We Will Remember Them: North Primary School Roll of Honour

This guest post is written by Laura Davison, project officer for We Will Remember Them. This HLF-funded school project has used documents stored at ERO and included a visit to ERO for the pupils involved.

Year 5 pupils at North Primary School in Colchester are working on the year-long project We Will Remember Them, researching the lives of the 50 former pupils who volunteered or were conscripted for action in the First World War. This innovative project explores how the discovery of locally relevant histories can engage and inspire pupils in responding to moments in the history of the First Word War.

The project was initially inspired by entries in the school’s log book written by the Head Master John Harper on 9 July 1915 and 11 November 1919:

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Entry into the North Primary School log book by Head Master John Harper, describing a Roll of Honour which was to be hung permanently in the school hall, recording the names of former pupils who were serving with the armed forces in the First World War (EML 86/2)

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Another entry by Harper, describing the observance of two minutes of silence on 11 November, and a display of photographs of the 50 men from the school who lost their lives in the way (E/ML 86/2)

The whereabouts of the Roll of Honour, installed in the school hall in 1915, is unknown.  The funding from the Heritage Lottery Fund for We Will Remember Them will enable the school re-instate the Roll of Honour, restoring this object of heritage to its original setting within the school’s Grade II listed building. This will be supported by a showcase exhibition, publication and teachers’ pack narrating the untold stories of the former pupils’ lives and how they were affected by the First World War.

Headteacher Alan Garnett discusses the impact of the project for the school:

This history project captures all our past, present and future. The children are often told that our school is more than just a magnificent building – it is the stories of all its former pupils and staff. To work with a local historian to uncover the stories of those who lost their lives in that terrible war will bring national and local history alive to our pupils. And to have our Roll Of Honour re-made and restored to its rightful place in our school hall, well that will be a proud moment indeed.

The Year 5 pupils have worked with Historian Claire Driver to research and record the former pupils. All the hard work has paid off, as they have identified sixty-two pupils who served and died in the First World War. Each pupil is paired with a former pupil to develop individual case study. Claire has shown them how to use archive records from the School Log Book, the 1901 and 1911 census and military records. Using the 1897 map of Colchester, they have plotted where all the former pupils lived and identified what shops were in Colchester High Street in 1914.  Gradually a picture is being formed of what it was like to live in Colchester 100 years ago.

Some of the fascinating facts the census records revealed were:

  • People’s jobs – fishmongers, bakers, railway porters, tailors, police constables and printing apprentices
  • How many people lived in a house – in some cases  up to 11 people lived in a 2 bedroom Victorian terrace house
  •  Some of the pupils even came from the workhouse at St Mary’s

The children have been on an amazing journey building up an understanding of the social context of the school to promote awareness of their lives in the context of the First World War and the impact it had on the school and its locality.

school trip 9 Pupils visit Colchester's War Memorial and discuss the symboliic meaning of the sculptures. They used 1897 maps to make comparisons of what the site looked like 100 years ago

Visiting Colchester’s War Memorial

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Identifying 4 former pupils on the Roll of Honour in St Peter’s Church, Colchester

An Open Day was held at the school, inviting local residents and families to get involved with the project and share their family stories and memories from the First World War passed down through generations.

open day 1Visitors looking at ERO WW1 exhibition

Visitors enjoy the EROs WW1 exhibition loaned for the Open Day

open day 4 Year 5 Teacher Maria Gray discusses the project with Colchester MP Sir Bob Russell

The children are so proud to be working on this project because it really happened in our school. Year 5 Teacher Maria Gray discusses the project with Colchester MP Sir Bob Russell

Recently, the pupils visited Essex Record Office to view the collections and discover how historians use archives to support their research. Hannah Salisbury, Access and Participation Officer at ERO and project Historian Claire Driver introduced the pupils to the wealth of material available from the collections and explained how to use a range of historical sources to find out what life was like during WWI. The children were able to ask questions about their former pupil and in some cases looked on Ancestry too.

They focused on the two fascinating stories of the nurse Kate Luard and soldier Alf Webb using sound archives, letters and an interesting range of hands-on activities which even included bandaging at a WWI dressing station.

Using different historical sources, such as photographs, sound recordings, letters and even the original admissions register and log book from our school from over 100 years ago, the pupils were able to uncover more information about life during World War One. Maria Gray, Year 5 Teacher

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Following on from the research, the pupils are now working with Creative Writer Baden Prince to creatively narrate in their own words each soldier’s individual story.  They will then work with Photographer Georgia Metaxas to document their homes, making comparisons with then and now.

Do you have any information to help our research?

If you have any information or images in relation to North Primary School during the First World War please contact Laura Davison, Project Manager at northwewillrememberthem@outlook.com

We Will Remember Them project has been made possible by the funding award from Heritage Lottery Fund’s First World War: then and now programme.

If you are planning your own First World War schools project and would like to use ERO resources or need advice, please get in touch with ero.events@essex.gov.uk

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Threatened Collections

Project logoYou Are Hear: sound and a sense of place is the Essex Sound and Video Archive project which aims to digitise, catalogue, and share our collections, helping people connect with the county’s rich heritage through listening to the sounds of the past.

Cataloguing our recordings raises awareness of the wonderful stories and variety of musical traditions we have waiting to be discovered. Sharing our collections is in itself a worthwhile aim. However, the digitisation process is an equally significant part of the project. Without this step, our unique, irreplaceable audio collections could be lost forever.

Written records on paper or parchment are subject to threats like acidic inks eating away at paper, rusty staples wearing holes in documents, or mould forming where items have been stored in damp conditions. But if we assess the condition, rectify any problems, and keep the records stored in a stable environment, we can at least slow any further deterioration, if not stop it.

Sound and video recordings are another matter. The extreme flammability of nitrate film (used from 1895 to 1951) is well-known. Acetate film is also unstable, though less dangerous. Even with more stable polyester-based film and magnetic tape, there is a risk of deterioration as the chemicals used in the manufacturing process break down. Another danger with magnetic tape is that the base layer can become separated from the binder layer. Every playback of a tape recording puts it at risk. As for CDs, DVDs, and Blu-ray Discs, no one really knows about the long-term preservation of these, because they have not been around for long enough for us to find out (though we fear the worst).

A deteriorating reel of tape showing signs of 'spoking' (the tape shrinking and becoming tighter, pulling it taut around the centre of the reel, causing lines of tension to radiate out from the centre) and 'cupping' (the tape on the outer edges rolling in on itself)

A deteriorating reel of tape showing signs of ‘spoking’ (the tape shrinking and becoming tighter, pulling it taut around the centre of the reel, causing lines of tension to radiate out from the centre) and ‘cupping’ (the tape on the outer edges rolling in on itself)

As well as the risk of deterioration, obsolescence is another problem. Even if you have never before seen a book, you could work out how to access the information relatively quickly. But how do you access the information on a CD without a CD player? Do you have stacks of cassette tapes or cine-film reels hiding in your loft, with no way of playing them? We are carefully nursing our playback facilities so we can keep accessing these different formats, but the risk of equipment failure is high. Parts will inevitably wear out, but replacements are no longer being manufactured, and machines are no longer being supported by the suppliers. At the same time, the technical expertise to maintain the equipment is dying out as the commercial audio-visual industry moves on to digital formats.

The answer is digitisation. Unlike with written records, where the original record is easier to maintain in the long-term than electronic bits and bytes of scanned copies, with sound and video records, those electronic bits and bytes are our best hope. We can at least capture the information from obsolete formats before losing it, and then work on managing the digital versions to ensure continued access.

You Are Hear is not alone in addressing the need to digitise sound and video collections. Recently Rebekah Polding from Film London delivered a talk to the Essex History Group on the London’s Screen Archives project. This project brings together partners from local archive services, specialist institutions, private owners, and businesses that are based in London, to pool resources and ensure the city’s films are identified, saved through digitisation, and shared. They are even making some of them freely available on-line. You can find out more here.

The project is calling for anyone with films of London (including Greater London), or taken by Londoners, to donate it to the project. Get in touch with them (and us!) if you have something sitting in storage that is crying out to be saved, perhaps like this film of the annual Brandon Estate (Southwark) outing to Canvey Island in 1970:

As if trying to capture all the film about the capital city was not ambitious enough, the British Library has recently announced its new project, Save our Sounds, to try to preserve the sound heritage of the whole nation. A national audit will give a clearer picture of the extent and condition of sound archives across the country. The British Library will then be able to offer advice and discuss potential ways forward with partner institutions. You can find out more about the project here.

Edison ‘Concert’ wax cylinders in the collections of the British Library – find out more at here. Image courtesy of the British Library.

If you would like to sample just a few of the BL recordings and get a sense of their vast range, have a listen to these clips on their SoundCloud:

We are just about to submit our second-round application to the Heritage Lottery Fund to proceed with the You Are Hear project. You can subscribe to receive updates about the project here.

In the meantime, please do let us know if you have any sound or video recordings relating to Essex – we are always on the look-out for material to add to our collections. We also offer a commercial digitisation service if you have recordings at risk which you want preserved. We would be happy to discuss the options with you.

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Document of the Month, February 2015: Grant of rights in the Forest of Essex, c.1135-1138

The earliest document we look after at ERO is over 1,000 years old – but it is nothing to do with Essex. February’s Document of the Month is our oldest Essex document, a deed dating to c.1135-1138 (D/DBa T2/4).

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The deed is a grant of rights in the forest of Essex given by William de Monfichet and his wife Margaret to Humphrey, son of Eustace de Barentun.  His father had previously held the rights in this deed.  The grant is one of a series of this approximate date made to Eustace and Humphrey de Barentun by the Earl of Essex and William de Monfichet, which followed similar grants by the King.

The de Barentuns, later the Barrington family of Barrington Hall in Hatfield Broad Oak, were the hereditary woodwards or keepers of Hatfield Forest.  At this date the Barringtons were a minor family compared to the great barons who were descended from William the Conqueror’s most loyal supporters.

William de Monfichet and his wife Margaret were the grandchildren of two of the Conqueror’s supporters – Robert Gernon and Richard (de Clare) son of Gilbert, both of whom were well rewarded with extensive landholdings recorded in Domesday Book.  The Monfichets held lands in Essex, including at Stansted Mountfitchet and claimed the hereditary right to be Keeper or Forester of the Royal Forest of Essex.  William’s great-grandson Richard de Montfichet was one of the 25 Magna Carta barons chosen to ensure that King John abided by the terms of the charter.

Even if you do not read Latin, see how many recognisable words you can make out. Look out for ‘Will’ (short for William), Umfredo (Humphrey), filio (son), Estach (Eustace), forestie (forest), Exsexie (Essex), and Margarite…

The deed will be on display in the Searchroom throughout February 2015.