Abboristwith is a poor wretched Old Town, a Sea Port which makes it very well supply’d with fish … they might have a very great trade here but they are a very indolent Lazy kind of People here…
These scathing comments about the town of Aberystwyth are taken from a journal of a tour through England and Wales in the 18th century (D/DMy 15M50/1325). Although unimpressed by the town, the author did at least enjoy the view from nearby Rhugo (?) Hill from whence you have the finest prospect in the World … so that you have the View of St. George’s Channel almost all the way.
The diary begins in Oxford and the journey continues through
Gloucestershire, Worcestershire and Shropshire before entering into Wales via
Hay on Wye. The writer then visits most
of the Welsh counties (except for what was then Monmouthshire and Glamorganshire),
returning to England via ‘West Chester’ (Chester) and continuing through
Lancashire and Yorkshire and then south to Hertfordshire and London. On the way, he inspects castles, cathedrals
and great houses ranging from the well-known (Powis Castle and Erddig, both now
owned by the National Trust) to ‘Choffden Court’ (Shobdon Court, Herefordshire,
The journal makes no reference to Essex, but the author is presumably one of the Mildmay family of Chelmsford, since it came to us with a collection of their family papers. We do not know with whom he travelled or the cost of any of his lodgings or meals – sadly this sort of information simply isn’t recorded.
Only the day and month are recorded; we knew that it took
place in late July and ended in late September, but could not be certain of the
year. Internet searches (not possible
when the document was first deposited) enabled us to narrow down the period
when the diary was written.
A reference to the then Bishop of Banger, Dr Herring, meant that we knew the author must have visited sometime between 1737 and 1743. Checking against a perpetual calendar suggested the diary was written in 1741, but further cross-checking in Cheney’s Handbook of Dates indicates it was actually 1738.
The later 18th century saw a growing interest in tourism within Britain, made easier in part by improvements to roads through turnpike trusts and encouraged by an increase in guidebooks. The volume is therefore early evidence of this enthusiasm for travel.
The document is on display in the Curiosity Cabinet in the
Searchoom until September.
You can view the Curiosity Cabinet and more on our next public Searchroom tour, on 5 September at 10:30 a.m. This 45-minute tour will show you how to get the very best from the Record Office’s Searchroom and is ideal if you are just starting your research. Find out more and book online.
Archive Assistant Neil Wiffen reflects on the changing pattern of land usage and the historic value of meadows to the Essex landscape.
There is currently much in the media about climate change and environmental degradation. We hear on almost a daily basis about the threat to different ecosystems and landscapes, as well as about worldwide species loss. We in the UK are not immune, and subjects such as the loss of meadows and the threat to bees are now quite common topics of discussion. Recently the BBC reported that, ‘over 97% of wildflower meadows have been lost since the 1930s, that’s a startling 7.5 million acres (3 million hectares). Species-rich grassland now only covers a mere 1% of the UK’s land area’ (http://www.bbc.co.uk/earth/story/20150702-why-meadows-are-worth-saving).
What have bees and meadows got to do with the Essex Record
Office (ERO), we hear you ask? Well, working among our wonderful archives we
are used to seeing lost landscapes of the past as depicted in maps or described
in documents – a land before industrial agriculture and large-scale
One important, almost universal feature of any parish’s
landscape would have been that ‘species-rich
grassland’ mentioned by the BBC. They were generally described as meadows,
which the ERO’s trusty copy of the Oxford
English Dictionary (1933) defines as, ‘a piece of land covered with grass
that is mown for use as hay. In later use often extended to include any piece
of grass land’ (pasture, on the other hand, was used for general grazing of
livestock). Look at any tithe, enclosure or estate map and there the meadows
will be, often listed and somewhere along the way appraised as well.
— An image of the same location from Google Satellite, 2019.
The importance of meadows to people in the past was immense,
particularly before the introduction of fodder crops, such as turnips, through
the 17th and 18th centuries. Meadows were mown for hay in
summer which was then used to feed overwintering livestock. Therefore the
amount of hay harvested determined the number of cattle that could be kept
over-winter. So a good hay crop was an essential product of the agricultural
year, with the whole community coming together to ensure it was harvested and
high regard that meadows were held in can be seen by how they were valued. When
the Escheator compiled the Inquisition Post Mortem (TNA, C 134/74/19) on the
death of Nicholas Dengayne in 1322/3, his manors of Colne Engaine and Prested
Hall (Feering) were valued. The 240 acres of arable
land in the former was valued at 4 pence per acre, while 140 acres in the
latter was 3 pence per acre. By comparison the 6 acres of mowing meadow at
Colne Engaine and 5 acres at Prested Hall were all valued at 2 shillings per
acre – the equivalent of 24 pence per
acre, or six to eight times the value of the arable land.
Quite what types of grasses and flowers these ‘traditional’ meadows were made up of is unknown, but we have to assume in an age before widespread use of agricultural chemicals they were very species rich with lots of insects as well. Not all ‘grassland’ was equal to a well-established meadow. By the 1930s 302,803 acres of ‘permanent grass’ was recorded in Essex (The Land of Britain: the Report of The Land Utilisation Survey of Britain part 82 Essex, copy in ERO Library, Box 95), of which 92,300 was for hay – possibly this was mainly ancient meadows. The remaining 210,503 acres might not have been of the highest quality but rather a result of the agricultural depressions of pre and post First World War. This would have been the case with the 38,977 acres of ‘rough grazing’ – not all grassland was equal!
Now, we are beginning to appreciate our meadows once more and recognise their value as habitats to vital wildlife. While there has been a great loss of meadows, more are being planted, for example by conservation charity Plantlife. Perhaps our maps and documents will guide where new meadows could be sown?
After a lot of work we are finally able to announce that the Essex Record Office, working alongside Ancestry.com have launched a new searchable index of the Essex parish registers. Searching for your Essex ancestors is now easier than ever!
In celebration of our new partnership with Ancestry.com, Edward Harris, Customer Service Team Lead, takes a look at some of the stories found in the pages of our parish registers. Read on for more information about what we have been working on with Ancestry.com.
The Parish Registers of England, containing as they do the records of baptisms, marriages and burials made by the Church of England are frequently the start and the backbone of a genealogist’s journey into family history. Prior to 1837 and the start of civil registration, they are essential for family history. Unfortunately they are all too often the end of that journey. When the next link cannot be made or one elusive great, great, great, great grandparent fails to materialise, it is usually normally the pages of a parish register that we are gazing at.
Despite the frustrations so many of us hardy researchers are well aware of, it cannot have escaped our notice that within this great national collection there are a countless stories. These stories provide snippets of the joys and sorrows of everyone, whether normal or extraordinary. They can be better than any soap opera but always tantalising because of what they often don’t tell us and the questions they can’t answer for us. We decided to take a retrospective look at some of the stories we have unearthed over the years at the Essex Record Office where a helpful curate or vicar has decided to provide us with a few extra snippits of information.
The parish burial register for St Mary the Virgin in Hatfield Broad Oak includes in its pages the sad and untimely death of 5 year old Betsy Rogers burnt to death, and two extraordinary marginal notes on that page give a clue as to how:
Feb.y 7. A frost of 7 weeks broke up today. Temperature 12° below freezing point! Many persons frozen to death. One at Gt Canfield, one at Sawbridgeworth.
The seat of Lord Rendlesham (Rendlesham Hall, Suffolk) burnt to the ground, damage = 100,000£; The seat of Lord Sandwich (Hinchinbroke, Huntingdonshire) also destroyed by fire with title deeds, fine pictures, etc.; The Argyle Rooms, Regent St, London also destroyed by fire. Lyceam also…All in Jan.y in Feb.y arising from the unusual heating of flues etc. in consequence of the uncommon severity of the season.
The register for Little Clacton contains a very sad and somewhat mysterious story dating from 1592, when a bride, Prudence Lambert, hanged herself the morning after her wedding to Clement Fenn.
Clement Fenn singleman, and Prudence the late wife of Nycholas Lambert, wch dwelt in Little Clacton Lodge; were maryed uppon Teusdaye [six], the xvth day of August; but the (most accursed creature), did the verye next morning, desperatelie hang her selfe, to the intolerable grieffe of her new maryed husband, and the dreadfull horror and astonishment of all the countrye.
Prudence’s burial is recorded two days later in the same register.
Prudence Fen, now the wife of Clem[e]nt Fen, and late the wife of the above named Nicholas Lambert; was buried out of the compas of Christian burial; in ye furthest syde of the churchyard northward; uppon the xviith daye of August; for that shee most accursedlie hanged her selfe.
A slightly happier story is found in the parish register from Ugley (one of Essex’s more esoteric place names) in 1759 which records the baptism of:
Anne daughter of John Grimshaw, a Sailor in the Dreadnought Man of War, & Jane his wife found in Labour in the Road, & taken care of by the Parish, was born June 27th & baptized July 7th
From these stories of life and death, to the sort of story that leaves family historians pulling out their hair in frustration.
In 1862 the baptism register for St Mary Magdalene in Harlow recorded the reason for its early closure. The registers had been removed from the church by the curate Revd William Raymond Scott who took them to Hawaii (then known as the Sandwich Islands). The curate had travelled to accompany the new Bishop of Honolulu to the island, but also to chaperone 70 young women destined for a life in Australia.
The registers would survive a mutiny, make a brief stop at the Falkland islands and Australia before reaching Hawaii. Fortunately the registers did return to the church 2 years after leaving these shores and so are still available to researchers.
Fortunately, provided the register in question isn’t on a voyage around the world, searching the Essex parish registers is now easier than ever!
Since 2011, the Record Office’s service Essex Archives Online (www.essexarchivesonline.co.uk) has been making Church of England parish registers – and some other documents – available as digital images. Off-site, this works as a subscription scheme, offering various lengths of subscription between 1 day and 1 year. Some documents on the system, such as wills, come with their own name indexes, but the parish registers do not. Subscribers looking for a particular baptism, marriage or burial have often had to work through a whole parish year by year.
The ERO has now teamed up with Ancestry, the world’s largest online commercial family history website, to offer a new way to access the data. Ancestry have created a name index to the parish register images, and Ancestry users can click straight through from the index to Essex Archives Online in order to buy a copy of the indexed image. Images are emailed out automatically on payment; each one costs £2.99 including VAT.
Essex Archives Online expands as new registers are deposited, but currently it holds about 600,000 images of Anglican parish registers deposited either in the ERO itself or in Waltham Forest Archives. The registers cover the whole of the present county of Essex, including Southend and Thurrock – and also including parts of north-east London that used to be in Essex. Depending on the parish and the event in question, they cover the whole period from 1538 almost up to the present day. Ancestry’s new index covers all the baptisms up to 100 years ago; all the marriages up to 84 years ago; and all deposited burial registers, whatever their date.
For those with large family trees to discover the subscription option is still available, but for anyone who needs an image now and again the new system is easier, quicker and cheaper!
Andy Popperwell shares his experiences volunteering for the Essex Sound and Video Archive
Nineteen (boxes) times fifty-six (tapes) is a thousand and sixty four. That’s an awful lot of open reel tapes, even if they’re five-inch ones. This is the estimated number of remaining tapes to be processed from a collection of 79 boxes, formerly the property of the late Chris Bard, who presented Sunday morning programmes on BBC Essex for many years (Accession Number SA459).
My name is Andy Popperwell and I’ve just become a volunteer in the Sound Archive at the Essex Record Office. My task is to review these tapes and help to decide which ones should enter the Archive and which ones shouldn’t. The key criterion is whether they have relevance to Essex. Some do; some don’t.
I’ve made a start, and the range of material is fascinating. Everything from Polish Christian radio stations after the fall of communism to ecumenism in Essex villages.
Learning the archive protocols was the first step. I spent many years as a Studio Manager (Sound Engineer) in the BBC World Service, working on high-speed current affairs in 40 languages, where the pressure was to get the interviews edited as quickly as possible and into the live programmes, 24 hours a day. Here, in the calm atmosphere of the Archive, it’s a question of treating each tape reverently, making sure that temperature and humidity are appropriate and learning how to do a ‘library wind’. This means that, after listening carefully and making notes about the content, each tape is wound back at slow speed so that it’s neatly positioned on the spool and there’s no chance of physical damage.
It’s great to be learning new skills while at the same time using my previous experience to help with the work of the Archive. I’m also a volunteer at Copped Hall, on the edge of Epping Forest. It’s a 1750s mansion which was destroyed in a huge fire in 1917, and we’re restoring it. Apart from general labouring, I’m setting up Copped Hall’s own sound archive, trying to record the lives and stories of those who have worked over the last 25 years to rebuild the old place. Do come and visit us on one of our regular Tour Days – third Sunday in the month.
Both these volunteering opportunities are feeding into my other big interest: I’ve returned to being a student, doing a Masters by Research at London South Bank University. I’m interested in what Essex in general and Copped Hall in particular sounded like in past times. I hope that, as well as expanding my brain, it will be possible to use my research to recreate the soundscapes of the past, and specifically the 1750s, when the Hall was built. The Essex Record Office has a huge quantity of fascinating material to help with my research, including, for example, little pieces of paper with rhymes and poems which the Conyers family, owners of Copped Hall, wrote for each other in the middle of the eighteenth century (Catalogue Reference D/DW Z3). Handling these documents is a real privilege, and a unique connection with the past.
The other day a bequest in a will (D/ABW 114/3/59, Joseph Deane of Harwich, 1800) caught our attention, it was to a ‘bake office’. Now, we all understand about offices in our own day, and what ‘office’ means and who works in an office – indeed most of us probably sit behind a desk and work in an office – a room where work is undertaken by white collar workers. We probably don’t even give it a second thought. But what, historically, was or defines a ‘bake office’?
The first point of call, as ever, was to search further on our Essex Archives Online catalogue (www.essexarchivesonline.co.uk) which returned over 100 results of documents catalogued with the phrase ‘bake office’. While there are earlier examples the majority are from the nineteenth century, with the latest from the 1930s.
There is generally an affinity with an attached shop (e.g. SALE/A588) but this is not always the case. Several are attached to cottages (e.g. D/F 35/7/253), possibly as a shared communal resource although they could equally provide bread for sale from one of the properties. Our understanding of what a ‘shop’ is might not necessarily match that of our predecessors – the concept of a shop, or outlet for the sale of goods, might well have been much freer and easier than what we would expect today. Someone’s front room could possibly double as a point of sale for bread during the day while reverting to a living space by night.
Several of the documents list other dedicated rooms, or possibly separate but associated structures: ‘shop with bake office and 4 bushel oven, with living accommodation, flour room and wash house’ (D/DMa/B71/16); ‘Messuage with baking office, brewhouse, cornchambers’ (D/DC 27/10); that traditional pairing of bread and beer production – ‘bake office and brewhouse’ (SALE/B5065). Other documents list a ‘candle office’ (D/DU 751/108) and ‘malting office’ (D/DHw T52/9). So along with just ‘room’ we also have the use of ‘chamber’ and ‘house’ to include with ‘office’ to describe different uses and functions of spaces within a building or structure. However, ‘office’ appears to be overwhelmingly connected with baking.
Seeking further guidance, our venerable 1933 edition of The Oxford English Dictionary was consulted and supplied the following definitions:
Office: ‘A position or place to which certain duties are attached’
‘Office-house’: apartments or outhouses for the work of domestics’
So these are both useful in thinking about ‘bake office’. In this instance they certainly tie in with our documents: it is so called because it is a place where baking happens which could be a separate building or structure. It is probable that our predecessors used these words interchangeably and that there was no specific connection with any of the functions that took place within them – it was the act of something taking place in a room or structure that attached ‘office’ to it, be it baking, malting or candle making, so possibly a combination of the OED definitions. Maybe this is all we can say as we don’t, after all, want to over-egg the pudding! Still it’s good to ponder on such things now and again and thinking on, with all this talk of baking perhaps we might just reach for the flour, fat and sugar …
Sound Archivist Sarah-Joy Maddeaux shares snippets from just a few of the hundreds of oral history interviews with women held in the Essex Sound and Video Archive.
Women’s history is one of the areas where oral history can make a great contribution. From telling the stories of notable women who have made a significant impact in their field, to telling the equally significant stories of ‘everyday’ women who made an impact just by their daily routine, first-hand accounts can reveal subject areas that do not always make it into written records. Furthermore, they can reveal the ‘whys’ of history – motivations that prompted women to take the actions they did.
Sample collection of oral history interviews on cassette tape
The Essex Sound and Video Archive at the Essex Record Office is one resource for accessing such sources for women’s history. A substantial number of the oral history interviews in our recollection were recorded with women – and many were recorded by women (a discussion topic for another time – what difference does the gender of the interviewer make to the recording?).
Let’s start with some headliners. We have an interview with Elfrida Johns, who worked at Bletchley Park during the Second World War (Acc. SA580). Eva Hart, a Titanic survivor, recorded her memories on a number of occasions which have made it into the Archive (Acc. SA318, Acc. SA398, SA 1/323/1, and SA 19/1/14/1). Helen Welburn was the first female Superintendent of the Essex Police, on her appointment in 1970, and spoke about the major improvements she made for other women in the police force (SA 25/1/10/1). We even have the reminiscences of a Suffragette, Helena Taylor, from an edition of the Sounds of Brentwood talking magazine (SA 2/1/12/1).
We feel privileged to have the reminiscences of such accomplished women in our archives.
But we also feel privileged to have the reminiscences of so many other Essex women in our archives. Perhaps their lives did not figure in newspaper headlines; perhaps they were never known outside their village; perhaps they did not feel they had a story worth telling. However, it does not take long to get hooked into each woman’s story, no matter how mundane it seems at first, as her life unfolds over the course of the interview.
Take, for example, the many ‘New-Towners’ who have been recorded for posterity. At a young age, these women left their families and homes in East London to settle in relatively rural locations and establish their own homes, away from familial support networks. Dr Judy Attfield’s collection of interviews with Harlow residents is particularly rich in women’s accounts, fully exploring their experiences and emotions on moving to these remote locations (SA 22). For example, Mrs Summers in 1986 described her feelings when she and her husband moved to Harlow New Town in 1952 (SA 22/1364/1).
Carol Sydney (copyright EAF)
We have recently received the recollections of women who moved even further to forge new lives for themselves. The Evewright Arts Foundation recorded a number of Windrush generation immigrants about their experiences of moving to Britain. Some already had family here; some left their family behind until they had established a new home for their children. Most commented on the cold; most admitted to encountering racist attitudes. But they persevered until, like Carol Sydney, they could claim to have made a success of their lives in Britain (SA 69/1/5/1).
Life could also be a struggle for those who stayed in the same place. One of our favourites is Edie Brown, who was born in Kelvedon in 1895 and spent most of her life in Witham. She worked hard from the day she left school in her teens: working in domestic service and local industry before her marriage, then contributing to the household economy by going pea-picking or fruit-picking, sometimes before her children woke, or sometimes taking them with her. But she was never subservient: she would rather lose a job than put up with wrongful accusations or excessive demands in service (SA 59/1/7/1).
In the same collection, Elsie Hammond recalls female workers at Pinkham’s glove factory striking for more pay (SA 59/1/16/1).
Sometimes it is precisely the ‘normal’, everyday nature of an interviewee’s life that is useful to the researcher. Where else could you find detailed descriptions of household chores explained by the women who did them? Memories of helping mothers with household work allow us to reach back into the nineteenth century for the methods of housekeeping common in Essex. As technological advancements reduce domestic chores to button-pressing, without these interviews the former way of life of women kept busy full-time cooking and cleaning would otherwise be lost. With cultural change, it is also important to preserve the stories of mothers struggling to run their households on the limited budget provided by their husbands, as Connie Robinson shared about women she knew (SA 26/61/1).
Oral history interviews even give us the chance to look back on areas of private life that were formerly taboo. In later life, women were often happy to speak about their experiences of puberty or childbirth that they would not have discussed at the time.
But. There is still much about women’s experiences that is lacking in the historical record. We were intrigued by the Rebellious Sounds Archive, which captured the stories of activist women in south-west England. What more can you do to preserve the significant contributions of the women you know? Please do get in touch if you want to discuss an idea for an oral history project.
Many of these topics and more will be discussed at the Essex Women’s History Festival at the University of Essex tomorrow, part of the Snapping the Stiletto project. You will also have an opportunity to listen to these and other recordings of women from the Essex Sound and Video Archive, and to chat to Sound Archivist Sarah-Joy Maddeaux about our collections. There are still a few (free!) tickets, so book now!
If you cannot make it to the Festival, some of these recordings can be played online from the comfort of your own home. Look up the reference numbers on Essex Archives Online to check. Some will have a play feature; some will allow you to order the material to listen in the Playback Room at the Essex Record Office; and others will advise you to contact us to arrange to hear the material.
13 February is World Radio Day: an annual day promoted by UNESCO to celebrate radio and the impact it can have. It marks the date in 1946 when the United Nations radio service was established, and it has been celebrated each 13 February since 2013. This year, the theme is ‘Dialogue, Tolerance and Peace’.
To Brits in 2019, perhaps this sounds pretentious. Isn’t radio just the poor cousin of television, and haven’t both been made redundant by online media? Who listens to radio now that there are podcasts and streaming music services?
To people in other parts of the world, radio can be a significant source of information or an arena to explore different viewpoints. Equally, in the UK, we risk underestimating and taking for granted how much we still get out of our radio service.
At the Essex Sound and Video Archive, we are fortunate to hold archived broadcasts of local radio programmes – primarily from BBC Essex, with a handful of recordings from other local stations. They are useful for researching local history, particularly for understanding local responses to events. Features also preserve random stories of weird and wonderful things. For instance, if it wasn’t for our prolific local radio producer Dennis Rookard, we would never have discovered Tino Morena, an Italian barber in Brentwood who also composed sacred choral music:
Tino Morena speaking to Dennis Rookard, SA 19/1/64/1 – come into the Searchroom to hear a sample of the music, which we cannot publish on the Internet for copyright reasons.
And then, of course, there are those early Paul Simon tapes, recorded for a folk music programme on Harold Wood Hospital Radio (SA 30/3/3/1 and SA 30/3/4/1 – also only available in the Searchroom for copyright reasons).
But local radio stations in Essex also produce meaningful programmes that encourage dialogue, thereby promoting tolerance and peace.
One of the most striking series in our archive is part of the BBC’s national ‘Sense of Place’ series, broadcast in 2002. Local radio stations produced a series of programmes about stories of everyday life in their area, which were broadcast on six successive Sundays from 28 April 2002. They aimed to give ‘insights into how different people live’ and explore ‘what makes our different communities distinctive and individual’ (from promotional BBC material, SA 1/2/8).
BBC Essex recorded seven programmes in their series (Catalogue Reference SA 1/2). Some of the most striking topics are examined below.
The fifth programme talked to Jews in the Southend area, where there is still a thriving Hebrew Congregation (SA 1/2/5/1). They spoke to a gentleman whose family were killed in the Holocaust, who shared his feelings when he goes back to visit Vienna where he once lived. They interviewed an Orthodox Jew who stands out because she always wears a head covering, but who had become a respected member of the Jewish but also wider Southend community. They also spoke to Sybil Greenstein, who regularly visited schools and hosted visits to the synagogue to tell people about her faith and demystify the religion. She got a great sense of accomplishment from informing others about what it means to be Jewish:
In the third programme, producer Anton Jarvis granted insight into an area perhaps few of us have ever experienced: daily life at Chelmsford Prison (SA 1/2/3/1).
He spoke to a variety of inmates about their experiences, their first impressions, their hopes for the future. As to be expected, different people had different responses: some created home out of their cells, some did not want to personalise their cells in any way, but just focus on getting to their home outside. Some found it an extremely trying ordeal; some survived by finding humour in the bleak situation.
An inmate of Chelmsford Prison hopes for a better life when he gets out.
In the final programme, Anton spoke to people in vulnerable housing in Colchester about how they became homeless, what they were doing to survive, and whether they felt any sense of place and belonging (SA 1/2/7/1). Many expressed similar sentiments: they were not really living anymore, just getting from one day to the next, but with little hope because it was so difficult to rise up once you hit rock bottom. Mostly, they felt alienated from the rest of society.
Homeless people in Colchester share their experiences – including endless days of walking round town with nowhere to go.
These programmes gave voice to marginalised sections of the society. They allowed a close, personal insight into what life is like for other people, views we are unlikely to encounter anywhere else. This is the power of local radio.
It continues today. When we consulted BBC Essex about this blog post, they explained some of the challenges facing them in the current politically-charged and divisive climate.
…It’s our job as a radio station to remain impartial – but ensure everyone has a voice. Sometimes, when you use interaction as we do a lot on the phones, it can be quite intimidating to listeners to present an alternative view which is opposite to the majority. I spend a lot of time with presenters explaining how to make listeners feel all views are welcome and encouraging a contrary view to air.
We compiled a ground-breaking podcast series called Brexit Britain (available here). These are individual stories about Brexit, narrated by ordinary people. Guests ranged from a young supply teacher to a pensioner and a taxi driver to a fisherman. It was the first time so-called immersive podcasts had been commissioned by BBC local radio.
Your Essex, presented by Jodie Halford 7-10pm Monday-Thursday, aims to show listeners the sides of Essex they may not be familiar with. Whether that’s race, opinions on Brexit, gender, or class, the aim is to bridge divides. We are working on two pieces at the moment which aim to bring together polarised views. One is a woman whose life has been blighted by a traveller encampment talking one-to-one with a traveller and the other is a woman opposed to the building of a new mosque in the county, talking direct to the imam. The aim of these pieces is to fulfil the BBC’s “inform and educate” remit – as well as provide a rich listening experience.
Transmission of these pieces is scheduled for April.
While most of our collections come from BBC Essex, we must also celebrate the hard work of community radio stations, including hospital radio – often largely run by volunteers, eager to spread awareness and encourage cohesion within their local communities, as well as seeking to entertain. Most are currently recruiting volunteers if you want to get involved!
Community Radio Stations in Essex
BFBSColchester: For Colchester, broadcast on 107. A Global Forces Radio station, BFBS has studios around the UK Garrisons as well as in many other MoD locations around the world. The Colchester studio concentrates mainly on 16 Air Assault Brigade and the three sites controlled from Colchester Garrison: Garrison HQ in Colchester, Wattisham Flying Station and Rock Barracks, Woodbridge. Interview subjects – and their core audience – tend to be serving personnel and their families. They also include veterans, the work of military charities, and work with the Garrison to enhance and publicise events. Colchester is currently working on four separate five-parters on objects held at the Airborne Assault Museum in Duxford, and associated with the 75th anniversaries of, respectively, D-Day, Arnhem, South of France and the Greek atrocities. These will be aired from April onwards.
BHR1287: Basildon University Hospital’s radio station.
FunkySX: For the Southend area, broadcast on 103.7.
Gateway97.8: For the Basildon / East Thurrock area, who say: ‘At Gateway 97.8, we love celebrating World Radio Day. The theme this year is Dialogue, Tolerance and Peace – our broadcasts throughout February 13th will cover this theme. Make sure you listen to Basildon and East Thurrock’s community radio station to hear the fun things we have planned!’ They are also celebrating Basildon at 70 in their programming this year.
Leisure FM: For Braintree, broadcast on 107.4, who say: ‘We broadcast only local GOOD news and events with the emphasis on “Good News”, and all feel-good music from the past 60 years.’
Phoenix FM: For the Brentwood area, broadcast on 98. Today’s programmes will include Carmel Jane Talks Business, celebrating female entrepreneurs; popular football show The West Ham Way; and Curveballs, showcasing the best of new music from local bands.
Radio Forest: Broadcasting to hospitals in Epping, Saffron Walden, Brentwood, and Harlow.
Southend Hospital Radio: Southend Hospital has been broadcasting for over 40 years. More than 60 volunteers provide a 24-hour broadcasting service, with a mix of live programmes, and information/entertainment for the patients. Some specialist shows include Southend Hospital Radio Kids
Presenter and Committee Member Alice Ryan in the studio at Southend Hospital Radio (image courtesy Southend Hospital Radio)
(presented by 11-year old Kara and Kathryn, for the youngsters on Neptune Ward), Sound of the Pirates (presented by Trevor Byford, re-living the offshore sounds of the sixties), plus Musical Moments (presented by Nick Bright and Jonny Buxton, with the smash hits of the stage and screen). As well as being available at Southend Hospital, you can listen live online. The station is a registered charity that relies on donations to stay on-air and fulfil its aims as spelt out in its Constitution: “…To relieve the effects of sickness, infirmity and old age by providing a local broadcasting service to the patients of Southend Hospital”.
Today, take some time to tune in to your local station. You might learn something new about your community, you might engage in dialogue with a different sector of society, and you might spread a little toleration and peace as a result.
Is there something in our collection that you would love to investigate, but you aren’t able to visit us yourself? Or perhaps a document that contains vital information, but it’s just too tricky to decipher? Whether you are researching the history of your family, your house, or a vintage or classic vehicle, our Search Service might be able to help you.
One of the most frequent search requests we receive is to dig out information from the tens of thousands of wills in our collection. These date from around 1400 up to 1858, and contain all sorts of juicy nuggets of historical information.
One such will that our Search Service was recently asked to transcribe was left in 1615 by John Pease, who was a yeoman and lived in Great Baddow (D/ABW 30/235). Getting to look at a document in this amount of detail and delve into the lives of people long gone is always a treat, despite the trickiness of the handwriting.
The beginning of John Pease’s will, made on 11th January 1615. Just three days later his burial is recorded in the local churchyard.
Wills can be fabulously interesting documents and if you are particularly lucky you will find out the names of family and friends and details of property and this will is no exception. As is usual for a will of this period John Pease ensures that there is no doubt that while he is ‘weak in bodie’ he is ‘yet of good & p[er]fect memorie’. If there was any doubt as to his mental capacity then, just as now, his will would be invalid. He bequeaths his soul to God and his ‘Bodie I bequeath to the earth from where it came to be buryed in the Churchyard of Much [Great] Baddow’.
Interestingly there must have been some doubt in his mind as to if his wife Edee was pregnant or not for he goes on to describe what was to happen if, having three daughters already, his wife ‘be conceaved w[i]th a man child’ or ‘be conceaved with a woman child’. If it were a boy then he was to get certain land and property and if it were a girl then their inheritance was taken in to account along with his daughters Mary, Margaret & Edee. Reading between the lines you get the impression he was hoping for a boy!
John thought he was leaving his wife Edee expecting a child. He made various provisions in the case of the birth of a ‘man child’ and different provisions for a ‘woman child’
And what of John? Well his will is dated 11 January 1615. On examination of the relevant parish register for Great Baddow St Mary there is an entry made on the 14 January 1615 noting his burial (D/P 65/1/1, image 202) – he didn’t last long when he realised he had better make his will. Checking the baptism entries for Great Baddow for the months following his death there does not appear to be a record of a baptism of another Pease child so it seems that after all there was nothing to worry about.
So Edee, John’s wife, was now a widow and a quick check of the marriages for the few years after 1615 doesn’t show her getting re-married. However, there is an entry on August 11 1617 (D/P 65/1/1, image 123) for the marriage of Thomas Turner[?] and Margaret Pease. Could this possibly be John’s second daughter?
All documents tend to answer some questions and ask several more, which is one of the things that can make historical research such an addictive thing to do. If there’s a document you would like to see at ERO but you can’t visit, or you need some help understanding it, our Search Service is here to help – just get in touch on firstname.lastname@example.org or 033301 32500 for further details and prices.
In the first of our new Curiosity Cabinet series, Hannah Salisbury shares some of the fascinating things to be found in some recently accessioned First World War albums.
In a parlour there were three
A maid, a parlour lamp, and he
Two is company without a doubt
That’s why the parlour lamp went out
These rather cheeky lines were written by Gunner J. Frank of the Royal Garrison Artillery as he recuperated at Hylands House Hospital in Chelmsford, after being wounded at Ypres in August 1917.
This little trace of Gunner Frank is preserved in an autograph album which belonged to Kathleen May Morley who volunteered as a nurse and worked in several hospitals, including Hylands.
Three albums which were kept by Kathleen during the war years have recently been accessioned into our collections. Two are autograph albums filled with poems, drawings, and notes from men she nursed. The third is a photograph album, and includes pictures of Kathleen as a Voluntary Aid Detachment (VAD), her colleagues, and her patients.
Kathleen was from West Ham, and had grown up in a middle-class household, in a house opposite Ham Park. Her father was the Borough Surveyor for West Ham, and the 1901 and 1911 census returns show that the family had live-in servants. Kathleen was born in 1891, and would have been 23 when the First World War began. She volunteered as a nurse in 1915, and worked in military hospitals in Richmond, Lincoln, Wanstead, Woodford, and at Hylands House in Chelmsford.
Kathleen in her VAD uniform in 1915
The notes and sketches provide fascinating insights into hospital life and interactions between the patients and staff.
This cartoon, by Private George P. Clark of the King’s Own Yorkshire Light Infantry, shows a conversation between a patient and the Medical Officer:
Patient: And is the operation likely to be fatal, Sir?
M.O.: Dear me, man! – considering the Government is giving you this operation free, I consider your idle curiosity most unseemly!
Other poems escaped from hospital life altogether, such as this one by Signaller James Watt of the 13th Royal Scots:
I’d like to be a hairpin
To bind a lady’s hair
Among the transformations
And the pads I’d nestle there
But if I were a hairpin
In Mabel’s tresses black
You bet if I slipped down her neck
You’d never get me back
Not everyone, however, rated their literary talents; J.E. Watson left Kathleen ‘A few lines by a bashful poet’ when she was at Woodford Military Hospital in May 1915.
Others, however, were only too happy to share their poetic talents. This little verse was written by Private W. Harris of the 4th Battalion Grenadier Guards:
Thou shalt not covet they neighbour’s wife
His ass thou shalt not slaughter
But thank the Lord ‘tis not a sin
To covet thy neighbour’s daughter
Some of the soldiers who appear in the albums were very far from home. Signaller W. Cowlishaw of the 1st Canadian Artillery Brigade left this message for Kathleen on 15 June 1915 at Wanstead Park Military Hospital:
I wish that I was able, just by your side to stand
And in the good old English way to shake you by the hand
But, as the sea’ll divide us, well, this I cannot do
So to prove that your [sic] remembered still
I’ll write these lines for you
Perhaps the cheekiest poem in the albums was by an Australian, Private C.V. Jordan from Melbourne, who describes himself as ‘the Chair King’:
Our eyes have met
Our lips not yet
But by jove kid
I’ll get you yet
There do not seem to be any American troops represented in the albums, but their influence is clear in this sketch by R.G. Beynon of the 16th Royal Fusiliers. One wounded soldier asks another “How did you get your packet mate?” “Learnin’ baseball orf the Yanks” replies his companion.
A great deal of affection and respect for Kathleen from her patients is evident throughout all three albums. F.E. Jenkins wrote this glowing review of her healing powers:
A good tip
When you’re feeling down & poorly
And you’re looking pasty white
Try my remedy – Nurse Morley
She’ll fix you up all right
Several of the patients who appear in the photograph album shared in Jenkins’s gratitude to Kathleen; this unusual bedside portrait is signed ‘Yours Gratefully H W Sheald’.
Altogether, the albums provide a fascinating record of life in the hospitals in which Kathleen worked throughout the war.
The two autograph albums and a small selection of pictures from the photo album will be on display in the ERO Searchroom throughout January and February 2019.
This month’s document has been chosen to mark National Tree Week, 24th November to 2nd December 2018, the UK’s largest annual tree celebration marking the start of the winter tree planting season. The document is the sale catalogue dating from 1923 for the Hallingbury Estate (SALE/A316). The estate included Hatfield Forest.
The part of the sale catalogue describing Hatfield Forest. The lot was over 922 acres, and included several cottages and a shell room or grotto,
The sale catalogue includes a large fold-out map which shows how big the estate being sold was. Hatfield Forest is the area coloured in grey in the top right corner.
In his book entitled The Last Forest, 1989, Oliver Rackham begins by quoting from a previous book of his; ‘Hatfield is of supreme interest in that all the elements of a medieval Forest survive: deer, cattle, coppice woods, pollards, scrub, timber trees, grassland and fen, plus a seventeenth-century lodge and rabbit warren. As such it is almost certainly unique in England and possibly in the world. …The Forest owes very little to the last 250 years. … Hatfield is the only place where one can step back into the Middle Ages to see, with only a small effort of the imagination, what a Forest looked like in use.”
The sale catalogue draws attention to the timber ‘of very considerable value, the wood having been carefully managed for many years’. Many years indeed, as the Domesday survey of 1086 shows that it belonged to Earl Harold during the reign of Edward the Confessor before passing to William 1st after the conquest. Thus it became a ‘royal’ forest, part of the Forest of Essex which included Epping and Hainault, and alongside provision of timber it was used by the kings for hunting purposes. The chief beasts of the chase were red, roe and, particularly, fallow deer which still populate Hatfield Forest today.
Henry III was the first king to part with the forest and it passed down through the families of Bruce, de Bohun, the earls of Stafford and the Dukes of Buckingham. At one point, Robert the Bruce owned it before it was forfeited along with the rest of his lands in England when he became King of Scotland (the story is featured in this earlier blog posted in August 2014 featuring some of the oldest ‘Essex’ documents kept by ERO). Eventually, along with much of Hallingbury and Hatfield, it came into the possession of the Houblon family who developed it as park during the eighteenth century, creating the lake, planting ornamental trees such as horse chestnuts and building the charming shell house. The family later invoked the Enclosure Act of 1857 and paid £3000 to take it out of common land and enclose it as a private park. Following a decline in their fortunes, however, it was put up for sale in 1923.
According to the National Trust, after an administrative error, a timber merchant bought Hatfield Forest and started felling the timber. At which point, the 83-year-old Edward North Buxton, a council member of the National Trust and a life-long preserver of forests helping to save Epping Forest of which he was a verderer, stepped in to save Hatfield Forest too. He managed to purchase it with the help of his sons from his deathbed and then give it to the National Trust. It was first opened to the public by Lord Ullswater on the 10th May 1924.
An invitation to the public opening of Hatfield Forest in 1924
A map of Hatfield Forest from a 1952 National Trust guide
The forest is famous for its splendid oaks which acted as standard trees amid the coppices. One of the legendary trees was the Doodle Oak which in 1813 measured 60 feet in circumference. Unfortunately, by 1924 it had disappeared. At first the National Trust adopted a laissez-faire approach to preserving the forest but quickly realised that in order to preserve it properly, it would have to be managed as a working forest, especially with regular cutting of timber in the coppices, thereby preserving it in the same way it has been worked for nearly a thousand years.
The sale catalogue, guide book map and invitation will be on display in the ERO Searchroom throughout December 2018. You can find out how you can visit this ancient forest on the National Trust website.