, tide milling, wrecking and smuggling. However, it remained a largely rural district and its wealth ultimately depended upon the state of farming. Until the eighteenth century it specialised in dairying from both sheep and cattle, but afterwards production shifted towards grain.
The coastal area has produced significant evidence of early man and was heavily exploited and settled in prehistory. The medieval settlement pattern largely conformed to a typical Essex model, with a complex pattern of small villages, hamlets and dispersed farms, many located around greens or commons.
Introduction: The North East Essex Coast; St Osyth; Great and Little Clacton; Frinton; Great Holland; Little Holland; Glossary; Note on Sources; and, Bibliography.
Dr James Bettley is an architectural historian, currently planning his next project.
Where is your office?
I’m lucky to have a study on a mezzanine floor at the back of the house that makes it feel quite separate from the rest of the house. We’ve lived here for 30 years and I’ve been working from home for 20, so the current situation doesn’t feel that strange.
Do you have a view out of a window when you are working? What is it and is it a distraction?
There are two windows, facing east and south, with views over our garden and fields beyond. The windows are not in my direct line of site so I don’t find the view too distracting.
What Essex research are you catching up on? Will this result in something published?
I’m thinking about a couple of subjects – John Bateman of Brightlingsea, and the 20th-century restorations of St Peter’s Chapel, Bradwell – but the research I really want to do involves travelling in the UK and abroad, so that’s on hold for the time being. Any thoughts of publication are very remote just yet.
Do you set yourself a strict timetable to work to or just pick up your research as and when?
Generally when I’m at home I work from 8 to 6 with an hour for lunch and a walk, but I’m slipping into a more relaxed coronavirus regime of concentrated working from 9 to 1, lunch followed by a couple of hours permitted exercise or essential shopping, then catching up on emails etc until 6 or so.
Do you have a favourite online resource?
British Newspaper Archive. Endlessly diverting.
What is your favourite research beverage and snack?
Coffee, mainly. I tend not to snack, although I can’t pretend that if there’s a packet of biscuits open I don’t occasionally…
Apart from the news, is there anything that distracts you from your research?
I’m easily distracted by emails, tweets etc, but not for long.
What are you most looking forward to when you are able to visit ERO again?
T/M 508/2. It’s only
a photograph of a map (the original’s at New College, Oxford, who owned land at
Bradwell) but it includes a vignette of ‘St Peter’s Chapel in Ruins’ that I’d like to see. But mostly I’m
simply looking forward to being able to visit the ERO and a number of other
libraries and archives again. Perhaps we’ll value you all the more after this
period of abstinence and deprivation.
While the Essex Record Office might be closed to physical researchers it is still open for remote users via our Essex Archives Online (EAO) service that contains over three-quarters of a million digital images of parish registers, wills and some other records. This service has been up and running since 2011 and in that time researchers from across the globe have made use of the service. And it is a dynamic service as new images are added as and when relevant documents have been deposited and digitized.
In this Blog post EAO user Ian Beckwith has kindly shared some of his research that he has undertaken whilst using our parish register digital images. Ian is a seasoned user of the service and has been using it for several years but if you are new to research and are thinking of possibly taking out a subscription then it is worth considering the wonderful breadth of what is available. So, to begin with Archive Assistant Neil Wiffen discusses how to get started.
the 20 years that I have worked at ERO I have been advising researchers on how
to start making use of the digital images that are on EAO and here are some of
Firstly, I would strongly recommend that before you take out a subscription you familiarize yourself with the EAO catalogue. It is completely free to search the catalogue as much as you wish. There are several ‘User Guides’ which are located at the bottom of the home page (https://www.essexarchivesonline.co.uk/) so scroll down and have a read of these.
Secondly, have a go at searching the catalogue by trying out a simple search – try typing in the wide white text box (which contains ‘search the archive’) the name of the parish you are interested in and ‘church register’ and click ‘Search’. This will bring up instances of all sorts of registers, not just church, or parish, registers, for a certain place. Some of these won’t have digitized images associated with them so this is why it is essential to check that what you want to look at has digital images before taking out a subscription. It will, however, give you an idea of the range of documents that the ERO looks after. All the Church of England parish registers deposited in the ERO, except for a few of the most recent ones, have been digitized, so you should find that they all have the a picture frame icon at the end of their entry in the search results.
By clicking on the ‘Reference’ or ‘Description’ you will be taken to the full catalogue entry for a document which might well give you further information. You might find that it isn’t really what you’re looking for. But if it is, remember to check for the photo frame icon to find out whether there is a digital image associated with the document .
A quick way to search for parish registers in particular is to look at the ‘Parish Register’ section of EAO (top right-hand corner). Here you will be able to refine your search to the parish you are interested in. If what you are looking for isn’t there (or if it is there but doesn’t have ‘Digital images’ next to it) then don’t take out a subscription. It is worth remembering that not every parish will have records going back to 1538 so do check the catalogue before subscribing to avoid disappointment.
parish has its own unique number assigned to it. Great Burstead, for example,
is D/P 139 and registers of baptisms, marriages and burials come under
D/P 139/1. The first register, which covers 1559 to 1654, is then catalogued as
D/P 139/1/0. Take time to familiarize yourself with the catalogue before taking
out a subscription.
And do bear in mind that even if a parish register survives then early registers have baptisms, marriages and burial scattered throughout them so you will probably need to go hunting through the register for the entry that might be there – or might not . In the Tudor, Stuart and Georgian period it was very much down to the individual incumbent, or his deputy, as to how much effort was put into keeping the registers up to date. Not every vicar, rector or church clerk was as assiduous a record keeper as we might have liked him to have been. Fortunately, if you have a subscription to Ancestry, we have worked together with them to create a name index, which can take a lot of the leg work out your research. You can even buy digital images of what you find directly from Ancestry.
can also be difficult to read, although some incumbents like Rev Thomas Cox in
Broomfield and the famous Essex historian Rev Philip Morant, have beautifully
clear handwriting. Sometimes the writing is faint or illegible and the register
itself might be damaged. Remember these were working documents that have spent
several centuries in damp and cold churches before being deposited at ERO.
last thing, if you have identified that there are parish registers that you
want to look though that have digital images associated with them, and you take
out a subscription, then make sure that you take down the reference of what you
have looked at and what you have found as you work your way through them. This
will save time in the long-term and if you share your research with others you
can tell others in what document you found the information.
hope I haven’t put you off after all that but I do have one last warning:
historical research can be addictive. You might start out looking for one thing
but get distracted by something else. After 20 years of working at ERO I know
there’s always another new topic of interest just lurking over the page!
Neil Wiffen – Archive Assistant.
If you require any assistance, having taken out a subscription, then you can contact the Duty Archivist at firstname.lastname@example.org. While the Record Office is shut, emails are being monitored remotely during the present crisis. Please bear with us though.
Parish Registers – Researching Remotely
I, like many others of my age and with
underlying health conditions, am in self-isolation. But this doesn’t mean that I can’t get on with
research. Thanks to the digital age
there’s so much available on-line for the local historian to work on, e.g.
Essex parish registers, which, thanks to the wonders of the ERO, are at my
finger-tips on my laptop. There’s a subscription
to pay, but once you’re registered., you can log-in, click on ‘Parish
Registers’ in the top bar, scroll down the page until you find ‘Choose a
letter’, then ‘Choose a parish’ and finally ‘Choose a church’. Up will come a table, telling you when your
chosen registers begin, click on ‘View’ in the right hand column, and the
register will appear. You need to know
that in the case of the earliest registers, the baptism, marriage and burial
entries were written up in one book, sometimes in different sections of the
book, sometimes together as they occurred through the year. Later registers record baptisms, marriages
and burials in dedicated volumes. When
the image of your selected register appears, click on the rubric ‘To enhance
this image… ’ and the image will expand to fill the screen. Away you go!
In September 1538, King Henry VIII’s Vicar General, Thomas Cromwell, issued an injunction to every parish priest in England requiring him to keep a record of all baptisms, marriages, and burials in his parish. In Essex at least seventy-five parishes have registers beginning in about 1538. Most of these survivals are copies made in the reign of Elizabeth I, either by the incumbent or the parish clerk, from the old book, which was then apparently discarded.[i] Many other registers begin in the reign of Elizabeth I. Apart from the marriages, baptisms and burials that are the building blocks of family reconstitution, what else can we learn from scrutinising parish registers?
In rural Essex as elsewhere in the
sixteenth century it was taken as a given that God existed. No one’s head was bothered by whether the
earth was the centre of the universe (it obviously was) or whether God was in his
heaven up above while hell was down below (they undoubtedly were).[ii] The only issue was whether God was Protestant
or Catholic. The wrong choice could cost
you your life in this world and your salvation in the next. When it came to making this choice, parishioners
in England had been on something of a roller-coaster ride since 1538. Four years before Cromwell issued his
injunction introducing parish registers the Pope’s authority over the English
Church had been abolished and the King had made himself Supreme Head of the
Church in England. Between 1536 and 1541
the Dissolution of the Monasteries had seen the closure of over 900 monastic
foundations, the dispersal of the monks and nuns who occupied them, and the
sale of their vast landed estates. Yet
the parish registers that survive from this period show that, while these
upheavals were taking place, baptisms, marriages and burials carried on as
normal. The services of the Church
continued to be said in Latin, in the form in which they had been since time immemorial. It was not until 1549, two years after the
death of Henry VIII, that the mass was first said in English. Four years later the Protestant Edward VI was
succeeded by his half-sister the Catholic Mary Tudor, Henry’s daughter by
Catherine of Aragon, and during the next five years England returned to
obedience to Rome, the services in the parish churches reverted to Latin, the
traditional rites and ceremonies were restored, and images and treasures that
had been hidden were brought out again, only for all this to be reversed in
1558 when Elizabeth I came to the throne: again the Pope’s authority over the
English Church was abolished and the Queen was proclaimed Supreme Governor of
the Church.[iii] On May 8th 1559 the Act of
Uniformity, authorising the use of the new Book of Common Prayer, received the
Royal approval. The new prayer book,
which replaced all other service books, came into use on 24th June
Occasionally, however, in the midst of
the routine recording of rites of passage, the registers provide glimpses of
the impact of these changes at parish level.
In July 1599 the Great Burstead register recorded that
Elizabeth Wattes Widdow sume tyme the wife of Thomas Wattes the blessed marter of god who for his treuth suffered his merterdom in the fyre at Chelmesford the xxij day of may in A[nn]o D[o]m[ini] 1555 in the Reigne of queen mary was buryed the 10 day 1599 so she liued a widow after his death xlviij yeres & fro[m] the 22 of may to the 10 july & made a good end like a good Christian woman in gods name.[iv]
Thomas Watts was one of almost eighty Essex men and women who were burned at the stake in the reign of Mary Tudor for refusing to recant their Protestant beliefs.[v] A full account of Thomas Watts’ martyrdom is provided in John Foxe’s Book of Martyrs, more correctly titled Acts and Monuments of these Latter and Perillous Days, first published in 1563 and greatly expanded in 1570.[vi]Described as a linen draper of Billericay, then part of the parish of Great Burstead, Thomas Watts had, according to Foxe ‘daily expected to be taken by God’s adversaries’. Accordingly he had assigned his property to his wife and children and donated his stock of cloth to the poor. He was arrested on April 26th 1555 and brought before Lord Rich at Chelmsford, accused of not attending church, i.e. hearing mass. Interrogated by Sir Anthony Browne, who, with Rich, had been appointed to purge Essex of heretics, as to why he had embraced his heretical views, Watts replied that
You taught me and no one more than you. For, in King Edward’s days in open sessions you said the mass was abominable trumpery, earnestly exhorting that none should believe therein, but that our belief should be only in Christ.[vii]
It seems that Watts had also spoken
treasonable words against the Queen’s husband, King Philip.[viii] Unable to persuade Thomas Watts to recant, he
was sent to Bishop Bonner, ‘the bloody bishop,
Essex was then within the diocese of London and Edmund Bonner was its bishop,
first under Henry VIII and again under Mary.
He remained staunchly Catholic during the reigns of Edward VI and
Elizabeth. Although usually depicted as
sadistic and merciless, it is worth noting that even Foxe acknowledges that
Bonner made several attempts to persuade Watts (and others) to recant, ‘gave
him several hearings, and, as usual, many arguments with much entreaty, … but
his preaching availed not, and he resorted to his last revenge – that of
condemnation’. ‘I am weary to live in
such idolatry as you would have me live in’, Watts is alleged to have said, and
signed the confession of heresy. Faced
by his refusal, Bishop Bonner had little choice but to consign Thomas Watts to
the secular arm, the Church not being allowed to take life, to suffer the
penalty prescribed by the Statute De
Heretico Comburando (Concerning the Burning of Heretics) of 1401,
originally intended to deal with Lollards.[x]
Returned from the Bishop of London’s
prison to Chelmsford, Thomas Watts was lodged at ‘Mr Scott’s, an inn in
Chelmsford where were Mr Haukes and the rest that came down to their burning,
who all prayed together’. Watts then
withdrew to pray by himself, after which he met his wife and children for the
last time, exhorting them to have no regrets but to glory in the sacrifice he
was making for the sake of Jesus. So
powerful were his words that, it is said, two of his children offered to go to
the stake with him. At the stake, after
he had kissed it, he called out to Lord Rich, who was supervising the
execution: “beware, for you do against your own conscience herein, and without
you repent, the Lord will revenge it”. ‘Thus did this good martyr offer his
body to the fire, in defence of the true gospel of the Saviour’.[xi]
It seems unlikely that Rich, a man whose
name is a byword for cruelty, sadism, dishonesty, ruthlessness and treachery,
possessed a conscience. Born about 1496,
Richard Rich was a lawyer who entered the service of Thomas 1st
Baron Audley of Walden,, who assisted Rich to become MP for Colchester.[xii] In 1533 Rich was knighted and became
Solicitor General. In this capacity, he
used selective quotations from a private conversation with Thomas More in the
Tower in evidence at More’s trial. In
1536 he was appointed Chancellor of the Court of Augmentations, charged with
the disposal of former monastic estates, a position that he used to enrich
himself. In 1546 he personally tortured
the Lincolnshire Protestant martyr, Ann Askew, in the Tower. During the reign
of Edward VI, as Lord Chancellor, however, he presented himself as a reformer,
taking part in the trials of Bishops Gardiner and Bonner. Yet in Mary’s reign
he helped restore the old religion, actively persecuting those like Thomas
Watts of Billericay who refused to conform. Under Elizabeth he sat on a
Commission to enquire into grants made during the previous reign and was called
upon to advise on the Queen’s marriage. Richard Rich died on 11th of
June 1558 at Rochford and was buried at Felsted on the 8th of
July. The entry in the Felsted register
gives only the bare facts. For those at Felstead who had dealings with him,
Richard Rich, first baron Rich, must have been terrifying.[xiii]
In Elizabeth’s reign, others submitted to
the Religious Settlement but made their resistance covertly, like the parson of
Great Baddow who recorded the burial of Joan Smythe on May 1st 1572
‘being the purificacion even of o[ur] lady St Mary’ (i.e. the evening preceding
is not necessarily clear by whom the registers were kept. Although the entries for the preceding week
were supposed to be read to the congregation at the principal service on
Sunday, there are indications that some were written up at the year’s end (24th
March), possibly from notes on slips of paper.
The penmanship of the entries remains generally of a very high standard
until the last decade of the sixteenth century, when it often becomes slapdash
and much less legible.
realisation that the world was not flat, as the circumnavigation of the globe
by Magellan and Drake demonstrated, did not shake the belief in this
three-decker image of the universe.
change from Supreme Head as Henry VIII was designated, to Supreme Governor, it
has been claimed, reflects the opinion that a woman could not be ‘Head’ of the
Church. However, when Elizabeth was
succeeded by James VI of Scotland, the title ‘Governor’ was retained and
continued to be used by every subsequent monarch, male and female.
[iv] ERO, D/P 139/1/0, Image 49. However, the
length of her widowhood seems to have been miscalculated.
E Oxley, The Reformation in Essex to the
Death of Mary, Manchester University Press, 1965, pp.210-237. Coincidentally, my copy was withdrawn from
Billericay Public Library in about 2013.
have drawn upon an edition of 1860, published in Philadelphia. The account of Thomas Watts’ martyrdom is on
p.367. The Book of Martyrs has been
blamed for inciting anti-Catholic sentiment in England.
Essex Lollards were burned at the stake in Henry VIII’s reign. The purpose of burning was to act not just as
a deterrent but also as a purgative, to rid the realm of disease. See David Nicholls, The Theatre of Martyrdom in the French Reformation, Past &
Present, Vol 121, Issue 1, November 1988, pp 49-73.
Audley (1488-1544), formerly MP for Colchester, a member of Cardinal Wolsey’s
household, Speaker of the Commons during the Reformation Parliament and Lord
Chancellor of England from 1533-1544
about 1496, Richard Rich was a lawyer who entered the service of Thomas Audley,
who assisted him to become MP for Colchester.
In 1533 Rich was knighted and became Solicitor General. In this capacity, he used selective quotations
from a private conversation with Thomas More in the Tower in evidence at More’s
trial. In 1536 he was appointed
Chancellor of the Court of Augmentations, charged with the disposal of former
monastic estates, a position that he used to enrich himself. In 1546 he personally tortured the
Lincolnshire Protestant martyr, Ann Askew, in the Tower. During the reign of
Edward VI, as Lord Chancellor, however, he appeared as a reformer, taking part
in the trials of Bishops Gardiner and Bonner, yet in Mary’s reign he helped
restore the old religion, actively persecuting those who refused to conform.
Under Elizabeth he sat on a Commission to enquire into grants made during the
previous reign and was called upon to advise on the Queen’s marriage.
recently been at the Essex Record Office looking for evidence that will help me
tell the story of the “St Osyth” witches of 1582 in a new book. I say “St
Osyth” in inverted commas because although the witchcraft accusations that
engulfed north-east Essex in 1582 started in St Osyth, in fact there is far
more evidence of their impact on surrounding communities than there is on the
February 1582, a servant of Lord Darcy at St Osyth Priory complained that her small
son was being attacked by witchcraft. Once she had accused a neighbour, Ursley
Kemp, and Ursley had confessed to witchcraft then more people came forward to
make accusations. More villages in the manors and parishes controlled by the
Darcy family – Little Oakley, Beaumont, Moze, Thorpe and Walton le Soken, Little
Clacton and others – were drawn in. At least two people were executed and four
others died in prison, with multiple other imprisonments too. One woman was
released as late as 1588.
story has fascinated me since I read it as a student over 20 years ago. But
there are few surviving records from St Osyth. The Priory was attacked during
the Civil War and its estate and parish records were likely lost then – an epic
frustration for historians. But the records of the other witch-accusing communities
and authorities were more fortunate. Among these is today’s focus: a record of Elizabethan
visitations made by the Colchester ecclesiastical authorities to the parishes
around St Osyth.
Osyth itself answered to the Commissary Court of the Bishop of London and, guess
what, the Commissary’s early records are lost (you might almost think St
Osyth’s documents were cursed…!) but the ecclesiastical team from Colchester visited
most of the other witch-rich villages. In each place, they recorded the names
of the minister and Churchwardens. And today I found the names of some of the
accusers of the 1582 witches and learned that they were Churchwardens too.
a nice clear link between parish authorities and witch accusations. It’s easy
to suppose that religious-reforming folk went after suspected witches but it’s
important not to stereotype accusers: they can’t be dismissed as just
“fanatical puritans” or “Anglican worthies”. But in this case there’s some documentary
evidence that they were the community’s religious leaders. It’s going to need
more thinking about as I carry on researching the book.
Record Office is one of the most impressive and friendliest archives in the UK,
and it’s come up with the goods once again. Has your village got a hidden
history of witchcraft? Were your ancestors accused? Or were they accusers? Are
there still stories of witches in your community? So much more to discover.
We have already introduced you to two of our speakers for jam packed day of talks on the 7th March, our next introduction is for John Miners.
John has many years experience in textiles, starting his career with Samuel Courtauld & Co. Ltd in Essex. He has been involved in the sourcing and supply of historic fabrics for many restoration projects both in the United Kingdom, Europe, and the USA. His background is technical, rather than design based, and he has knowledge of the production techniques used to produce textiles in past centuries, as well as studying the social history aspects involved in the manufacture of fabrics.
In January 2018 he was appointed as Director of the Warner Textile Archive Trading Company Ltd. This archive is a rich design resource documenting the successes and innovation of Warner & Sons from the late 1800s. Owned by the Braintree Museums Trust, this Collection, the second largest archive of publicly owned textiles in the UK, comprises stunning textiles and inspirational paper designs, as well as original printing blocks, photographs and other documentary material.
John will be talking about how the local textile industry moved from the home into factories, changing from wool to silk. He will look at how Samuel Courtauld & Co changed their production methods of silk yarn using various forms of power: from hand to donkey to water to steam, then exploring the move into the production of mourning crape using machinery built to their own designs in their own workshops. In addition the history of the company up until closure in 1982 will be examined, giving information about the changes in technology.
Lewis Smith, the Essex Record Office’s Engagement Fellow, takes a look at some of the things in the Marconi Photographic Section’s archive.
Founded by Guigielmo Marconi in 1897, the Marconi Company
(which held various names over its lifetime) were pioneers in wireless
technology. Famously based in Chelmsford (regulars in the area will draw
attention to places like ‘Marconi Road’ and ‘Navigation Road’), his
technologies helped to shape the world we live in today: so much of our lives are
a result of their research, from radio to navigation, from aeronautics to
maritime, from communications continent to continent.
One part of the most interesting parts of the Marconi
Company’s history was the Marconi Photographic Section, whom took hundreds of
pictures over the organisation’s lifetime. These records are now stored at the
Essex Record Office in Chelmsford. Unfortunately, this collection remains
largely underused – so the British Society for the History of Science and Essex
Record Office tasked me to spend some time scoping out the Marconi Photographic
Section’s archive, working out what kind of images are within and, perhaps most
importantly, work out how they can be used. Whilst I have only been in the
archive for a relatively short period of time (since the beginning of October),
there are some very interesting historical angles in desperate need of further
research – from business to imperial history, from labour to marketing history.
One thing to note is that there are a lot of pictures
of non-descript machines and circuitry – fans of the history of electronic
engineering need look no further: historians of oscilloscopes, transmitters and
receivers, power supplies, RADAR arrays, and pretty much all kinds of
specialist electronic engineering will find something of interest here. These
images present an extensive product history of Marconi’s inventions and
patents. Perhaps more generally appealing, there is a lot for those interested
in maritime and aeronautical history: one of the key ideas that came about from
wireless communication was the idea of wireless navigation, and Marconi fitted
many different pieces of equipment to aircraft and ships to aid in their
navigation around the globe.
But the view of higher international politics, engineering
and industry are only one side of the coin: the prevalence of this technical
equipment masks ordinary life. The archive presents us with a rich social
history of the worker and their working practices. Workers, many male and
female, black and white, British and international, are presented in the
factories assembling intricate circuits. To look at the ethnography behind the
people in these pictures reveals the clear shifts, both natural and forcible,
in middle and working class employment. Notice particularly with image 2015 –
everyone is happy and content, giving the viewer the impression that everything
was okay working for Marconi. It wasn’t always this sweet.
As this is evidently the photographic archive of a business,
there is huge scope for a business historian. These photographs are frozen
moments in time, specifically captured because they want to show a particular
angle, person, product or scene – why one moment and not another? Why one
person over another? Why one place over another? More specifically, there are
multiple photographs of how the Marconi Company attempted to market itself in a
world of innovation: some of the most interesting pictures are of the exhibits
set up to advertise wireless communication at various exhibitions.
What is most interesting about the archive is the company’s vast spread throughout the globe: as with any history of the twentieth century, Empire remains front and centre. Imperial conquerors can come and go as they please, but radio technology meant the constant connection between colony and coloniser. Furthermore, the concept of technological Imperialism remained hot in this period: teaching others how to use Marconi equipment orients them towards using that equipment for a long time, forcing the colony to ask for technical help from the coloniser. This relationship is observable in the photographic archives as Marconi equipment was placed in different colonies, greatly expanding the imperial nation’s reach.
Art lovers may also find something worthwhile in the
archives. There are photographs of many different artistic drawings by members
of staff in the collection depicting a variety of different scenes. The
collection features many talented artists, as well as plastic models of Marconi
scenes and vehicles, models of scientific principles, and copious drawings. It
is easy to fall into the trap of thinking that science and art are two separate
unconnected topics, but the collection features some stunning images which
clearly appeal to the art behind science.
This collection is for use in the Essex Record Office under Accession A11449 in over 100 individual boxes. This project hopes to eventually digitise and map these images to show the company’s reach. I have spent time electronically tagging the pictures with keywords: if you would be interested in looking at this spreadsheet or further discussing the project, do contact me at email@example.com. Whether for research or for a casual perusal, this collection really has a lot to offer!
The other day a bequest in a will (D/ABW 114/3/59, Joseph Deane of Harwich, 1800) caught our attention, it was to a ‘bake office’. Now, we all understand about offices in our own day, and what ‘office’ means and who works in an office – indeed most of us probably sit behind a desk and work in an office – a room where work is undertaken by white collar workers. We probably don’t even give it a second thought. But what, historically, was or defines a ‘bake office’?
The first point of call, as ever, was to search further on our Essex Archives Online catalogue (www.essexarchivesonline.co.uk) which returned over 100 results of documents catalogued with the phrase ‘bake office’. While there are earlier examples the majority are from the nineteenth century, with the latest from the 1930s.
There is generally an affinity with an attached shop (e.g. SALE/A588) but this is not always the case. Several are attached to cottages (e.g. D/F 35/7/253), possibly as a shared communal resource although they could equally provide bread for sale from one of the properties. Our understanding of what a ‘shop’ is might not necessarily match that of our predecessors – the concept of a shop, or outlet for the sale of goods, might well have been much freer and easier than what we would expect today. Someone’s front room could possibly double as a point of sale for bread during the day while reverting to a living space by night.
Several of the documents list other dedicated rooms, or possibly separate but associated structures: ‘shop with bake office and 4 bushel oven, with living accommodation, flour room and wash house’ (D/DMa/B71/16); ‘Messuage with baking office, brewhouse, cornchambers’ (D/DC 27/10); that traditional pairing of bread and beer production – ‘bake office and brewhouse’ (SALE/B5065). Other documents list a ‘candle office’ (D/DU 751/108) and ‘malting office’ (D/DHw T52/9). So along with just ‘room’ we also have the use of ‘chamber’ and ‘house’ to include with ‘office’ to describe different uses and functions of spaces within a building or structure. However, ‘office’ appears to be overwhelmingly connected with baking.
Seeking further guidance, our venerable 1933 edition of The Oxford English Dictionary was consulted and supplied the following definitions:
Office: ‘A position or place to which certain duties are attached’
‘Office-house’: apartments or outhouses for the work of domestics’
So these are both useful in thinking about ‘bake office’. In this instance they certainly tie in with our documents: it is so called because it is a place where baking happens which could be a separate building or structure. It is probable that our predecessors used these words interchangeably and that there was no specific connection with any of the functions that took place within them – it was the act of something taking place in a room or structure that attached ‘office’ to it, be it baking, malting or candle making, so possibly a combination of the OED definitions. Maybe this is all we can say as we don’t, after all, want to over-egg the pudding! Still it’s good to ponder on such things now and again and thinking on, with all this talk of baking perhaps we might just reach for the flour, fat and sugar …
Smells and tastes are evocative senses; this is well-known. A whiff of a particular aroma instantly transports me to the place where I once encountered that scent. The smell of an extinguished match smells like birthdays, that moment at the party when you blow out the candles on the cake. The smell of chlorine takes me back to swimming lessons. The warm smell you encounter of an upstairs room on a hot day reminds me of summer; the dusty smell when you first put the heating on for the year reminds me of winter. As for the smell of a library book, well, that is a heavenly odour that evokes happy days spent discovering new texts and re-reading well-loved ones. A taste of a familiar food, too, can bring me back to childhood. A baked apple is associated with Bonfire Night; the first clementine of the season tastes like Christmas.
But sound? Certain songs remind me of a period in my life, or people I enjoyed the tunes with. But can ordinary, everyday sounds have the same effect? Working on the You Are Hear project has made me realise that, yes, sounds too can provoke memories of places encountered. After growing up in a port town, the horn of a ship reminds me of watching the slow progress of ocean-going vessels travelling through the locks. An oar quietly slipping through the water on a still morning brings back family canoeing trips. The honking of geese brings to mind autumn, and the start of a new academic year, with all the mingled expectation, fear, hope, and regret this entailed. The relentless clipping of hundreds of heels on hard floors, rhythmic but not quite in unison, will always remind me of my morning commute through the maze of underground tunnels during a brief period when I worked in London.
Thinking more about this, there are certain sounds that were distinctive to my childhood in the late twentieth century, sounds that only a comparative few (out of the course of human history) would identify with. The exquisitely sharp sound of a phonograph needle dropping into place, though this is enduring thanks to djs and music purists.
The drone of a dot matrix printer. The call of a dial-up modem (static at one pitch, static at a lower pitch, then wee-oh, wee-oh, all the while hoping, desperately hoping that it will connect).
For how much longer will these sounds be remembered? What sounds in human history have disappeared and been forgotten? In fifty years, will people know why the words ‘Unexpected item in baggage area’ spoken in an automated female voice provoke me to a frustrated rage because I HAVEN’T STARTED CHECKING OUT MY PURCHASES YET! Will an annoyingly chirpy whistle still prompt half of a bus-load of passengers to start rummaging in their bags looking for their phones?
Sound artists have realised the power of sound to evoke associations, and the danger of losing certain noises as our world changes. Aiming to record the present for future generations, they seek out those noises that compose everyday soundscapes, difficult to identify, but instantly recognisable to those who dwell in such soundscapes.
As part of the Heritage Lottery Funded project, You Are Hear: sound and a sense of place, we want to capture the sounds of twenty-first century Essex by making new recordings of what you can hear today. We will then pin these recordings to an online map, together with recordings made in similar locations or of similar activities decades ago, from recordings already in the Essex Sound and Video Archive. Will this show change, or continuity? I expect both.
We need your help. What sounds matter to you? What can you hear on a daily basis? What sounds do you think will disappear in ten, twenty, fifty, one hundred years? We are holding public consultations to ask you, the residents of Essex, what sounds mean Essex to you, or what Essex sounds like. Come along to one of the following events and tell us about your soundscape, and why you are hearing what you are, where you are.
1-3 October: George Yard Shopping Centre, Braintree 29-31 October: Grays Shopping Centre, Grays 12 November: ecdp offices, Chelmsford 19-21 November: High Chelmer Shopping Centre, Chelmsford
Tonight on ITV the inimitable pub landlord, Al Murray, amongst others, will be discovering the secrets of their ancestors’ lives. One of Murray’s ancestors was committed to an asylum and the show will follow his discovery of what that meant for her and the other asylum “inmates”.
1st Edn OS Map 25″ showing the County Lunatic Asylum in 1875
After The Asylum Act of 1845 it became a requirement for each county to have its own asylum. The Justices of the Peace in Essex opened their County Asylum at Warley near Brentwood in 1853 at a building cost of some £66,000. It was then designed to hold 450 inmates. The institution finally closed its doors in 2001 and much of the site has now been re-developed into luxury flats. To get a flavour of what the asylum was like at the end of its life this website has a number of very good pictures.
A/H 10/2/5/18 – A page from one of the female case books. The words used to describe her illness are somewhat different to how we would describe them today. “Acute melancholia, morbidly despondent…”
Those documents which had survived the passing of time and the closing of Warley Hospital have now been passed to us at the Essex Record Office. These include Managers’ Minutes, Reception Orders, Case Books and Patient Indexes. We also have a range of Burial Registers which were kept by the Justices of the Peace. The majority of these documents fall under our A/H 10 reference and many of these can be searched in the Record Office, though it is worth bearing in mind that most records less than 100 years old are closed to the public and will have to be searched by one of our archivists (the exception to that being the Burial Registers which are held under references Q/ALc 12/1 to Q/ALc 12/5 and these are currently available to view on our catalogue Seax).
Q/ALc 12/1 – This is the first of 5 burial registers kept by the Justices of the Peace for the graveyard at Warley Hospital. They run from 1856 to 1935. Some burials of patients from Warley are also recorded in the parish graveyard of St Peter’s, South Weald
Extract from Q/ALc 12/1
If you are interested in what you discover with Al Murray tonight and want to find out more about life in the asylum or if you think you may have a relative who may have been in the County Asylum, please feel free to visit us or get in touch to discover the secrets that our records might hold.